The last two days (prior to today) have been spent going through my personal library. I hadn’t realized how many books I had. Nor did I realize the content of all of those books. When we move, no matter where we move to, I’ll have to pack some of this stuff up.
The task is reminding me of my Collection Development class, though much of what I’m doing now is basically what we call, “weeding,” in the Public Library sector — more of a Collection Management thing than specifically a Development thing.
The surprising thing is how many of my beadwork and jeweling books are still of use, though I was able to find duplicate content from many of my older and introductory books in later, newer and more complex publications. I can also tell from the collection, how much I was looking for books which would assist me in the “design” portion of jewelry-making.
There are a few things I do really well. One of these is beadweaving. I’ve also found silversmithing to be something I’m competent at, though it’s not something I’m overall drawn towards. However — I can use basic pick soldering skills to work at silver filigree.
It’s something I haven’t tried yet, mostly because it does require the use of a torch, now outside of my past studio environment (though it uses a smaller flame than heavy-duty hard soldering). It also requires a way to polish the final product…which, to the best of my knowledge, can only be accomplished through a gentle method like tumbling (tumblers are expensive), or the use of 3M rotary discs with something like a Dremel or Foredom flex-shaft.
I mention filigree, as a lot of what I’ve wanted to do has to deal with the use of specific shapes I want to emphasize (and right now I’m still used to working in 2-D). It shouldn’t be difficult to make a shaped frame, if you know a bit of wirework and how to pick-solder. The rest of it requires bending wire to fill the frame, and soldering or fusing those pieces into place. I know I bought a book on wire filigree, but right now I have no idea where it is, or if I had it and got rid of it.
The main drawback would seem to be the fact that filigree is usually flat, though with the right shaping tools (like a dapping block and punches) and some creativity, that’s not necessarily how the final piece has to turn out. I’m thinking about things like flower petals, and arcs…though the first seems as though it would be difficult to do cleanly if it’s a hot connection instead of a cold connection (such as wire-wrapping).
That’s mainly because a connection has to be flush, clean, hot, and in-contact to solder; I’m not sure if the same is the case for fusing. All of this also requires some specific start-up costs, though…I’ve had handmade filigree earrings, basically from a street vendor before, and they were (are) pretty much, beautiful. (I actually bought them at a table in the Student Union, in my undergraduate University.)
I did realize, though, that I also wanted to deal with sewing and embroidery: it’s just a newer thing to realize that I can alter and change patterns. I also realized that not all patterns are stereotypically excessively feminine, even though the main companies like Butterick’s and McCall’s, I remember as…not made with myself in mind. I’m not sure that’s accurate, though, because it’s been a while since I looked in either of their catalogs.
The main issues I have are restrictive and constricting patterns, and the lack of masculine wear. However…in my mid-thirties, now, my clothes are kind of encouraging me to move on into skirts and dresses, because they just fit better and are more comfortable. As long as I can move enough to fight or escape, I’m fine. The issue arises when I try to run in a pencil skirt and clip myself; or lift my hand above my head, and my shirt exposes my belly; or lean over, and others can see down my collar; or my dress is made to stay up only by clinging to my breasts. That’s when I have issues.
But the first time we went to Oahu, we went to a muumuu factory…and I got some really nice, comfortable, lightweight dresses that fit. It’s amazing to me. If I lived in Hawaii, I would without question be wearing skirts and dresses. It’s just really sticky, otherwise.
Both beadweaving and sewing are methods of fine hand-work that can have a lot to do with color, but they aren’t the same thing. In one form you’re working linearly; in the other, with joining two-dimensional flat pieces.
In sewing, I just need to learn when to use which stitch, and when it’s actually smart to switch to a sewing machine. I’m interested in hand-stitching, which came from manipulating a needle and thread in beadweaving. After a while, you just get used to sticking yourself; but for some reason, I get pleasure out of manipulating a needle and thread.
The other tangent I intend to continue on is working with beaded micromacrame. I’m just not certain which of these — sewing, embroidery, wirework, beaded micromacrame, beadweaving, or beadwork more generally — I’ll end up dealing with most (maybe I should rate how far I have progressed in each, in my Bullet Journal?). I do realize now, however, that all of these skills will likely be in-demand if I become a Public Librarian. I know enough to be able to teach or co-learn, and I have the interest.
I should get some rest before I stay up into the early morning again: I have work tomorrow, and need to pick up some fresh produce, afterwards. Luckily, I don’t have to stay there long, and the work should already be underway by the time I get there; the tough part of resuming work after a holiday closure, should be either done or in-progress.
I’m also considering getting a lucet (for interlooping) tomorrow. Like a crazy person. But we’ll be in the area…
If I ever get these interlooping things in hand (har har), I can show you what the chains are supposed to look like… (Hardly anyone knows what interlooping is, like hardly anyone knows what tatting is. Don’t feel bad…)