I feel silly for posting this, but:

I do keep talking about the Japanese language study, and toying with handwriting, and this.  So…it could be interesting for me to log my progress on the writing front.  Maybe it will help motivate me to keep going back to the books.

vertical lines of Japanese text read "watashi wa genki desu."
(by the way, this just reads “I’m healthy/in good spirits,” over and over again.)

I’m shrinking the size of this down just to make it clearer.  As this is on my screen, it appears to be almost at the size at which it was written (yes I used tiny pens).

I was seeing what I could get out of my pens, in addition to practicing kanji (some of which, like the “-ki” in genki), I’ve not totally gotten a handle on, yet.

And…I’ve realized why nib sizes in Japanese fountain pens run narrower than in Western-style fountain pens:  at a certain point, writing with a thick nib means you can’t write kanji legibly at a small size.

So…I’m pretty sure that the tiniest of these (rose and green) are Copic .003 Multiliners.  Then I tried a .005 and a couple of Microns (the latter of which made the sepia-tone marks on the left), along with an ultra-micro Uni-Ball Signo.

I’ve also got to remember to store my pens horizontally, not vertically in a marker stand as I had been doing.  I had a couple of Pitt metallic markers which totally lost their opacity and sheen (one of which made the aqua-colored writing in the center, there), possibly from the ink separating out.

Also…it appears that Gelly Roll pens have a shelf life (my silver one died and wouldn’t make any mark which wasn’t largely suspension fluid).  And I had to toss a white Uni-Ball Signo because the ink was doing something bizarre (the rollerball would divide all the lines it made).  I’m not sure why.

Japanese writing in light colors on a black background.
Large characters read “Tokyo dialect;” the rest are variations on, “Am I healthy?/Are you healthy?”

The good thing is that now I know what I have, and I still have some sweet stuff.

I tried not to blow up the image to the right too much, because most of it was written tiny to begin with.  This is the back of my Supracolor swatch, which I repurposed into a test paper.  (Trust me, no one will be able to tell.)

And — hey!  The Photoshop Levels adjustment makes black tone appear deeper, too!

I’m pretty sure the four phrases on the right are all Derwent Graphik Line Painters (the ones with the hollow nibs which I’m not sure will continue to be made).  I think “Snow” is the white one and “Fox” is the silver one on far right (I love how opaque that one is!).

As a note, when Japanese writing is vertical, it reads right-to-left, although I was writing stuff down wherever (and tend to still write — and habitually read — left-to-right.  I’m getting better, though.)

The bit saying “Tokyo dialect,” or tokyo-go, as my friend put it (see upper left corner of the above image), was written with one of those metallic Pitt bullet-point markers:  one of the ones still viable, that is.  My teal one turned transparent on black paper, where it should have been opaque, as above.  I didn’t think it was worth keeping.

And then there are a bunch of Uni-Ball Signo metallic gel pens that I have, that still work awesomely even if the gold doesn’t, say, look like it’s actually made of gold.  🙂  At least I don’t get weird ink flow issues like I did with the odd white one, which I think I may have ruined by drawing with it on top of a watercolor painting.

Come to think of it, that could be why my white Gelly Roll pen died, too (I’ve just gotten a replacement).  Hmm.

I should probably do some schoolwork or go to sleep, at this point…although!  I’m nearing the end of Unit 1 in my Kluemper text!  (I found this out randomly last night.)

Yeah, I should study:  I have assignments (that have to actually be turned in) coming up, soon…

But I do want to note to myself:  don’t use water-based marker on watercolor paper and expect it to dry quickly.  That’s what happened with the smudgy section in the first image, which is bordered by red lines.  The red lines are fine; the fact that I got a fistful of ink on my hand when I tried writing on my paper — after a decent amount of time — is not.  I’m just thinking that the paper absorbed the ink so much that it trapped the water and didn’t let it dissipate at a normal rate…


Giving myself a break

The time crunch is loosening up a bit.  I don’t know how long it will last, but I’ve got some breathing room, now.  Tomorrow, I want to work with my watercolors a bit in the daytime.  I have that one abstract plaything that I never finished…

I’d like to pick this work back up again.  From July 5, 2017.

I was thinking about going off tomorrow to take a three-hour impromptu workshop on watercolor fundamentals, but realistically…well, there are other ways to get that information (and save the fee).

