Distractions, distractions…

I have one day left to do my final assignment in User Experience, and I think the timeline has me freezing up, a bit.  Both today and yesterday, I was unable to go in to work; yesterday, because I was physically sick (any time I moved, I wanted to throw up), and today, because I was running a fever (higher than yesterday’s).  Most of today and yesterday has been spent in the bed.

Right now, I feel more capable of doing things without constantly sweating, and my spine is telling me that some time spent vertically would be a good thing.  Staying home, though, didn’t help me find out what I need to for the basis of my assignment…which, inconveniently enough, is based on interviewing people.  (Working with people is likely the most difficult part of both my job, and this program.)

After this next week, though, Summer Session will be over.  That will be a relief.  I think I should just try and do the assignment as best I am able, even knowing that I do not have the time or information to do things the way I am being asked to do them.

Design Thinking is an entire field; it is unreasonable to expect us to execute the assignment perfectly in one week based on material found online, especially when no lecture is given and we have only been introduced to it within that same week.

I do think that I would be better off working in Graphic Design than I would be working in Design Thinking, that is.  That said, it is good to at least be introduced to the latter concept (and to where to learn more if I so desire).

That said, here are the succulent babies I was talking about last time. 😛 Please forgive the color-fill background; I took this photo at a weird angle, then had to rotate the image…did I crop this before rotating it?  Hmm.  Got to remember that for next time…

succulents-w

I’m still unsure as to whether to claim my off days as sickleave…though as it is Summer, and I spend more money during Summer and Winter breaks (excluding clothing) than at any other time…(during Semesters, I don’t have time to work on Art), I’m thinking about it.  Right now I’m wondering if I got sick because I briefly touched the neck/cap of my water bottle with an unclean hand, and then drank from it later.  (I thought my mouth did not touch what my hand touched.  Maybe I was wrong.)

Anyway, that’s past.

One of my coworkers brought in some graphic work the other day, as well:  I’ve got to ask them what kind of markers they used!  From the looks of the color blending, I would think they were Chartpaks, but I’m not deep enough into markers to tell.

I am thinking of getting some new Chartpaks and seeing how they perform now (the ink may not be the same, and mine may be so old as to be drying out — they’re streaking, now, but when they were new I could not make them streak):  I got the idea for a graphic art piece dealing with the story that is in my head and not yet solidified enough on paper (or in bytes) for me to have a formed idea of what it will become.

But I was motivated enough to work on it in charcoal, earlier.  And I hate charcoal.  I haven’t photographed it yet because it’s nowhere near being done, and I really dislike working in black and white, anyway.

It is a given that if I work with the Chartpaks, I will have to do it in a well-ventilated area; I’m thinking the garage, or outside.  I’m not sure if the fumes will be strong enough to ignite via the furnace…if this is an issue, I may be better off sticking with Tombows or other water-based markers, and just making heavy use of a blending marker, or brush and water — I don’t know what the difference is, in water-based markers.  (I wonder if charcoal/pastel blending stumps dipped in water would work, or just turn into mush?)

I also have Copics (alcohol-based), but my co-worker and I have been fairly underwhelmed by the markers, at least.  (I like the fineliners.)  I haven’t yet tried using the blending marker, though.  The Copics I have, streak; though I’m not sure if that’s because of the quality of nearly every paper I’ve used (I think translucent marker paper helps, particularly Borden & Riley), or if it’s because I didn’t saturate the paper with solvent (from the blending marker).

I should try blending the Copics first, before going to the Chartpaks, though…the solvent of the latter is definitely something you don’t want to be breathing in for any length of time, or in a confined area; and when open areas have open flame in them…I don’t want to set the house on fire.  I think I could use these, though, in an actual open space — if I taped down the paper I was working on to protect from wind.

At least when I first began to use the Chartpaks, they were formulated with xylene as a solvent, which is carcinogenic; then they reduced the amount of xylene to a level where the markers no longer carried a Caution Label.  Obviously, though…if you can avoid xylene…it’s just one of those things that’s best not to come into contact with on a frequent basis.  I was already used to the smell from using watchmaker’s cement (G-S Hypo Cement, which also uses xylene as a solvent, and which I’d gotten plenty of, on my fingertips:  not good!).

But the Chartpak AD markers (I’m not referring to the Chartpak Spectra AD markers, which I just found tonight) blend and bleed beautifully, or at least they used to.  Like I said:  when my (old formulation) markers were new, I could not make myself get streaks, so what I used them on looked more like animation cels, than anything.

