art and nervousness/nerves/nerve

Today (or at this specific moment, yesterday) the trips to the art stores happened, within the span of about an hour.  This was fun, though now the hard work comes:  actually using the supplies.  Which is what everyone wants me to do, and which is likely why I met with no resistance when getting to the places, today:  I actually did use some of my supplies.

Although I had planned to spend around $60-$70, I ended up spending a bit more.  I knew it might come to that.  Although the big-box art supply store had more types of X-Acto blades, they had only two of the three types I wanted.  They also did not have 2″x 2″ linoleum blocks, and their prices on block printing ink were higher than at the smaller art store for identical inks.

I’ve found a hesitance to work on the actual execution of these projects:  they are beautiful in my concept, and having the supplies and the time, I have no excuse not to work.  I think that I have a fear that my execution will not fulfill my concept, however; that I’ll end up ruining a project or messing up.  Though this is kind of ridiculous, as I consistently surprise myself where it comes to ease with my media and the skill I have which is hidden until demonstrated.  It’s also ridiculous when the materials are inexpensive.  Maybe I would have been better off just getting one or two more inks.  Maybe.

On the other hand, the randomness of color printing, when using mixed inks, is an obvious upshot of working with prints.

Then there is the fear that I’ll really really like it.

And end up collecting plates of glass to roll out my inks…

…but why is that scary?  Because then I’ll be doing something fulfilling?

I need to go over my receipts and see what I did get which I didn’t plan on getting.

I should also work on my “crocus” before the urge becomes too stale.  I can already see myself forgetting how to work the image in drawing.  But then there are new elements to this, now:  one of which is that I have new knives and gouges that I should practice with before cutting a final image; the other of which is that I want to experiment with image registration, though multi-color prints may realistically be very advanced from my current position.

What I did do today, as well, though:  I made a toolbox with all of my knives, gouges, blade holders, adhesives, brayers, and black pens (fineliners, brush pens, Sharpies).  Do you think that maybe I should just concentrate on two-tone prints, for now (positive and negative space, as versus color)?  I can see where maybe I should…

And maybe I should put my weird-nib Pitt pens in that kit, too.  I don’t have to be concerned about water resistance, here, as I won’t be painting over them (Pitt black pens have a tendency to leave a grey haze when water is washed over them — a reason they aren’t more central to my work — but they have some special felt nibs that behave in interesting ways.  As I’m just after the design, shapes, and lines…there isn’t any drawback to using them).

But yeah, I pretty much had to pick up the violet ink today because my little flower print does remind me of a crocus.  Maybe what I can do is work suminagashi or wet-into-wet watercolor on the paper first, then make multiple little prints on them with the newer crocus linocut?

Wow, I just realized that if my Boku-Undo inks and Sumifactant are still worth anything, I should be able to make pale pink/blue/violet marbling (the inks are very weak) and then print multiple crocuses on top of that in violet, via block printing.  And I can even add translucency to it, because I got an extender for the ink.  And…I also have a blue and magenta, so I could print multiple colors mixed together on one stamp, instead of a straight violet.  Then I can cut the prints apart and give them to people.  🙂  No kento registration required, though if I really wanted to, I could put in a border…

And yes, I did just think of Artists’ Trading Cards…am I getting a “thing,” now?  Are flowers in water-soluble media now my “thing”?

I should find my palette knife so I can mix the ink…I think it used to be in a pot with the brushes and pens at my old craft area, but that was before we rearranged.  I know where it might be, though:  I can look for it after we’re facing the Sun again.  😉

I forgot to mention that I moved the majority of my “dusty” media (hard pastels, pastel pencils, charcoal, charcoal pencils, White Charcoal, white Rembrandt soft pastel), graphite crayons and pencils, and their accoutrements (erasers, blending stumps, chamois, X-Acto knife [#11 blade] for pencil sharpening), plus some earth-tone watercolor and colored pencils, into an old ArtBin which is stacked under my Printing kit (which is in the toolbox I used for my art supplies when I was taking art classes).

I should take photos of this.  I can see myself not recalling where I put the stuff…if I maintain visual records, though…at least that will be something I can reference without having to catalog everything…

Okay, self:  tomorrow is a new day.  Do not fear it.

art and nervousness/nerves/nerve

Okay. Can’t sleep.