Also:  I just took a look at a different set of watercolor workshops, and the workshop I was thinking about attending tomorrow is relatively overpriced (about $23/hour?).  For $5 more I could get two extra hours of assistance, and not deal with being given supplies that I don’t need.  My major issue at this point is how to envision things that don’t exist, not how to copy things that do (although I’ve gotten the point that the latter may be much easier using blocks of color rather than line).

I also need to work on my use of positive and negative space.

I have a rough idea of how I want the above play to turn out, but the thing is, I could do a series of these and have them all be different.  That is, the patterning isn’t hemming me in, here.  And I can see some of the next steps, already (though granted, I saw some of the next steps a few days after reaching the point you see above).  The reason I stopped here?  I felt I might have been overworking things, and I ceased to be able to see what would come next.

Relatively speaking, the ability to “see” where to put my next mark is a bit frightening for me, but now that I have some study of creativity and the brain under my belt, I think that the issue is that I get into a “Flow” state and don’t understand it, so I tend to avoid it.  It isn’t necessarily that I’m being directed by something invisible (other than myself); it’s that I’m tapping into a brain-state that I normally don’t experience…which can lead to the explanation that I’m doing something metaphysically-based, when I may not be (or probably am not, but I’m leaving some wiggle room for the unexplained, here).

I just seem to be one of those people who enjoys using their creativity, but is always scared when embarking.  For me, in a sense, it’s like skydiving (not that I’ve skydived, but):  it may be exhilarating on the way down, but I’m scared to get on the plane and I’m scared that my parachute may not open.  Even though it’s been OK, pretty much every time so far.  And I’m not going to die if I can’t solve a creative problem during whatever time I’ve allotted myself to solve it.

My actual problem seems to be in using my creative faculties to whip up reasons not to use my creative faculties.


In other…arenas, I took a sketchbook with cheap paper (which I had been journalling within) to work, today.  I felt a little disappointed with myself when I started practicing kana with my Pentel Pocket Brush Pen instead of designing a block print, like I had intended (although I realized I again lost offhand memory of some of the kana — though I would probably recognize them if I read them)…but then I started writing a new journal entry to myself.  That book has been with me for years — the better part of a decade, I’ll say — and the entries are sparse but intriguing (to me, at least).

I’m not sure what the draw to language means, if it means anything.

And the Pentel Pocket Brush Pen is vastly better for Japanese writing than is the Sakura Pigma Micron Brush Pen.  The former has bristles; the latter…I’m not sure, but it’s stiffer and squeakier, with less line-weight variation.  The big drawback to the Pentel Pocket Brush Pen is that it is so incredibly sensitive that you need a light touch and almost need to hover over the page (though there is still some tactile feedback of the bristles).

I should get out of here and get ready for bed…

Weird dreams over the last 48 hours…

I have just been wiped out, today.  Work demands + school demands + poor time management + biology.  Speaking of which, I had another dream about going into Biology and living on my own after my Master’s was done, though this time it would have been in some kind of cognitive science (in order to complement Human-Computer Interaction work).

Somehow, though…I don’t think I would be good in Biology:  too much biohazardous and wet stuff.  But I think in the dream, I had been gaining Physics skills (I don’t know how or why — it doesn’t make sense in the broader context), but it would have made sense in light of that.

The night before, I had a rather disturbing dream which makes sense in light of Rick & Morty, Silent Hill, Attack on Titan, the Book of Enoch, and Warm Bodies:  I dreamt I had my heart, eyes, and brain removed (while I was alive/standing there) and placed into a dead body, which I then became.  (Yes, it is scary to have your heart and eyes and brain ripped out of you in a dream)

While I had superpowers (notably, I could fly), I was still a monster who was leading people around (to potentially become like I was — though I don’t know if they knew that), and seeing things no normal person would see (the graphic contents of which are too disturbing to relate, here).

It would be interesting to make that one into flash fiction.  I don’t know what the plot would center around, though.  I still don’t know the motives of the character who transferred me.  Maybe I could begin by trying to figure that out, if I do write this out.

And then today, there was another transition-related dream (related to the “disturbing” stuff I saw in the dream I just mentioned — part of which was desiring a male form)…the key point of which is that it would narrow, rather than broaden, my options.

The only reason to move forward with it, then, would be 1) to satisfy curiosity and thus know the right decision to make (after the fact, unfortunately), or 2) to understand that the narrowed options would be more comfortable for me (than broader unused options; however, I do still use these).

