I successfully got rid of a bunch of art stuff at work, yesterday. The biggest thing was a set of Neocolor II water-soluble crayons, but I’m hoping others will get more pleasure out of them, than I did.
I had consistent issues with disliking the texture that came out of using them dry, not to mention that they dissolved with water into something I can only call a “creamy” texture, which I also disliked. Not to mention that the tint with what remained of the dry texture didn’t appeal to me…nor did scrubbing the marks to liquefy the whole thing. I get much more vibrant and clear color out of watercolors (even midprice ones, like the Reeves tube set we still have).
The upshot of the Neocolors is that they’re relatively opaque, with more covering power than I’ve seen in pretty much anything comparable, except for soft or hard pastel, or the General’s White Charcoal. The problem with all of the latter is that they sit on top of the paper and need a fixative, as they don’t adhere well in themselves. Neocolors have some kind of oil or wax binder, so they stick.
It was recommended that I keep the Neocolor Is, which are basically artist-grade waterproof crayons (the IIs are the water-soluble ones). The biggest pain I have with the Neocolor Is is that the color range I’ve got, isn’t awesome (yellow to red).
I have also realized that I can start a little mini-watercolor kit with what I already have. I know that two colors to include are Phthalo Green and Permanent Rose, but those are my first two anchors. I might pick a lemon yellow (Hansa Yellow) to go along with them…but it will take some experimentation, and to what end, other than making a cute travel kit, I’m not sure.
With a clear and limited kit, though, I might be inspired to go outside and paint. All I have to do is dump out the little cubes of paint from my Cotman set, and fill the half-pans.
I’ve recently been more into the colors themselves, than into ostensible subjects of the paintings…though plants and flowers are things I like. I would say that the subject comes secondary to color, though, or that color is the subject. Thing is, I’m not entirely sure how to express that…though what I associate with those colors, or where around me I’ve seen them, could be a starting point.
To include a Pyrrol Orange in the kit would be nice…which makes four. Daniel Smith’s Pyrrol Scarlet should be good for a warm-leaning red…or I could use Winsor & Newton’s Winsor Red, for a cooler red that’s still warmer than Permanent Rose (and different enough from Pyrrol Orange to be useful).
So that makes:
- Winsor Red
- Permanent Rose
- Pyrrol Orange
- Arylide Yellow (PY3)
- Phthalo Green
Hmm. That leaves seven slots.
- Sap Green?
- Phthalo Blue
- Ultramarine Blue?
- Raw Umber?
- Permanent Magenta
- Green Gold
- Prussian Blue?
- Permanent Yellow Deep?
??? My problem is that I don’t yet know how many of these intermix, well. And now I’m feeling like I have to look back at the lightfastness chart. (What looks like what? What harmonizes, with what?)
I finally got around to putting the lightfastness test sheets back in the window. I just gave up on the drive to photograph them. It’s been three months, almost to the day, since I looked at them for the first round. I still haven’t taken any pictures, though I did separate out any that had noticeable fading. Prussian Blue is one of the colors which did fade slightly over 4 months in full sun — it’s just so beautiful when new, that it’s hard to think of realistically putting it to the side. (I might want to see if I can mix the same shade, out of more lightfast pigments.)
Then there are those relatively odd and specialized colors, like Cerulean Blue Chromium or Cobalt Turquoise Light, and earth pigments like Raw Umber and Burnt Sienna. Now that I think of it, Raw Umber + Ultramarine is probably essential as a neutral tint. Magenta + Phthalo Blue will also give me something close to Indanthrone Blue (as I learned at handprint.com).
- Raw Umber + Ultramarine
- Permanent Rose + Phthalo Green
- Magenta + Phthalo Blue
That makes six.
- Lemon Yellow + Pyrrol Orange
Eight. Four to go.
So today…this day has only barely started, for me. Everything preceding this was begun last night. Then I took medication and got knocked out at about 11 PM…and didn’t get back up until 2 PM today. (The place at which I stopped, marked the time at which my mind stopped being coherent, though I’ve since added content. I’m still not sure if my functioning is entirely back, and I’m saying this at what is now verging on 7 PM. Both today and yesterday, words weren’t my strong suit. It’s likely because I’ve been staying up too late, and it’s getting chronic.)
After work, yesterday, was largely taken up with cleaning off the craft table. I’m slowly getting all of my beads together — I have more than I thought I did, particularly in sizes 8° and 6° — meaning that I can do a lot with beaded micromacramé, as these sizes are large enough to take passes of heavy cord with which I can make decorative knots.
The day before that, I was logging work for my Summer class, so that should be done.
I had also been beginning work on my Portfolio…I think it will be easiest to begin with Competencies for which I only have one or two classes. They’re easy to start from. I’ve begun re-saving things from six years ago into current format, hoping that not too much has been corrupted.
Can’t say it’s not stressful, though.
In any case, I should be working on this when I have the urge and energy, to. For a couple of days, it’s been like this: where “self-care” does constitute doing work, as versus playing or de-stressing. Sometimes de-stressing includes doing work to abate my stress, rather than doing anything but work.
Given that, I’m feeling pretty good.
I’m also thinking, based on what I’ve written above, that getting to bed at a reasonable hour should be a priority for me. If that happens, I’ll probably be up to working on my Portfolio for at least a few hours, a few days out of the week. Exercise is another one of those things I should do.
Beading is obviously something I’m getting back to, and I want to use the watercolors, as well. Aside from paperwork and some other housekeeping stuff, I should be okay like this until the semester starts. Extra hours at work, I can think about after everything else is okay.