I’ve been busy thinking up things to make linocuts out of, and don’t know how coherent I’ll be — sorry!  🙂

I did find my old stash of X-Acto blades and blade holders!  So I know I don’t need any #11 or #2 blades, and I won’t need an extra handle.  There are three types of blades I’ve decided on — the #10 (general, curved) and #12 (detail, curved) for the #1 handle, and the #28 (concave) for the #2 handle.  What I will need help with are biomorphic forms (flowers, leaves, feathers), so I’m hoping that the curved blades will assist, here.  I think that if I sharpened my initial tools, they should work; but as it is, the only knife or gouge I have that is still reliably sharp is my big U-gouge.  And that’s because I didn’t use it in high school.  (I don’t know how to sharpen gouges.)

I still haven’t (“still”? it’s been what, a day?) gone back to my original design — though I did get the idea of printing multiple layers of color, today.  If I can find a strip of wood that is exactly the height of my linoleum blocks, it would help with registering the prints — that is, lining them up exactly so that I don’t miss and get a weirdly printed copy.  I’m not betting on this, though.   I do have strips of cardboard that I’ve saved from old drawing pads, which I can cut to size and then tape the print to (while lining up the bottom edge with the block) — I think this should help, but I haven’t tried it yet.

The thing that I still can’t justify buying is a baren.  This is largely because they’re expensive, and largely, it’s just a flat surface.  The one Japanese brand I’ve found is Yasutomo, and…let’s just say it didn’t feel like anything…special?  On the other hand, it was $10 less than the Speedball one.  The latter, though, will stand up to Western printmaking papers and doesn’t require oiling, to the best of my knowledge.  The Stonehenge paper I’m using is very…tough.  I think it’s a cotton rag paper, but it’s really thick and kind of hard.

I’ll probably end up getting the Speedball one; it just kind of hurts a little.  😉  But you buy it like, what, once, and then you don’t have to do it again?

Earlier tonight I was thinking of stocking up on those little tiny 2″x 2″ linoleum blocks; now I’m wondering if it’s overkill.  I have the receipt next to me and can see that they cost $0.69 each.  So I guess that would be, what…about $3.50 if I got 5 of them?  I had been thinking of doing a color rendition, but at the present moment I can’t remember what that version would look like.

It may not be overkill, though, if it will save me a trip.  Speaking of which, I did just check — and I’m not sure the little store carries the blades I want.  This will then require locating other sources.  I should call ahead.  I think I have the phone numbers of all my regular art supply stores in a case…aha; found them.

The other irritant I’m facing is how many inks to get.  I know I should not go all out and invest in too many at once; on the other hand, this art store is not a convenient place to get to.

Ah, hell.  I’ll get a magenta, a blue, yellow, and brown, plus extender (which may be more interesting than diluting colors with white).  I have three prints that have come to mind…and this should give me the widest possible color range (even though I have wanted to buy violet and orange).  The first print to try or retry is the flower thing that looks like a crocus.  Then — I want to try a gingko leaf (3 blocks required), and the idea of a hummingbird has also come to mind…though I should be able to print that with these colors, I now realize!

I’ll just get the three tiny blocks instead of more…the gingko thing and the crocus thing should keep me busy for a while.  After that I can practice some more and work on my key block for the hummingbird thing…some time will have elapsed, by then.

It looks like the printing inks are cheaper at the big store, but not by much.  The baren is not, and I don’t see how the linoleum blocks could be.  Maybe I’ll hit the big box store, get the X-Acto blades and ink, and then hit the small store for the baren and linoleum blocks…and look at their selection of gouges.  There are two Speedball kits which contain gouges…I’m thinking of using a very small gouge for the leaf, but am not sure if it will even help, as the veining has to be in reverse in order to print (unless I make the veins lighter than the leaf).  The benefit of a gouge here is that it removes material in one swipe, but that’s really suited to later projects (feathers) than either of these two.

And then…do I want to get an X-Acto gouge set instead?  I’m pretty sure they exist.

Anyway…I’m now getting tired, and I have a plan now.  See you in the morning!  I mean after the sun is up!

Okay. Can’t sleep.