And then, there’s the possibility of using colored pencils and liquefying them with a blending marker or Gamsol, or of using aquarelles.  The negative thing about the latter that I immediately land on, however, is that it’s like using grainy (and sometimes dull) paint.  The aquarelle layers just don’t dissolve all the way, unless you use a really light touch when applying the crayon (I’m thinking Neocolor II) or pencil…which I might try, at least if the only other options are Tombows and Copics.  The exception to this that I can think of are the Caran d’Ache Supracolor aquarelle pencils…which liquefy beautifully, with intense colors, but which are also top-of-the-line for watercolor pencils.  (They are priced accordingly.)

Yeah, maybe I’ll try that.  Maybe…I will.  I have some aquarelles I can experiment with, here already.  Maybe I just need to use a light touch.  This — and/or actually using paint or acrylic ink (how could I forget all those FW acrylic inks I have?), seem like better options.

I was probably just wowed by my co-worker’s marker art.  🙂  I forgot that I’ve been building up to this, for a while.  I got out of trying to use markers because it’s so expensive to just increase a dilution level of the same ink, whereas with paint or bottled ink, you just add a little more water.  (It’s been a very long time since I used ground sumi ink.)

I had begun to get into the technique of utilizing transparent watercolor as a ground color for other colored-pencil work, on top of a fineliner drawing; it shouldn’t be hard to lay down initial colors as watercolor (with the option of using acrylic ink, instead), then layer aquarelle and then regular colored pencil over that…though the opacity of those colors is something to pay attention to.  I could wipe out my initial linework, if I’m not careful.  But then I might also be able to wipe out opaque colors on top of linework as well, or redraw them with ink and a brush…(regular colored pencil, being wax- or oil-based, can clog the nibs of fineliners and markers, so I’ve heard).

I’ve also gotten wowed with Derwent Graphik Line Painters, some of which I may have initially ruined in my attempts at use:  I mention them here because they look awesome on top of watercolor, and as they have Japan (hollow) nibs, I have less of an expectation that they will clog.  The problem I’m having is having depressed the nibs too far into the barrels; this means some of them (the ones I tried to use before I knew better), will leak.

I recently found a Strathmore Mixed Media paper (it almost feels like illustration board:  the latter of which I don’t know how to use properly with water-based media, by the way), which I want to try out…and all of this might work well, here.

Yeah, I think it’s time to break out the aquarelle pencils!  After, that is, completing this last assignment…gah…

Fairly wiped out, today.

Starting ~9:30 AM:

I wish I could say that things were better:  I started off today with a headache and nausea. I’m not sure if this is related to being up last night, actually starting a Bullet Journal layout after midnight…it well may be, but right now I wonder if I should go to work. I haven’t eaten anything except a ginger ale…(well, that’s a drink, but). One of the Librarians had a stomach sickness last time I went in, though, so it’s possible I might have picked something up (even if it wasn’t from them). I also might have food poisoning, or a migraine.

At least I now have an idea of what to write, for one half of my homework. This is in relation to UX efficiency. I would try to implement a button which would ask, “Was this helpful?” on catalog result pages. The problem is trying to gauge the duration of a session and trying to ask this question at the exit point of each session, as well as trying to gauge what a user’s information need actually is, as versus what they search for. It would seem that this information would best be gathered with a survey, and that it isn’t a simple one-click measure, however. I’m not sure how best to implement it.

In brighter news, I have three new babies (tiny baby succulents), though I’m not sure how long they will last (I watered one with my hand after drying it on a paper towel, and so I’m hoping I am not going to get mildew in that pot). I got three little soy sauce dishes from Daiso (the Japanese dollar store), and the pots fit right in there!

I’m trying to give them as much light as I can, meaning that the first light of dawn woke me up, earlier. And I realized just how fragile they are, after bumping one of them and having a leaf snap off! >_<;; (At least, the plant seems healthy…)

Writing resumed at 7:45 PM:

I did take photos of these this morning, but have been too wiped out to optimize them for the web, so as of right now, there are photos…but not ones which are ready to show. At this point, I’m fairly certain that what is going on is food poisoning…I have been having trouble regulating my temperature, alternately sweating and feeling cold, with a slight fever. The good thing is that the nausea has faded. I am not sure why I’m the only one who got sick, unless this has to do with the melon I ate, yesterday…

There are three-to-four books I’ve either read deeply into or have looked through, within the last semester, which show how much I could learn and implement about how I run things with my blog and web presence:

  • The non-designer’s design book:  Design and typographic principles for the visual novice (4th ed.) by Williams, R. (2015)
  • Letting go of the words:  Writing web content that works (2nd ed.) by Redish, J. (2014)
  • Graphic design school:  The principles and practice of graphic design (5th ed.) by Dabner, D., Stewart, S. and Zempol, E. (2014)
  • Don’t make me think, revisited:  A common sense approach to web and mobile usability by Krug, S. (2014)

I’m still kind of tired/wiped out, so I’m hoping it’s OK that I didn’t list the publishers or write this up as a style guide would recommend.