I was still curious about what testosterone would feel like, but — it isn’t a good idea, speaking from a waking perspective.  Health concerns make it unlikely that I would be able to stay on testosterone for life without it eventually killing me (I have family history of heart troubles).  I don’t know why I keep having these dreams, though — I’ve been having them at least since my first gender therapist retired.

It seems that there’s a parallel memory thread going on in my brain which contains dream-related memories.  Hmm.

Anyhow…I should probably do something else, right now.  While it probably wouldn’t be best to spend the time researching the stuff in the horror dream…curiosity, you know…

Recovering back to where I was earlier:

I’ve been at my computer for a good amount of time, today.  It does require effort to juggle three classes at once; one of which, I was barely even aware of falling behind in, until I started rooting around in the Learning Management System (LMS).  Luckily, I’m only behind in the readings…also luckily, we’re less than a week into the semester, and I’ve turned in the majority of my homework.  I think what I still need to work on, is just responding to others.

I have more (hope) than a drop of sunshine that I will indeed be able to handle these three classes, plus work, art and exercise.  (If that makes sense?  Yes, I’m probably referencing one or more of my citrine crystals, which in turn reference gem lore which I’ve probably only retained subconsciously — and energetic impressions, which…well, I am highly interested in color and its emotional and mental effects, what can I say…)  Tonight, I have also been looking back through my archives, and found an entry from a while back which it might be good to “reset” to.

Recently, I’ve been working with the watercolor pencils, plus acrylic inks, fineliners, and some drawing which felt intense, even if it wasn’t.  😉  (I’ve also started to branch back into interests in sewing and embroidery, which is a relief just from being content-neutral and fiddly enough to sate my desire to manually puzzle things out.)

I’m thinking that I will be better off coloring my illustrations with watercolor, at this point, than I will be with utilizing acrylic ink.  I have finer control with the former, stemming from greater experience.  After dealing with inking and colors, I can see where I stand in regard to using the acrylic inks as a serious art medium (as versus an experimental one).  Though, of course, that will take more experiments.

But I want to get back to color studies, specifically with the watercolors.  I also have a good deal of gouache which I think will be useful…and I have recalled the lamination film I bought just to make bookmarks.  This could keep me busy.

I think maybe I’ve been spoiled on having good-quality paints…the colors in all of my paints are just seriously vibrant.  Possibly moreso, than my pencils, aquarelles, and the acrylic inks I currently have (though the last are decent — just not great).  Pencils and aquarelles are useful, don’t get me wrong — but for me the usefulness is in the portability and cleanliness.  I’m not completely certain, but I feel the chroma (color intensity) of colored pencils and aquarelles, suffers a bit in comparison to the character of paint.

I can even work with heavy-body acrylics, on canvas — I have canvas pads which are a very forgiving surface for experimentation, even though they warp with water.  I could then cut apart a composition and layer different elements together.

Not to mention that I’ve nearly entirely lost the linocutting thread that I had at the beginning of Summer.  I want to get back to that.

I’m not too hot on either of the character drawings I did a little bit ago…which is as good a reason as any to experiment on them.  I may not be planning on working on my story, but I can still play with drawings.  (I’ve also realized that I’ve hit the *ahem* “Precious Point,” I guess I’ll call it, which has stalled me out on working on either of them; a.k.a., “I don’t want to ruin it!”)

At some point, though, an image either has to develop or it has to be abandoned or finished…there’s not much point to freezing for an indefinite amount of time, until — until what, until my skills or “vision” get better? — which won’t happen if I don’t push myself to gain the experience of working through this.  The alternative is stunted growth, fear, and a bunch of half-finished (or barely-begun) drawings.

I’ll need to have some practice at drawing, inking, and coloring, in order to deal with this at all in the future, as well.  So there’s really no point to giving up illustration — even if it is difficult for me to develop, in words, the story which the illustrations support.

I think I’m ready to try and get some sleep, now.  It shouldn’t be too hard…

Prioritization of activities

Well, school has officially started.  I also have done what I think I would need to do, in order to get a better job in my same organization.  Everything has been done; I’m just waiting to see my ranking.  I am not sure what I would need to do in order to handle both a Library Assistant position and 9 units of classwork, at the same time…

Let’s just say that it would be a life transition.  Life can’t all be studying and Summer vacations, that is.