Flowers in the wind

I’ve been noticing a phenomenon recently…this is the fact that, at the very least, I’ve heard about a lot of people dying, this pattern having started about last December.  This includes, of course, my relative, among others.

As I’ve been browsing the Reader tonight, I’ve run across a couple of fairly alarming articles…one about Colony Collapse Disorder, the other about the likelihood of humans driving ourselves to extinction within the century.  (I would not assume these to be essentially separate stories.)  I’d still have to do research on this…and not just in popular articles…to come to an educated opinion, but I’m starting to think that there might be something to this.

So…if you’ve been reading my backposts, you’re probably aware that my relative’s funeral happens not too long from now.  I’m planning on going — I’ve done the requisite hygiene rituals.  My major fear has been that I’m going to be called into a place where I’ll have to get spiritual on people.  What has happened is that my relative died, and then the rest of the family has seemed not to know what to do with this.  On top of that, one of the people who really has no realistic anchor here has been trying to control everything, even to the detriment of the voice of my relative’s son, who knew my relative’s last wishes.

I feel like the funeral should be a celebration of their life.  While I do feel like the situation is sad overall, I also recognize the element of chance.  In my life, that is, when and where there has been spirit intervention, it’s often come through random events (in my mind this may be a reasoning for my own neural systems going on the fritz in the early 2000’s)…so that those random events end up forming a pattern which appears nonrandom.

My relative was severely injured in an accident over 20 years ago which left him quadriplegic — that is, he was largely paralyzed from the neck down (though he did, with practice, regain some functionality in his right arm).  What happened in the accident was a case of randomness plus being in the wrong place at the wrong time with the wrong person.  His life from then on out, though, drastically changed.  And although this was sad, I also know that he made a lot of positive change in those later years.  Maybe he helped someone who needed to be helped at some later time…and it was important enough that what did happen had to happen.

I feel like we’re all part of a larger story.  I don’t know if there are any “bad guys” in it.  (Well, maybe if there was a spirit who gave Einstein the Theory of Relativity…)  I may be affected by a mental condition which has made my life vastly more difficult than it needed to be…but I’ve learned a lot from my disadvantages, and I wouldn’t be who I am today without them.

Anyhow…I seem to be coming to terms with being “psychic”/intuitive.  At first, I feel like my relative was having a hard time adapting to not having a body; then I introduced the question of what he could do now that he could not do before.  The response was, at first, “?”, but I get the feeling that he’s getting the hang of things, now.  In any case, I feel like he’s still with me — and maybe closer to me than he was before.  His physical form is shed, but that doesn’t mean he stopped existing.  The fact that he isn’t directly living in a body in the physical plane right now makes things harder for those left behind — but I don’t get the feeling that he is suffering at this point in time.  The people who are afraid of what has happened to him or will happen to him or will happen to them are the ones who are suffering.

I think I read somewhere that we only understand about 5% of the Universe (scientifically speaking), and for some reason, I find hope in that.  It means that existentialism is just a mode of thinking — not necessarily true.

And…I don’t know if we’re going to go extinct sooner rather than later, but personally…I get the feeling that I need to counteract the destruction.  Unfortunately, I have had visions — or anxieties — of being nuked just because the world doesn’t like us or is afraid of us.  This could be an echo of Hiroshima — most of my clan in Japan was wiped out in that bombing (we were apparently local to the area).  I do not take it lightly that this is how they died.  My largest concern is the effect of radiation on other planes…though now that I mention it, I’m getting a soft, “you don’t have to worry about that.”

I also realize that the levels of pollution in our environment are ever-increasing…

…but all I can do is live my best life.  As transitory as it may be.

Flowers in the wind

Anticipation: one more thing to go…then, 2 weeks of (relative) freedom.

I wasn’t able to bring myself to do one of my readings earlier today, or tonight; what I was able to do, was get a lot more readings lined up so that I possibly do not have to do the one I printed out, the other day.  I’m looking at 10-12 papers to read, at about 12 pages each.  It’s not hard; it just requires focus and commitment.

I have been wanting to get these out of the way as soon as possible.  Because of that, I didn’t maintain a social commitment tonight, opting instead to stay home — where I had the possibility of working on my last assignment.  Unfortunately, reruns of Futurama are more entertaining than my readings!