It’s also actually fairly amazing, how much my skill at picking out books online, has advanced. I find myself doing things like checking out review sites, multiple library catalogs, bridging through subject headings, reading samples, and taking criticisms of books which seem interesting, into account; in addition to taking into account the other books purchased by a given book’s audience.

And, I’ve been paying attention to how a book sells itself, what audience it is marketing itself to, and why. That is, I don’t necessarily want a self-help book aiming itself toward the market of people desperate to escape writer’s block, because it likely isn’t going to address what I want addressed, and it may be designed to prey on its audience’s vulnerabilities.

I also have called ahead to brick & mortar bookstores to ask if they have the book I want in stock, which probably saved me about three hours (not to mention wasted gas) earlier this week.

I don’t think I could say that I have much of a Web 2.0 presence right now, but it’s very apparent how I could do small tweaks to increase my SEO, for example (if I wanted to). I’m hoping things will get better next semester, as well; I should be introduced to HTML and CSS, then. I hate stressing about grades, too:  it seems so insignificant…but it isn’t, if I want to stay in the program!

I have realized, though, that part of what I’m being introduced to is called, “Design Thinking,” and it’s the same sort of thing I think I would be dealing with if I got a MBA in Design Strategy elsewhere. Except…it’s in Libraries, which has a different ideological slant to it.  I also just heard about Stanford’s “d school,” as well…which, at least, seems very interesting.

I think I’m going to post this and get back to bed…

Update (after a while)…kind of long ^_^;;

Really?  I finished my work early???

(How…)

By Friday night/early Saturday morning, I had finished my classwork.  The weather forecast had put our temperature into the high 90º F’s for Saturday and Sunday daytime temperatures, and I know from experience that my computer doesn’t like being on, when it’s that hot.  I scheduled some offline time, then, even though I didn’t know what I would do with it.

Right now it’s a bit more comfortable, but still warm.

Because I finished my work early, I basically had 1.5 days free.  Yesterday, especially, I had a hard time deciding what to do, with no demands on my time.  Although my memory of what I did for most of the daytime is hazy (I can guess that I slept), I do remember that I finished the kana workbook associated with the Kluemper text, last night.

Japanese reading and writing…

I’ve also realized why it was difficult for me to get back to facing katakana:  I have a hard time writing a good 15 out of 46 of the katakana syllabary, because it’s hard for me to remember what they look like.  (Comparatively, I have a hard time recollecting 2 out of 46 hiragana:  “se” and “nu”.  Though hiragana “nu” [I would write katakana “NU” in capitals; katakana are used for emphasis like ALL CAPS or italics] does remind me of a Japanese dog [like a Shiba Inu or Akita] with a curly tail [“inu” = dog].)

I do have the Japanese for Busy People Kana Workbook, however, and I can work through this in order to build vocabulary and word recognition.  Writing is included here, too, though sentence structure isn’t emphasized in the workbook — meant, as with the Kluemper text, to be completed possibly before one starts in reading kana in the first book (though there are two versions of this text:  one in romaji [Roman letters; i.e. English letters], and one in kana).

I opted for the latter because romaji are misleading where it comes to pronunciation, and basically almost useless if one wants to read in Japanese.  They’re a stepping stone, but lack much of the obvious grammar, etymology and sentence structure conventions associated with kana (syllabary) combined with kanji (imported Chinese character) use.

It will at least give me more words to practice with — even though the Japanese for Busy People series does seem as though it should be titled Japanese for Business People (a reason I picked up the Kluemper and Hasegawa texts in Honolulu [both published by Tuttle], when I had the option.  [The Kluemper texts are meant to be used as high school AP Japanese textbooks; the Hasegawa texts are meant to be used as first-year University Japanese textbooks, or for self-study]).  But that’s just me.

If you’re in the area of San Francisco, though, Kinokuniya Books at Japan Center has a very wide selection of Japanese-learning texts; much broader than the Barnes & Noble in Honolulu (which I am told is one of the few bookstores on Oahu).  The major disadvantage at Kinokuniya is that the books are just generally sold wrapped in cellophane — meaning that you will very likely get a very clean book, but there may not be a display copy available for you to read, in order for you to see if you actually want it.  (Sometimes people buy the display copies.)