In light of my awareness of the relative preciousness of time which I see looming…I’ve been thinking about what “hobbies” I would cut out, if I had the need to.  Right now I have a number of interests, running synchronously:

  • Reading
  • Creative Writing
  • Sequential Art
  • Fine Art
  • Japanese language study
  • Blogging

…and I think I’ve pinpointed Creative Writing and Sequential Art as the tasks which require the most study, effort, time, and (dare I say it) stress, out of all of these.

As I head deeper into the Master’s program, I find it evident that it is training me to reach for study as second-nature.  Over the Summer, for example:  when I wasn’t chipping away at my UX class, it was easier (and a bit more productive) to study Japanese language, than it was to work at Art.  I think there’s just some structure there which helps me.

At the same time as I’ve wanted to work on my own stories, as well, I’ve found that it’s very hard for me to do this, having been divorced from reading-for-pleasure for as long as I have been.  I’m not kidding when I say that it’s hard for me to get into a book which — for one thing — I am aware has (usually) been totally constructed by one mind, often for the purpose of bolstering that mind’s own convictions…

…or maybe I was exposed to too many Classics, and too much of my own stuff, in tandem with a heaping dose of Psychiatry, I don’t know…

The takeaway for me from this is, though, that I’m not as interested in fiction as I once was.  When I was a youth, I felt that I survived in order to write.  But now, I look back on that 23-year-old and I see someone who was almost in shambles from illness, and who needed something to hold onto in order to keep going at all.  And the only thing to hold on to was what I created, myself.

At that time, maybe a semi-mystical life purpose was necessary; is it now, though?

Or maybe more to the point:  there is more than one way to create, and more than one way to tell a story.  And maybe…it may be that I’m not ready to tell this story, yet.  (Or maybe, I’m outgrowing this story.)

In any case, I do think that I retain the skill of persuasive storytelling; but I am not sure that now — as I’m in the middle of a Master’s program and in the middle of becoming independent — is the right time for me to be embroiled in learning even more about things that have no application save in religion, spirituality, and anthropology.  That stuff could have saved my life when I was 23; but right now it’s an incredibly indirect way for me to better my situation.

What is a much more direct way for me to help myself is to get through these next two years of school; to get more and better job skills; and to figure out where it is I want to be going, in my life.  The last reason is why I’m deciding to cut out the fiction writing, but not the art.  Creative Writing has the tendency to be detrimental to my health, but Art tends to improve it.  I’m not entirely sure why the latter may be, but I know the former has to do with cementing inaccurate ideas about the world which were formed in my childhood, in my own little nightmarish sandbox.

On the other hand, writing in a manner like this — on the blog — does help me.  I can be more objective, here.  And I really do enjoy learning Japanese language.  I’m not entirely sure why, but it helps…and I want to be able to read stories and books (etc.) from outside the confines of English.  I just am not positive in any respect that works in English are what I want to emulate:  they’re just what I’ve been exposed to, thus far (not counting translations, though even there, editing occurs).

I also really want to be reading, though I find my drive to read more rewarded when I’m reading non-fiction — like, say, texts on Art History.  It’s a given that I’ll have to read, in my grad program.  But if I’m reading…I like to at least get something out of it, like new understanding, or new skills.  Something.  It’s likely a reason I’ve enjoyed World History, so much.

In any case, I do hope to keep up the blogging, because without it I lose track of what I’m currently doing, and what I’ve done — and what I have to do.  I also want to keep up the Japanese language study.  I want to read more, and I want to continue on with the Art (though I may go back to mandalas with this; I’m not even kidding).  And of course, I’ve got to deal with my job, my schooling, driving and cooking (though my parents help with the latter two).

Aside from this…well, I think this is enough to hold in my mind, this semester.  I’m just hoping it will not still be too much…

Recording this so I see it, later:

Well, my fever temporarily broke today…unfortunately, it then went back up to 99º F. Consistent with what I’ve been doing for the last several days, I’ve decided to stay in, today. I did break out the aquarelle pencils (I have one set of “Watercolor” pencils and one set of “Ink” pencils), and tried to get a start on swatching them (again — I didn’t feel like trying to find my old papers), until I realized I was again sweating, and should give it a break. I know that yesterday, I was so loopy that I was misreading clearly written text…

There’s something to be said, though, for the “wow” factor for me in even being able to draw two lines of different width on a big piece of Mixed Media paper. I think that, now, other than times when I am just trying out a paper (like the hot-press Fluid brand paper which I found, pills), it would actually be best to go for a larger pad, rather than a small one. I usually don’t use blocks — I prefer to tape the paper down to a piece of Masonite. That way, I can work on more than one project at once, and switch them out when I feel like it.