*sigh*

Anyhow, I’ll try and get as much done tomorrow and the day after, as I can; even though I know that may only be six articles, total.  But basically, what I have to do is scan and/or read the articles and provide a 100-200 word commentary on each.  I’m going to try and get this done before Saturday, though I’m not sure how realistic a goal that is, at this point.  (It probably depends on what I choose to read and how deeply I choose to read it — scanning first is probably the best idea I’ve had.  Other than, that is, reading the introduction and conclusion of the paper, and first and last sentences of every paragraph, prior to scanning.  I may not have a clear idea of what these things are about, because I gathered them so quickly.)

I should probably also put the files on a flash drive and transfer them to my secondary computer so that I won’t have to worry about not having anything to read, if I get stuck somewhere after the funeral on Saturday — my little tablet lasts about 4-6 hours on a charge.  And I can take with me, the notebook I intended to use for Cataloging and then mostly didn’t — it will work for notations on the readings, which should help summarize them later.  It will probably be simpler than trying to compose notes in a word-processing program.

As for artwork…I drew a border for my relative’s funeral program.  It was nice to be able to do something with my hands, again, though it wasn’t under the best circumstances.  Right now, though, I’m anticipating that program being thrown out by near relatives (different from nuclear family) because of others’ desire for control.  What is positive is that I formed the page I worked on in Photoshop (I did what I thought I had to do and composed the front page as one flattened image, and so the cover is not editable unless it’s totally scrapped, or someone knows how to work with digital images, besides myself.  (Not betting on it.)

My grades are looking relatively good, considering.  I’m looking at a C+ in Cataloging (I PASSED!!!) and A’s or A-‘s in my other two classes.

Also…on Monday or later, I’m hoping to take a trip to the smaller art supply store near me (at least), to pick up some materials for linoleum block printing…which may make working through the grief, worth it.  I found my carving tools, and I was mistaken:  there are no burrs on my knives.  At least, not on the straight ones, or the large oval gouge.  This is good!  I will be able to see if I need to sharpen them, once I start cutting.

(Some of my spiral patterns, or the mon I designed, would make a good first project.)

One thing I’m unsure of, though, is how to make a method of image registration, so that I’m lining things up on my paper the way I want to — a relative necessity in duochrome (two-color) printing or above.  I’m not sure how to do this, yet, though April Vollmer’s Japanese Woodblock Print Workshop seems to briefly go over how this is/was done in Japanese woodblock printing.  I suppose I can see if I can adapt that to linocuts…though Japanese-style printing uses different basic materials than Western-style printing.  Still, though:  I only have four more days to get through in which I’ll have to deal with this last semester…I can make it.

Two weeks after that, my User Experience class starts up.  I took it in part because I wanted to do all the reading (as bizarre as that sounds).

I can also try and do some reading in library books, the two printmaking books I have, or my future textbooks, if I’m at a loss as to what to do.

And ah — right!  I wanted to get back on with learning Japanese language!  That should be fun!

Lest I forget, as well:  I need to back up my files to my Portfolio.  And maybe get a cloud storage account, or something.  I have what I can download, downloaded, and backed up; I need to work online for this other part, though — and I will not have a long time to do so.

I’ve been offered more hours, but really I’m not sure I want to take them — especially because I’m uncertain as to how much of a time commitment UX will be…and it’s rare to get two weeks off with minimal work.

Anyhow, I should likely get going.

I also want to get bocha, but I am not certain where that desire is coming from…I already have another kukicha; two others, in fact.  It’s just that drinking a twig infusion sounds rather earthy, I guess…

Maybe I can make a trip to the tea store in my two weeks off of school…

Anticipation: one more thing to go…then, 2 weeks of (relative) freedom.

Trying not to spaz about assignments

OOOokay, people, I drank 1.5 pots of houjicha earlier tonight, and so I am not certain when I will sleep. 😛 By “pot,” I mean that I brewed the first set of tea leaves twice, and the second set once, when it became apparent that I had leached all the goodness out of the first batch. (I’m kind of amazed at the fact that the tea will still steep, even without boiling water…I just sprinkled the new tea into a pot of hot water, stirred it, and it worked.)