I’ve never asked to see if I could open the packages, and don’t really know if there is a protocol in place that says when it is OK or permissible to do so.

If you’re in the South SF Bay Area, I think there is also a Kinokuniya in San Jose’s Japantown, but I’ve never been there, so I…really don’t know much about it!

Anyhow…I did finish the kana sheets last night, though I am finding that very often I have to make a conscious decision to do something other than go to bed.  This was not an exception.

Wanting to restart painting

I also want to start on a painting — I just am not entirely sure what size canvas to use, which I know isn’t the greatest reason not to have started yet.  🙂  But I’m thinking of going back to the 30″x30″ canvas, even though I know I don’t yet know what I’m doing.  Or I feel like that, anyway.  The thing to do would be just to push myself to start it, even if I’m uncertain or feel unprepared.

The first step, if I were being careful, would be to prime the 12″x12″ canvas with a mixture of gesso and Phthalo Blue.  Then I would go in with white pastel and try and make a loose drawing of the photo I gained from so long ago at the State Fair — which will be much easier on the gigantic canvas than on the small one.

My major hangup is that most of the main colors which I want to use — violets, roses and blues (with yellow highlights — maybe something like an Expanded Complementary palette) — are largely transparent colors (except when mixed with more opaque colors like Titanium White), so I might trip myself up if I do something wrong which I then can’t cover.  Which, in turn, is the reason to start on the small canvas, first.

But what’s the worst that can happen?  I dislike it so much that I gesso over the canvas and use it for something else?  I waste time that I could be using to sleep?  😛

I’ve also got to be aware so that I don’t block the drains with acrylic paint (easy to avoid, with disposable palette sheets), and avoid getting the paint on my hands…and getting pastel dust on the floor.  Maybe I should just use vine charcoal, instead.  That sounds workable…I have become a bit wary of pastels, particularly since that Titanium Dioxide scare a few years back (with free nanoparticles leading to concern over carcinogenicity…nothing of the sort with vine or willow charcoal).

But if I use the tiny canvas, I can see if this works, first, before using the big one!

I just don’t want to get sick of it in the small version and then never go on to the big one…

If what I can predict will happen, happens, though:  I’ll probably have ideas on where to take Version 2 that won’t be apparent until after I’ve gone through the process of completing Version 1.

And I do really want to paint, again.  I want to make something colorful and pretty.  🙂  And I can’t do that if I’m too intimidated to approach my easel (I did get an easel, a while back:  it was the only thing my Studio Art classes had, that I didn’t have.  Well, besides company, and a mentor).

And work on…Bullet Journaling?

I also have my little dotted notebook here (it’s from a company called Kyokuto)…and it’s weird? but I don’t want to stick to any rigid format for its use.  I’ve been looking over the Bullet Journal website, and…I’m thinking that it really isn’t like me to follow directions to get to a predetermined endpoint.  Maybe I can use the principles behind the Bullet Journal system, but really…heavily tweak it, so it turns out being something that’s mine.

And I really wish I knew how many pages were even in this notebook:  I don’t.  But it is really elegant, and I want to use it.  My problem, I think, is planning and attempting to look ahead at what I’ll have to do (when I don’t fully know, yet).

I also…think maybe I’m throwing out the baby with the bathwater on this one, and — looking at a past post — maybe I do have some idea of what has to be done.  Maybe I just forgot, because I didn’t look at my notes from before.  🙂  (Why do I blog, again?)  I think that something like a Bullet Journal could seriously help me organize my time when Fall Semester starts, and I’m carrying nine units, again — in addition to possibly having a new job.

I found it a little odd that my creativity would be circling back around to language (particularly writing), stories, and books, but I guess I am planning on being a Librarian, so…maybe I’m just overlooking the obvious?  😛  Learning to write in Japanese language is one of those things that ranges into calligraphy (or would, in an extreme case — right now it’s just “learning to make things look correct”).

Fiction progress

Writing in English…has stalled a bit, but it’s interesting to see what my mind does when it’s let loose like that.  🙂  It actually isn’t stressful for me, anymore!  It can be fun, because I actually have complete control over the situation (relatively speaking) — which I did not sense, before — and I can make things as serious or light as I want.  I’m very, very new to “light” writing!

But it’s nice to know that I don’t have to dive into my history of trauma every time I try and create a narrative.  I think my main character is helping with this, as well — I’ve started the narrative about 2/3 of the way through the story, and added a couple of extra layers which are helping things along, I think.