And rulers! I have been using a large aluminum ruler for a good amount of time, to cut and draw straight lines. What a timesaver! I kind of want to kick myself for even thinking about trying to hand-draw straight lines for my swatches (mostly because I didn’t want to go get the ruler)!

Right now I’m (again) in bed, and typing like this is probably not good for my spine — but I have realized a potential twist in the story I’ve been planning out. Parallel timelines: different universes. What one character believes to be a “past life” or spirit action may turn out to be the mental overlapping of two timelines.

This will enable me to have the “spirit” character not be perfect, to tell her story at the same time I’m divulging the co-main character’s, and to tell both the stories that have been bothering me for some time, within the same text. As a bonus, the female main character won’t have to die for the male main character’s story to begin, and they won’t have to take place on the same world or iteration of that world’s timeline. But the time flow issue — and the issue of psychic “alien” life — will be all screwy, which, gratefully, I’ve somewhat prepared for.

My major dilemma at this point is knowing that I want to work this out visually, and wondering how to work such an internal story out in image + text (as versus text only).

I know the “smart” thing would appear to be not to divulge these notes, but I’ve had too many projects die without seeing the light of day because of my secrecy. And it’s not even like the execution was all that great, if I’m thinking back to when I was 12 and doing this stuff. The thing is that ideas are plentiful; but it’s the execution of the idea that makes it yours. It will likely be quite some time before I’m ready to show a concrete (non-changing/logically coherent) image of this story to the world, but what I can do with it and what someone else would do with it are two different things…

Distractions, distractions…

I have one day left to do my final assignment in User Experience, and I think the timeline has me freezing up, a bit.  Both today and yesterday, I was unable to go in to work; yesterday, because I was physically sick (any time I moved, I wanted to throw up), and today, because I was running a fever (higher than yesterday’s).  Most of today and yesterday has been spent in the bed.

Right now, I feel more capable of doing things without constantly sweating, and my spine is telling me that some time spent vertically would be a good thing.  Staying home, though, didn’t help me find out what I need to for the basis of my assignment…which, inconveniently enough, is based on interviewing people.  (Working with people is likely the most difficult part of both my job, and this program.)

After this next week, though, Summer Session will be over.  That will be a relief.  I think I should just try and do the assignment as best I am able, even knowing that I do not have the time or information to do things the way I am being asked to do them.

Design Thinking is an entire field; it is unreasonable to expect us to execute the assignment perfectly in one week based on material found online, especially when no lecture is given and we have only been introduced to it within that same week.

I do think that I would be better off working in Graphic Design than I would be working in Design Thinking, that is.  That said, it is good to at least be introduced to the latter concept (and to where to learn more if I so desire).

That said, here are the succulent babies I was talking about last time. 😛 Please forgive the color-fill background; I took this photo at a weird angle, then had to rotate the image…did I crop this before rotating it?  Hmm.  Got to remember that for next time…


I’m still unsure as to whether to claim my off days as sickleave…though as it is Summer, and I spend more money during Summer and Winter breaks (excluding clothing) than at any other time…(during Semesters, I don’t have time to work on Art), I’m thinking about it.  Right now I’m wondering if I got sick because I briefly touched the neck/cap of my water bottle with an unclean hand, and then drank from it later.  (I thought my mouth did not touch what my hand touched.  Maybe I was wrong.)

Anyway, that’s past.

One of my coworkers brought in some graphic work the other day, as well:  I’ve got to ask them what kind of markers they used!  From the looks of the color blending, I would think they were Chartpaks, but I’m not deep enough into markers to tell.

I am thinking of getting some new Chartpaks and seeing how they perform now (the ink may not be the same, and mine may be so old as to be drying out — they’re streaking, now, but when they were new I could not make them streak):  I got the idea for a graphic art piece dealing with the story that is in my head and not yet solidified enough on paper (or in bytes) for me to have a formed idea of what it will become.

But I was motivated enough to work on it in charcoal, earlier.  And I hate charcoal.  I haven’t photographed it yet because it’s nowhere near being done, and I really dislike working in black and white, anyway.