Right now I’m feeling okay and a little drowsy (I have been known to fall asleep right after drinking Jasmine green tea…and houjicha will probably have less caffeine in a standard dose, as about half of it is stems), and just took medication, so…if everything goes as normal, I should be conking out around midnight. Meaning, I should brush my teeth in an hour or so (11:15 PM), before I get too wiped out to even do that.

I did just get out of the shower — not sure how long my hair will take to dry, but I usually go to bed with it damp, in these circumstances. One wash with a conditioning shampoo, mostly at the roots, and a comb-through with a detangling comb and no conditioner, this time. I think it will be alright — it doesn’t feel dehydrated (yet).

I only got up around 1:30 PM today; I just checked my records. This is why I was after the tea; I was having a hard time (again) staying out of bed. It doesn’t help that when I’m sitting at my desk, which is a quiet (silent) and isolated place to work, my bed is right behind me. As for what I got done today…I finished the reading in my textbook which I mentioned last time, although it took me a number of hours to get through it. It’s amazing, because the reading was only about 15 pages long…I think this is the book that I had been complaining about, before. It’s just very dense and kind of difficult.

In any case, I can now view the lectures for Metadata, and complete the last Discussion Topic…which I think I may need to do before viewing the lectures. I’ve made a skeletal PowerPoint layout for my presentation on Sunday for Research Methodologies. I should probably reserve a time to do that, so I’m not forced to do it early. I can’t do it right now, though, unfortunately. I don’t know why, except they assumed we knew how to edit HTML.

Last night, I started in on my Quiz for Cataloging…that one is going to be more of a pain to get through (lots of essay questions, which are easier on me than technical questions — but still), but it’s the last thing I’ll have to do for that class. If I get 0 points on everything I’m not sure about, I’ll get a C in the course (apparently, 80% is a C in grad school). And like I said, come Monday, all I’ll have to do is the Annotated Bibliography, and I’ll have a full week to do that (though I want to get it done by Friday).

I am just hoping to do as best I can on the Cataloging Quiz, but I don’t think I can hope for better than a B (or an A-, if I stretch my imagination). The Discussion Topic is last priority, though it’s easy. The presentation won’t break me if I don’t do well; but I need to do it. The major nervousness about it is that it has to do with altering infrastructure as a means of actually being inclusive (as versus pushing “diversity” initiatives), which I wouldn’t think the people in the organization I’m abstractly referencing would welcome.

I think I am running in a cycle of overwork + burnout; like I do a lot of work one day and then don’t want to see it again for three days. I know I don’t have much farther to go, and that these due dates are hard due dates (or so I’m assuming). It’s just that I’m really tired of this semester and am wearing out, about now, and want to get on to the break like NOW. Or yesterday, preferably. I’ll try and keep going through Monday, and maybe that’s all I should focus on, right now.

That sounds good. And I’ll look at work tomorrow as a designated and sanctioned time to get my mind off of this. Another time would happen as I’m editing my family member’s funeral pamphlet. Couldn’t forget about that…

And yes, I am trying to single-space my sentences. How observant of you to notice! 😉 (I don’t know if it shows up at all, really; I’m just trying to break outdated habits which only made sense on typewriters…)

Trying not to spaz about assignments

Wrapping up the end of the semester

As much as I dislike having to get into this at all, I do have a few more things due this semester.  I’m posting this here to remind myself of what I have to do, along with updating this blog somewhat, even if it isn’t art-related (I hate not being able to see progress, and having the same blog entry at the top of the page for days, doesn’t help).

I know that I have been making progress and doing things, but not being able to easily see what I’ve produced can get me into a relative funk.  What’s silly is that what I’ve been doing is likely more important than maintaining my blog.  :/

I did get back to the Career Counselor whom I had opened communication with.  This was a form of homework in itself, but what is nice about it is that all I had to do was ask, and I got help; and this is something that matters, so…not a bad deal?

And, as I mentioned before, I did turn in a paper (30% of my grade, unless I’m mistaken) and another 15-point assignment on Sunday.  I didn’t want to have to work on it, but it didn’t really matter, because I had to do it (or to at least try to do it) and that actually made it easier for me to push through it — and concentrate.

By the end of this Sunday, I will have to read about 15 pages in my textbook and answer a Discussion question.  This should be relatively easy, though I shouldn’t forget that I will want to view the lectures after having done the reading, and probably before answering the discussion topic.