It’s also really nice to not absolutely know where the story is going to go, or all the facts that are associated with it — it leaves things open for experimentation and adjustment.

Heh — I think I’ve written enough (?!?!) — and…I see it’s now after midnight.  Well, that was a good 3-4 hours spent here (?!?!) …but not wasted.  I feel a lot better now that I’ve logged what’s happening — writing nearly always helps me get my thoughts together.  I’ve also noticed that a lot of people I follow have been quiet, recently, so here’s to adding one more leaflet to the Reader pile!  😉

Publishing less, doing more

Today, for the first time, I went to a Japanese tool supply shop with an extensive selection of woodcarving tools.  Although it was partially to fulfill the requirements for a UX exercise, and took about 10 minutes (not counting commute), I was excited to be able to go in there.  I have known about this place since high school, and apparently know the owners (somehow), but today was my first chance to look at their wares.

Another chance to use my Japanese skills.

Or, it would have been, had I enough kanji and word recognition to be able to actually piece together meaning, here.  Basically, the clerk’s first language was not English, there were a number of people seated in the back eating and speaking in Japanese, and just about everything in there was in packaging (mostly cardboard boxes) which were labeled in Japanese.  Helpfully, price stickers were language-neutral, though!

It was fairly dim, which is something I’ve learned to expect from…somewhere.  I think I remember it being part of a Japanese cultural aesthetic, to have the insides of rooms be enclosed; close, dim; womb-like.  But I can’t remember exactly where I read that, now.  I just know it’s a specific aesthetic which I’ve seen applied mostly in restaurant environments.

What I was after was a slip stone (sharpening stone), particularly the kind used to sharpen gouges with water-only as a lubricant.  While I do have Western-type gouges myself (I got them before woodblock printing was ever on my mind, easily before 2010), I’m not familiar with sharpening techniques using oil (which seems to be the predominant method in the U.S., but I can’t be sure).  It’s important to keep these sharp, because a dull tool can easily slip, which can easily lead to a fairly nasty stab wound, in turn.

I had found something like what I was looking for, online — however, this was from a large corporation which does not specialize in Asian tools (I was getting the slip stone to hone tools for woodblock printing — which I wouldn’t even be interested in if it weren’t for the Japanese history and tradition and aesthetic of these:  that is, I’m interested in mokuhanga, specifically).

Also, it seemed that I would then be using materials I was unfamiliar with (said setup included a bar of polishing compound, whereas I’m more familiar with blocks which are made of things like ceramic or aluminum oxide, themselves.  I have used polishing compound before, but that was in relation to jewelry production, and that in relation to compound-impregnated cloths, and rotary tools).

I’m not even sure if what I was looking at online was a slipstone or some kind of leather tool, or made out of wood, or what.  Nor was I certain whether or not it was a Web-only product (I’ve run across trying to buy these in-store, before).

And anyway, I’ve wanted to go to this shop for a while, so while I was out, I dropped by.  The clerk wasn’t too friendly (possibly because the first thing I did after walking in was ask if it was OK to bring in my gouges from home — I needed to make sure they would fit over the slip stone), but he did help me.  (I’ve had my share of being interrupted by people who have just walked in the door and the first thing they do is talk to me, so I can sympathize.)

After returning home, D found my old aluminum-oxide waterstone, which I had purchased to sharpen a high-carbon steel vegetable knife that my grandmother bought me sometime earlier this century, or late last.

High-carbon steel is supposed to keep a sharper cutting edge than stainless steel.  Its brittleness, however, combined with its lack of rust resistance, means that it needs more upkeep (particularly, drying, oiling, and honing), which (except for honing) is not an issue with the more popular stainless-steel knives.  And none of that would be an issue with a knife I prized and wanted to baby.

However, I realized that this knife’s blade was chipping (metal fragments in the food?!), which caused me to stop using it, lacking confidence that the place we bought it from sold quality goods (this was a large Asian supermarket).  If I had bought it from Soko Hardware, or Hida Tools, or something, it would be different.  But I bought this from 99 Ranch Market.

And I don’t even know where my waterstone came from, but it’s really pretty coarse.  I didn’t know just how coarse it was until I unwrapped my 1000-grit slip stone and felt it in comparison to this other waterstone.  The other stone really feels like coarse (maybe 350 grit) and medium sandpaper, which is fine if you’re working chips out of a blade, but — as I found online, today — if you want a fine edge, it isn’t what you need.  In addition, this was a Chinese waterstone, with labeling in English, and no grit number marked anywhere.  Not…really confidence inspiring…

On the other hand, the 1000-grit stone feels really smooth, in comparison (and that is not even the finest manufactured by the company NANIWA, in this form).  I’m trying to recall if I’ve ever felt 1000-grit carborundum paper; I’m not sure I have…and I’m not entirely sure exactly where my sandpaper is, now, for that matter.

