Around the time of my last posting, I did a sweep of the bedroom and vastly decreased the amount of dust, in there. Yesterday, the family got together and sorted and reorganized and cleaned and labeled the art and craft storage areas here. I was pleasantly surprised that I had less stuff than I thought I did…
…and I am now rethinking my plan to give away or sell my Copics. True, I don’t like them that much, and possibly contributing to that is the monochrome nature of my collection (different dilutions of Cool Grey, it doesn’t even have the impact of Warm Grey); but working with markers is a quick way to be able to play with things like the impact of negative painting and negative space, without the nervous apprehension that comes with painting, for me. 😛
(Speaking of which, I have heard that fear of painting on canvas is specific to me — but it may be easier than trying to do watercolor in a way that isn’t fussy.)
I am also finding myself leaning more to the side of fine art than comics at this time, which is weird when I’m considering going back to using markers. I’m not entirely certain exactly what the removal of the “sequence” from “sequential art” means, but…well. Anyhow.
I’m more drawn to carving out linoleum blocks right now…and I’m not sure if it’s because it’s new, or because I don’t know what the end result will be. It’s also decently “graphic” for me at this point…and I like cutting things. We actually found the other four gouge blades from a woodcarving set while cleaning up, whereas before I only had one. With the handles, these make sizable tools.
Maybe it’s because I took Wood Shop at such a young age (middle school), but there’s some comfort for me in dealing with precision carving. Though…I think I’ve always liked it. I remember doing a plaster carving in Mixed Media class in high school, which I was super proud of until it was shattered by someone.
To work with plaster carving again…hmm. I don’t think I was too concerned with breathing in the dust, before. It wasn’t until I got to the point of casting metal, that I really even started to worry about it. Now, I go to the art store and I see these warnings about powdered crystalline silica and lung cancer and the outside of the bag is covered in powdered plaster, and I’m like, “hmm. Do I really want to risk this?” (not to mention how to clean up without clogging the sink with plaster from your hands!)
But it is really fun! We used empty milk cartons and mixed the plaster in there; then when it was set but still soft, we peeled off the box and carved the block. It’s how I ruined a set of good carving knives and gouges…once the plaster hardens too much, it will damage/dull steel tools.
I am thinking back to that Mixed Media class…we did ceramics, too, and I would think we would have been exposed to vapors from the firing of those (particularly, glazes are molten glass)…but if I knew then, I obviously didn’t care. I’m pretty sure I took the class, twice.
In any case, I’m thinking that block printing is kind of like a step between drawing or painting, and sculpture…which was a kind of odd thought to come to, but it makes sense to me.
And, yeah: I might start carrying around my black Pitt pens to draw with. There are some weird nibs on some of those pens (like Soft Brush or Soft Calligraphy), that handle funny and make unusual marks. They could be useful in designing a print. I think I said that before, though?
There are also the Staedtler Mars Graphic 3000 Duo brush pens, which…well, the ones I have are fairly ancient, but they have gorgeous supple brush nibs. They’re still markers; the nibs have got to be some sort of porous synthetic rubber or something — not fiber — but they make my writing in Japanese look pretty…well, different from everything else I’ve used (and also kind of “better”)!
And I know how to transfer a design from regular paper to marker paper to Saral paper and then cut it out…not a big deal.
Tonight I stayed home and worked on the Wool-Eater lapghan. It’s growing decently, though now I want to make a version which changes yarn color at every diagonal. It’s possible. (I may also accidentally have worked a yarn join from the skein into the lapghan…which is just going to either irritate or sadden me if it comes apart. Still, though, if I made it, I might be able to repair it.)
Right now it’s really just reminding me of a watermelon. I’m not sure how I feel about that.
It’s also warmer than expected, though the temperatures were in the 80º F range, today.