On top of that, I have to give a 5-10 minute presentation on my paper topic, which probably won’t be too much of a big deal.  What I need to make sure to do is get my slide presentation put together, and the speech (or rather, the speech points) organized and practiced, before setting up.  The voice recorder on my computer should help.

Both those things, I’ll have to do before Monday.  Unless I’m mistaken, the quiz I’ve been working on should be due Monday.  After that is accomplished, the only other thing I will have due is a literature review, and I’ll have a full week after that to get 10-12 things read, reviewed, and turned in.  My family member’s funeral will be this week — I’m not betting on that going down smoothly, nor am I betting on being recovered by the Monday following.  Ideally, I’ll be done with everything and able to turn in my Lit Review on Friday, at the latest.  That’s two or more articles to read, per day.  Easy.

I know which chapter I’ll be investigating for that project, as well.  I’ve just got to find the articles — citations for a number of them, I have already.  I just need to actually locate them, which sounds like something brainless to do when I get tired of my other work.

And, right:  I will also need to back up my files to my portfolio — something I haven’t done because of not wanting to look up my syllabi (which is stupid; they’re in the covers of their respective folders).

This means that Sunday — the 21st — and forward, I should be able either to work on art, or take that long-awaited celebratory trip to the art store and pick up what I’ve been wanting to, for the past month or so.  And — or — I can try and sharpen my chisels on my aluminum-oxide waterstone…which I’ve never done before.  But I do have the waterstone, water, and chisels.  Nothing to lose, really.  (I have a sizeable burr on the edge of one of my woodcutting chisels, from high-school days when I was wedging out hardened plaster with the edge of the knife and ended up bending the steel’s cutting edge.  The burr may be too big for me to save the knife [will I ruin my waterstone?], but I should take a look at it, anyway.)

I should also…not count out going to an actual chisel shop.  I’ll know which one I’m referring to, when I see this post.

The positive thing is that I only have 5 hours of salaried work in between now and the time my quiz, discussion post, and presentation are due.  I know it seems big, like “AAAGH I’ve got to go in to work,” but it’s really not a lot of time, in the scheme of things.  (It’s barely over half a day.)  Especially not when you can stay up until 2 and 4 AM working on things.

I’ve also been offered more hours at the job, but considering that I’m not even particularly clear on when Summer Session starts, I’m not throwing myself into that, right now.  (Just checked:  I’ll have two weeks between the end of Finals and the start of Summer Session, which I’m assuming will be a 15-hour commitment, per week, on top of my now 11-hour commitment at my regular job.  That [26 hours] does leave a lot of free time, though.  Maybe I could take on four hours additional…)

The thing I do wish I had done more of?  I wish I had played around with the cataloging tools, more — particularly where it comes to RDA (Resource Description and Access, used in building bibliographic records).  I wasn’t betting on not being able to access them after the semester ended — there are tools available, but the one I just checked was institution-only, meaning that individuals can’t subscribe to use the databases.

I also had a fun time nerding out over art supplies with a couple of people, the other day.  🙂  That was nice, especially as I understand the perspective of one person in particular…

And I’m seeing that I have now stayed up over an hour into tomorrow…so I think I’ll sign off and get ready for bed; though because I haven’t taken any medication, I may still be up for another two hours.  It will be a good time to get some reading done, if I can’t sleep.

Wrapping up the end of the semester

Bahahaha

Okay, so I learned how to use the scanner to upload some black and white drawings!

Shiitake capShiitake sideEnokidakeOnigiriSwirly

Bahahahaha!30 mins

Alright, I’m working on that multiple-spiral form I mentioned to you all before, though it’s still generic enough that I haven’t played with it as much as I’ve wanted…so I’m not releasing my in-development toying-around, yet.

Yesterday I was able to turn in a couple of things (including an 18-page paper worth 30 points), which was a big weight off of me.  I did just find out tonight, though, that one of my professors has something due during Finals week!  😮

I’m pretty sure I’ll be okay, though.

These sketches are from the little moments in time between studying that I’ve allowed myself to doodle.  In particular, the mushrooms are from yesterday 😛 and the “30 mins” image (along with the two on the far right) is from that day when I was “mindfully wasting time.”