Publishing less, doing more

I have been writing, only part of that is simply having broken back into fiction writing.  The other part of that is having to write for school, which isn’t really…fun?  But it’s time that I have to spend at the computer; and I seem to be beginning to ration computer time, in order to save my neck and back.

I’ve run across a good number of cases of people with disabling injuries lately, which I would suspect are Repetitive Stress Injuries.  I haven’t verified it with everyone, though.  In any case, I’ve been trying to use my tablet more, though that thing is really cheap…I didn’t realize the impact that its weight would have on me, long-term.  (And I know it isn’t going to help if I keep using it in bed — scrunching my shoulders up is the main thing that bit me last time.  [Speaking of which…*relaxes shoulders*])

Then again; it was my first tablet computer, other than my e-Reader.  I’ve been thinking of trying to find something better, but haven’t been certain which company to go with.  I suppose I should read some reviews.

And also:  I’m pretty much over the “convenience” (novelty) of a touch-screen computer.  It’s just way too easy to touch something that you didn’t want to, and every time that happens, there’s a risk of getting infected with something.  It works with an e-Reader…but really, something to read from is a much different tool than something to write with.

It also (somewhat) works with Mobile — but that’s because the screen is so small that a keyboard is not feasible.  In addition, smartphones and e-Readers can be easily reformatted and repopulated with essential apps, as there isn’t a lot of irretrievable information stored on them.  Something you’re using to write with (outside of cloud storage), though…?  That’s an entirely different thing.

It’s an entirely different thing which may be better handled in hard copy, as well.  But I’ll have to wait before forming a definite opinion, on that one…

Anyhow, I have begun to write again, and am having to resist the urge to publish my rough drafts.  Intending to share is the major drive to write any of this story down, at all, but there’s also the secondary benefit of having it in some concrete form where I can play with it and edit it and work out story continuity, etc.

When I was a kid, I was adamant that no one read my writing.  Now, I’m reaching the point of realizing that the main reason to put the story into language is to share it.  Otherwise, it’s just a living part of me…which, like so much else of my experience, most people don’t see, or even suspect exists.  If I didn’t want to share it, that is, then there is no reason to write it.

But that is getting into philosophy.

Speaking of which…

If art isn’t meant to be seen…is there reason in making it?

I went against my normal tendencies today and did try carving a basswood slat to see what the experience (of working up to woodblock printing) was like.  Ironically, I think I should have done this before I went to the Japanese tool store.  I knew that I would not be able to carve with dull tools, but I hadn’t given thought as to whether I would even like carving into wood.

Quite plainly, I don’t know what I’m doing, yet.  😛  Particularly, I’m unsure how to get tiny bits of wood out of the matrix without lifting splinters…I’m used to wedging things out, which may have worked with plaster and linoleum, but it really doesn’t work with basswood.  I’m going to have to figure out how to do this, if I want to print with my gouache (which has been the main goal of all of this, secret [or unstated] as that may have been).

And it’s very, very much more apparent to me, now, that the level of skill which I’ve seen examples of in my books is basically master-craftsperson stuff.

I did try some more freehand cuts, as versus slicing into the wood and then carving around the line — what I can see is that anything remaining flat will print.  This kind of goes against my aesthetics (oboy! flat!), but…I didn’t have a design or drawing worked out ahead of time, but I do now have kozo paper, nori glue, and sumi ink — and a baren — so I can…if I want to…actually try working at this for real.

I’m thinking of doing something with koi.  I’ve been playing with sinuous lines which remind me of fish.

Also, registering (aligning) the prints is something which I think I will have to work at via trial-and-error.  It’s certainly out of my comfort zone as things stand, but then, it should be:  I’m a total beginner.

And I hope you all will forgive me if I write less, here, and work on gaining more quality experience — and generating more quality content — to bring back to you.

Japanese language study

This has basically stalled.  I’m fairly sure that it has to do with trying to relearn katakana.  The rows read, moving from left to right and top to bottom (it just seemed easier to format it this way because of the directionality of the text on this blog):

KANA TABLE

I’ve stalled at NA.  It’s just frustrating to have to relearn this stuff over and over again.  This will be at least the fourth time I’ve tried to memorize this.  (Once in Middle School, once in Beginning Japanese at University, once when I first tried to relearn Japanese outside of University, and then, now.)