It is a given that if I work with the Chartpaks, I will have to do it in a well-ventilated area; I’m thinking the garage, or outside.  I’m not sure if the fumes will be strong enough to ignite via the furnace…if this is an issue, I may be better off sticking with Tombows or other water-based markers, and just making heavy use of a blending marker, or brush and water — I don’t know what the difference is, in water-based markers.  (I wonder if charcoal/pastel blending stumps dipped in water would work, or just turn into mush?)

I also have Copics (alcohol-based), but my co-worker and I have been fairly underwhelmed by the markers, at least.  (I like the fineliners.)  I haven’t yet tried using the blending marker, though.  The Copics I have, streak; though I’m not sure if that’s because of the quality of nearly every paper I’ve used (I think translucent marker paper helps, particularly Borden & Riley), or if it’s because I didn’t saturate the paper with solvent (from the blending marker).

I should try blending the Copics first, before going to the Chartpaks, though…the solvent of the latter is definitely something you don’t want to be breathing in for any length of time, or in a confined area; and when open areas have open flame in them…I don’t want to set the house on fire.  I think I could use these, though, in an actual open space — if I taped down the paper I was working on to protect from wind.

At least when I first began to use the Chartpaks, they were formulated with xylene as a solvent, which is carcinogenic; then they reduced the amount of xylene to a level where the markers no longer carried a Caution Label.  Obviously, though…if you can avoid xylene…it’s just one of those things that’s best not to come into contact with on a frequent basis.  I was already used to the smell from using watchmaker’s cement (G-S Hypo Cement, which also uses xylene as a solvent, and which I’d gotten plenty of, on my fingertips:  not good!).

But the Chartpak AD markers (I’m not referring to the Chartpak Spectra AD markers, which I just found tonight) blend and bleed beautifully, or at least they used to.  Like I said:  when my (old formulation) markers were new, I could not make myself get streaks, so what I used them on looked more like animation cels, than anything.

And then, there’s the possibility of using colored pencils and liquefying them with a blending marker or Gamsol, or of using aquarelles.  The negative thing about the latter that I immediately land on, however, is that it’s like using grainy (and sometimes dull) paint.  The aquarelle layers just don’t dissolve all the way, unless you use a really light touch when applying the crayon (I’m thinking Neocolor II) or pencil…which I might try, at least if the only other options are Tombows and Copics.  The exception to this that I can think of are the Caran d’Ache Supracolor aquarelle pencils…which liquefy beautifully, with intense colors, but which are also top-of-the-line for watercolor pencils.  (They are priced accordingly.)

Yeah, maybe I’ll try that.  Maybe…I will.  I have some aquarelles I can experiment with, here already.  Maybe I just need to use a light touch.  This — and/or actually using paint or acrylic ink (how could I forget all those FW acrylic inks I have?), seem like better options.

I was probably just wowed by my co-worker’s marker art.  🙂  I forgot that I’ve been building up to this, for a while.  I got out of trying to use markers because it’s so expensive to just increase a dilution level of the same ink, whereas with paint or bottled ink, you just add a little more water.  (It’s been a very long time since I used ground sumi ink.)

I had begun to get into the technique of utilizing transparent watercolor as a ground color for other colored-pencil work, on top of a fineliner drawing; it shouldn’t be hard to lay down initial colors as watercolor (with the option of using acrylic ink, instead), then layer aquarelle and then regular colored pencil over that…though the opacity of those colors is something to pay attention to.  I could wipe out my initial linework, if I’m not careful.  But then I might also be able to wipe out opaque colors on top of linework as well, or redraw them with ink and a brush…(regular colored pencil, being wax- or oil-based, can clog the nibs of fineliners and markers, so I’ve heard).

I’ve also gotten wowed with Derwent Graphik Line Painters, some of which I may have initially ruined in my attempts at use:  I mention them here because they look awesome on top of watercolor, and as they have Japan (hollow) nibs, I have less of an expectation that they will clog.  The problem I’m having is having depressed the nibs too far into the barrels; this means some of them (the ones I tried to use before I knew better), will leak.

I recently found a Strathmore Mixed Media paper (it almost feels like illustration board:  the latter of which I don’t know how to use properly with water-based media, by the way), which I want to try out…and all of this might work well, here.

Yeah, I think it’s time to break out the aquarelle pencils!  After, that is, completing this last assignment…gah…