The far right image is just something that I did to show myself the difference between a Lumocolor marker and a black Copic…I’m fairly certain I used the 100 (Black) Copic marker right there, and then drew over the top of it with a Staedtler Lumocolor.  (I haven’t yet tried the 110 — “Special Black”, with the Lumocolors.)

Similar things happen with Sharpies, though I try not to use Sharpies for anything I want to last.  They’re pretty notorious for degrading/yellowing paper (among other surfaces — they’ve actually seemed to eat through some tape I marked on — not only did the writing seep through to the surface below the Artist’s Tape, but the plastic below yellowed; though that was over about seven years of aging), and fading.  But pretty much all markers are notorious for fading; it’s just that some won’t damage the paper as much, or the ink will last longer (pigment inks are said to be more lightfast than dye-based inks, though I’ve never had an image on my wall in the sun long enough to notice).

I’m not sure what will happen with the Lumocolors — they were a gift from a family member.  The pens say that they’re refillable, which is probably why my family member bought them.  The Copic SP Multiliners are supposed to be refillable (I’m using the disposable version), but I don’t use them hardcore enough yet to have to refill them, replace the nibs, etc. (though it might not be a bad idea for those super-fine nibs like the 0.03 and 0.05 that can easily kink).  Rapidograph (technical pen) is also an option, though I’ve never tried one, yet!

And, right!  The varied-width lines in the mushrooms I drew (from imagination, it’s probably obvious) are from a Pentel Pocket Brush pen.  It’s really sensitive to pressure and flicks of the brush tip, and is ideally held upright to take best advantage of this.  The hatching and cross-hatching of uniform width is with a Copic 0.03 Multiliner, although there is very slight line width modification even with a fineliner.  It’s just not obvious like with the brush pens!

The grey on the musubi/onigiri (rice ball with nori, or the triangular spiral, fourth from the left) is some kind of Copic marker (I honestly wasn’t paying attention to which one I used), while I’m pretty sure the linework was with a Fine-width Lumocolor pen.

And the lettering…was just me messing around!  I have been trying to find ways of incorporating ideas from other scripts into play with English lettering, though I haven’t shown it much, here.  The “for art” text in the lower image is in Medium-width Lumocolor, while everything else is in Fine-width (except the wavy line under “Lumocolor”).  I find that because of the way this ink pools (and the tips may as well be felt), the two pens I used weren’t as good for varying line width.  However, they’re good for consistent line width.  One annoying thing, though:  I found that the Lumocolor Fine pen tended to catch on the page and spatter.

Oh, right! and I wanted to mention the paper!  I got the pad which these were drawn on for notes in a class.  It was a really inexpensive pad I got from Barnes & Noble (the brand is “Piccadilly”).  It looks like the MSRP is $12.95, but B&N almost never sells them at that cost.  I’m sure it was likely around $5 or less — I got it because it was a cheap enough experiment.

There are issues with bleed-through — the inks (particularly the Lumocolors) can seep through one page and onto the next.  (You can see this in my first Shiitake image, upper left corner of this post.)  That wasn’t a large issue with the Copics or the Pentel; though Copic markers will likely bleed through given heavy enough application.

The reason I like this pad, though, is that the surface of the paper is very smooth and very white, kind of like opaque marker paper; and the proportions of the working area are interesting.  It’s spiral-bound at the top, meaning that I don’t have to worry about compensating for binding issues.  And — it was really inexpensive, so I don’t have to worry about destroying or blowing through an expensive pad of paper (which is sometimes something that can inhibit me).

I am hoping to get what I need to get done, done sooner rather than later — though I’ll try for getting everything done in a week, I can’t guarantee it.  After that, I will have plenty of time to play!  Well, until Summer School starts.  :/  🙂  But actually, I do think I do better with something to do.  It’s amazing what I can get done when I focus!  (And yes, focusing does involve, sometimes, taking five or 10 minutes to draw mushrooms!  Or lying down for 15 or 20 minutes.  It doesn’t have to be a marathon, I know that now…just so long as I can concentrate…)

😀 😀 😀

(And before anyone says anything:  Yes.  Yes I am thinking of working in black and white and scanning it.  I don’t know if it will be a comic…but it’s fun!)

Bahahaha