And a lot of it is memorization — which is hard for me to wrap my head around as something which will assist me (of course it will assist me!  I can’t read if I can’t recognize the characters!).  But I have also found my “Kana Workbook” for the Japanese for Busy People set, so maybe I should look back at that, if I’m just burning out on copying katakana.

In other words, I’m just frustrated at not knowing as much as I want to, and it’s putting me off.  Maybe I should just move forward with the Kluemper text, even though I haven’t yet memorized all the katakana (I can still read most of it — katakana are not frequently used, and as in English, there are certain kana which are rarely used, meaning that less-used syllables [lookin’ at you, “NU”] will be harder to remember).

And I’m going to choose not to write too much about school or work, right now.  But I have taken on extra hours…and school is doable, even if unpleasant.  It’s just what I’ve got to go through if I want to have a chance to work in an American library…or so, I’ve been led to believe.  Hawaii doesn’t even require an MLIS degree to work in the public sector.  Then again, the cost of living is high, there…and if it’s anything like the San Francisco Bay Area…well, I don’t have a husband or children to support, that much I can say…

At least I have a full life…who knew that would happen, eh?

I suppose I can take time out to write.

Hi all,

I’ve been doing a bunch of reading, recently, for my Summer class.  On top of this, I worked extra hours this week.  I just finished the last two lectures tonight, and appear to be all caught up on my reading.  Now the work begins.

In class, we’ve been reading a book called Letting Go of the Words:  Writing Web Content that Works (Second Edition), by Janice (Ginny) Redish.  This is with an eye to building functional and useful (library) websites.  Because of this, and because I didn’t wholly realize that the site at which you’re reading this now is likely a “destination site,” I had been thinking that massive reorganization was necessary for this blog.  (Library websites are usually not “destination sites;” they’re usually redirecting sites.)

It seems that yes, some reorganization needs to happen so that readers aren’t continually faced with textwalls.  However, I need to take stock of what is here and what is most used (and ideally get some reader feedback), before I do it.

What I had been doing, instead of posting here, was experimenting with the Pages function on WordPress.  (And, right:  I’ve also changed the Theme.)  I’ve been thinking of keeping a (relatively) static front page with links back to (periodically revised and added) material which may go unused when the front page is just an infinitely-scrolling list of chronologically-organized text.

It may just be clear, however, that doing that kind of work to this blog may, 1) inhibit its functionality as a recording place for me (rewriting things written three years ago may destroy their relevance), and, 2) not be feasible, in terms of content.

In terms of the initial goal and approach of this blog (as a place to record my thoughts so that I could formulate a career direction), and the newer goals I can see emerging (now that I have a career direction), it might be more worth it to keep this place as a place to record my thoughts, and set up a different space with the goal of actually serving my readers.

(I wonder if blogs’ reasons for existence have shifted, over the past 20 years?)

Anyhow, I have a number of things due in what is, in practicality, the next 24 hours, so I’ll try and cut this short so that I can get enough rest to be functional tomorrow.

And ah — right!  I wanted to record this somewhere I could remember it.  This is off-topic for this post (though on-topic for the blog), but M said something to me the other day.  She didn’t mean for me to stop painting, but rather for me to get a job which could support me in order to enable my creativity.  This was likely in response to, “I’d like to go to the art store; I have some things in mind, but I won’t be able to even use them before Monday, because I won’t have time.”  Apparently, people have been saying that I should be making art because I could be making money at it… 🙂 …always a nice thing to hear!

Sleep hygiene chaos, plus essential knowledge gained

I finished What’s the Alternative?:  Career Options for Library and Info Pros by Rachel S. Gordon, last night…at about 3 AM.  I may want to go back and reread sections of it, and I know that I will want to look back into the books referenced, in Appendix D.

Did I mention this took place at 3 AM?

My sleep schedule is all messed up:  I lay down at 8:30 PM, fell asleep after 9 PM, then woke (2:15 AM), took medication; lay back down, got up (3 AM), ate a little, fell back to sleep (4:30 AM), woke for breakfast (11:30 AM), went back to sleep (12:30 PM), woke about 4 PM.  This is why I don’t like trying to change my sleeping schedule!

I know I need to be going to bed earlier, but I have constant experience with lethargy, unless I have slept for 14-16 hours.  In today’s case it could have been because I didn’t take my (sedating) medication until 2:15 in the morning, though.  And yesterday it could have been because I didn’t take medication until 1 AM.

