A family member once told me that when they were in art classes, they could copy what they saw, but when they tried to draw from imagination, it was very hard for them.
I was thinking about this last night, as the image of an Artist Trading Card featuring the Golden Gate Bridge came to my mind. Some of the details of the insight that came along with this have been lost to…well, melatonin, let’s say…but I realized that having a use for my art would be one thing to motivate me to do it.
As well, the image was at least setting up a narrative, if it were not a narrative itself. That narrative framed the scope of the project. I did see the use of the bounds of the image as in some way a metaphor for the frame of the message it was intending to get across (even though I envisioned the interior of the design extending beyond the literal frame).
On top of that, the narrative takes precedence over realism, meaning that I don’t have to copy reality in order to get my narrative across.
I’m not sure if I’m making sense, here, but the idea for the image came from questioning if I had hot-press or plate watercolor paper on which to draw comic illustrations. (If not, I know I have Bristol board.) I think I need to lighten up on myself about whether I’m doing things “right,” and just start to do them. Then I can see where it goes, instead of stopping before I start because I don’t think I’m doing it correctly.
But I think having a use, a frame, and a narrative will help me narrow down the scope of what I do. I remember now that I had been considering using my steel-nib dip pens and black ink, and I thought that maybe having a constraint in my technique (such as: no pushing the nib forward to make lines, unless using a cartooning or calligraphy nib) would cut down on my creative options enough so that my content would be easier to express.
I’ve also wanted to get back into calligraphy. Not Japanese calligraphy, but English-language. There is one beautiful red-orange calligraphy ink I saw the other day, which piqued my interest (it looks as though it will contrast well with black).
I had one calligraphy book I was working through, which actually did improve my regular handwriting, as well as my decorative handwriting. And I can practice on top of translucent Layout paper, which will likely be a good solution (I used to send out letters to friends, written on translucent papers — it was just my style).
I also have an Ames Lettering Guide, from the time I wanted to work on comics.
I think I am just wanting to combine text and image, and text and narrative, again. The major thing that has stopped me in my studies of comics, and graphic novels, have been the dispositions of the comic authors I’d likely have to study to learn the craft. There’s a lot of politics, there.
Though I generally consider myself open-minded, sometimes things are just offensive to me — particularly historical work made for a nationalistic, non-minority audience (if you get my drift). I’m not entirely sure what to do about that, except limit my exposure to more recent works and international works, to which I’m not so emotionally tied.
Anyhow, I have a thought of where to start.