Hmm.  Now that I’m looking at my records, my medication time has been shifting later and later (I’m supposed to take it at 9 PM, which is why I know I fell asleep after 9, last night:  the medication alarm went off; and I turned it off and fell asleep without taking it).  I can try and do something about that, and hope (?) that it makes it easier to get up in the morning…and that it won’t just contribute to oversleeping.

I mean, obviously I was tired, if I lay down at 8:30 PM, right?

Anyhow…I learned in What’s the Alternative? that, at least as of the time the book was published (2008), it would not be expected that one could learn essential tech skills in order to open up technology-based career paths, just from classes in LIS.  Because of that…if I want to work in Web Design after getting out, I’ll have to teach myself programming.  Either this, or I could re-enter Computer Information Systems training after graduation; I’m just not entirely certain how I’ll fit that in, timewise.  And that’s largely because I don’t know what kind of job I will have at that time.

I’ve compared the Graphic Arts and CIS curricula; CIS is actually closer to what I need.  And I’ve actually compared the two systems teaching this which are nearest me…I can do this.  I might be able to do this by cutting some courses out of my future Master’s program and taking Community College courses in CIS, in person, but that doesn’t seem like the best option.

Alright:  I’ve just sent off an email about this.  I should probably try and get ready for bed, as I did just take medication, and I don’t have anything to do except homework.  (I suppose that’s a good thing, as I have three assignments due in a week.)  The hard part will be actually contacting and setting up meeting times for the assignment I was given last week…though I guess that in a pinch, I can have family test what I need tested…

Yes, something happened.

One good thing:  I restarted reading What’s the Alternative?:  Career Options for Library and Info Pros by Rachel S. Gordon.  This…helps.  Having options outside of working in a library is a good thing, even though I get the sense that this is a political issue with some.  That is, I get the sense that some would feel “betrayed” if I decided to take a different path.  But the Library world is weird like that.

For me, though, the “outsourcing” of library work to other specialized groups, means that I can work for some other specialized group, as versus working directly for, say, a Public Library:  the work in which, I’m not sure is a recipe for happiness, for me.

Also, the track I’m on (Digital Services), includes most of the path of Web Design/Info Architecture plus more.  All of the core courses are covered, and some of the “Recommended” courses in the Web Design path that aren’t in the Digital Services path, aren’t even given.  So it’s a good bet, if I do want to go into Web Design, to hold steady.  (I doubt that Design will be as Computer-Science-centric as Web Development…)

I will, though, have to educate myself on the aesthetic dimensions:  a lot of my work so far has dealt with usability, coding, and organization.  Which are all fine…but as someone who is into Art, too, I might want to look into visual elements of Design.

And — ha!  I have some books on Design that I haven’t read, on my bookshelf right now.

Wow…a lot of them, actually.

I also came up with the idea of interactive textbooks, but did a little research, and Pearson already has started working on this.  (Maybe I can work for Pearson?)  In addition, there seems to be a lot of work on this as regards Apple (another possibility), on mobile and tablet devices.  The interlacing here of technology, creating teaching programs, writing the textbook, and gamifying is interesting.  For the first time we have the option of making our “textbooks” into interactive multimedia computer programs…that might be able to be either downloaded or carried on a MicroSD card, or similar.

I doubt I would have come up with the idea, if it were not for my Nintendo DS…yes, probably a bit outdated by this time, but The Legend of Zelda:  Phantom Hourglass was the first time a game ever asked me to write an answer to a puzzle (I’m wondering if it used anything related to “Least Squares” in sensing what my answer was)…would it be that different, say, if you were watching a language-learning video or reading a passage of text and could practice writing in the textbook?  With scores or something to show you how well you did, and without using up physical space with blank paper on which to write?  And what about voice recording and recognition?

What else has been happening…I’ve been slowly getting my reading for User Experience done, though I’m not certain if I’ll have to work on anything due this weekend (I’ve kind of been having a tough time for the last several days, and haven’t even checked the message boards).  I know I have one thing due in one more week, but it shouldn’t be hard.  Though I will have to drag myself back over there and see what’s due.

Anyway.  I just think that I’m not a very social person.  But I’m being graded on my engagement, so there’s that.  Whatever.

Oh, right:  the art and craft storage area has again been rearranged.  There’s…a lot more room, now…

And I think that it’s best to ignore my sibling’s insistence that I write a story before attempting the artwork for it.  The time I came closest to actually having a story and a graphic novel, that story developed out of my drawings.  And I’m going to have **** drawings if I wait until after I’ve written a story before I try to draw anything.

That makes sense, right?

I should get some rest…