Hygiene highs; a day off. Taking care of myself.

Alright, so I didn’t get much done on the portfolio, today. I did go out on an excursion and brought back a couple of beading magazines. Although I don’t subscribe to any anymore, it’s good to view the ads.

I suppose I never really reported on the specifics of what beads I have recently picked up. I mentioned them close to the time, but no pics or anything. That isn’t great, for the reason that I forget what I have, if I don’t record it.

And then, there was the little macramé trial that I started and then ended…

Yeah, I want to do something with that! (It’s right next to me, now.)

Last night, I wanted to post about hygiene. Particularly, how good it felt to take a shower and wash my hair and dry the roots, getting everything done (including rubbing my face down with witch hazel, treating it, and brushing and flossing my teeth). I had to floss because I’d eaten raw fish for dinner (it will cause awful morning-after breath, otherwise — and don’t even think about going to bed with your teeth unbrushed — it’s horrific the next day), and I really had to wash my hair.

I put some sort of oil in it to protect the ends…but I’m not convinced that two drops (as the bottle said to use) was enough. I had to use the Clarifying shampoo because my hair was so gross, and that will eat through any oil or grease it touches at full strength. Because of that, I had some areas which were just fine (if not oily), and some areas which were squeaky-dry. I’ve found that it’s healthier to have it oily but clean, as versus dry and brittle.

I’m thinking of using a sulfate-free, very gentle shampoo, and just washing much more often. (I’ve heard that a vinegar rinse is good for getting rid of sulfate deposits in the hair [someone did one on me once], so I might use one just to soften it. I’m just not sure how exactly, to do it.)

I used the diffuser attachment for my hair dryer for the first time, last night. IT IS WONDERFUL. If I set it on “Cool” and High speed, it will get my roots dry, which is important to avoid mold and mildew. Avoiding that is important to avoiding dandruff and scalp itching, in turn.

As well, the “Cool” setting, doesn’t burn me.

I’m wanting to wash my hair and wear it the way it is when it’s wet and in what would be called, “ringlets,” if my hair was fully curly — it’s just in short waves, and I don’t know what the term is for that. But it’s nice that my hair texture has matured…it’s never been this consistent in texture, before. Rather, the texture varied depending on which area of my scalp the hair was growing from. (When I was very small, it was much straighter.)

It’s also never been as long as this at this texture, before. Right now, I can put it on top of my head, and it almost all stays (depending on what area of my crown it’s on)!

So…I’m thinking of continuing to grow it out, so I can get to the point where I can pile it all on top of my head. If I dry it with the diffuser, it should also be good to wear it down, while the rest of it dries. The diffuser actually adds lift to the root area, which helps it look alright.

I started out this post talking about beads and beadwork…

I suppose it’s OK if I don’t get work on my portfolio done, every day. I’ll only have one more class on top of this, for the foreseeable future. And even if I do get a better job, I shouldn’t have to work much more than 20 hours.

Also, so long as the portfolio project isn’t done, I’m thinking that it’s probably normal or good to keep it in the back of my mind, all the time. I should probably just not worry or stress over it too much — at least, not yet. After all, no matter what, it’s not going to be done for a while.

With the beadwork, I’ve based a color scheme around a number of ceramic beads, but have come to realize that the ceramic beads are likely too coarse for the design. I think the color scheme still works, though: warm aqua luster, violet vitrail, bronze.

And…I keep finding more beads, stashed away in plain sight. I need to get them all together. I remember looking for some for that scarab necklace (bright fuschia size 6° silverlined rounds), that I found a couple of days ago in a forgotten project drawer.

Anyhow. I haven’t been working on that today, either.

Seems like a lot of the stuff I have to do, has to do with organization. I think that’s accurate.

The thing I’m kind of irritated about is my lack of noting prices per quantity on the descriptions of my bead vials. Prices normally vary based on what’s in the glass, and what treatments have been applied to the glass. For example, pinks and deep reds (which aren’t just coated), generally have gold in the glass formulation, so they cost more. But something like a teal will generally be much less (I don’t know what makes it teal).

I remember that a while back, the “Apollo” finish (a bright bronze-gold coating over clear glass) was new and stupid-expensive. It’s gone down in price, now.

But if I’m making anything to sell, the final price is based on the cost of production, ideally. Otherwise, I risk underselling myself, and not being able to hold the price of a certain item, steady. Unless, that is, I risk overcharging (which I probably should, as versus putting something out using a baseline price formula).

I think I feel a bit better now, making jewelry with the intention to sell (though I haven’t been doing it much, recently). It helps to know people into art (who value artistic labor), and it helps to have done it, before.

It also helps to know that I’m not undermining my integrity by doing something generally classified as feminine. I am female, but as regular readers here will know, I don’t see myself as a woman — or a man (feminine, is something different: I have found that just because I don’t see myself as a woman, that doesn’t mean I have to divorce myself from everything associated with women).

In my first round of making jewelry to sell, I didn’t know myself as well, and didn’t know why I liked to do it. At this point, I know it’s okay to sell something for personal decoration, even if no one absolutely needs it. I didn’t feel great taking money for something someone may want, but have no absolute life-or-death need for. Especially when they may have needs that they’re sacrificing for “wants”.

But other people’s money-management, really isn’t my business. And that’s a ground-rule I really need to keep up.

I’ve also found that I myself feel better when I know I look good. The attention I get for that isn’t the reason I do it — or even something I really desire — but I try to take compliments in stride.

After all, nothing says I can’t be a gender minority and gorgeous at the same time…

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Finished Object: Scarab necklace.

So, a couple things have happened. I passed my written test for Driver’s Training (yay!), I did not fail Programming (yay!), I got a giant frikkin’ toolbox for my metals…which I’m wondering if I need, now (yay?), and I found some SuperDuos (? sadly, beads make me feel rich).

If you’re wondering why I didn’t post earlier, it’s because I spent 7 straight hours at the DMV, reapplying for an original license.

SEVEN. HOURS.

We got there at 7:30 AM and weren’t done until 2:30 PM.

But. I can practice driving, again.

About that necklace I mentioned, last time: I was able to finish it, and it wasn’t a lot of work at all. One thing I need to keep in mind, though, is that when I’m closing the crimp endings, it’s to my advantage to close one half at a time, instead of immediately squashing the thing flat from one side. If I do the latter, I may end up with a slippery connection, as happened this time. I was able to mitigate it somewhat by tying an overhand knot directly after the crimp, so it will have a harder time moving…but crushing it halfway across, results in an inward-biting fold in the center of the crimp which may be more secure.

As it was, I tried using G-S Hypo Fabric Cement on this, and…I think the tube is mostly dried out. Like, there’s air in there and some vapor, but not much else. Normally, I’d use clear nail polish, but I kind of feel tacky using that, at this point. 😉

I should replace my cements, though. Not fun trying to coax anything (anything at all!) out of a needle applicator when you know the tube could bust at any second.

I took a number of photos earlier. Bathroom time! (I was using the viewfinder through the mirror, not taking a picture of the mirror itself…)

Photo of green beaded macrame choker with scarab

In the process, I saw where my design could be improved. In particular, I’m looking at the fine pinkish stripe. Because it’s on the bottom and borders the green size 6º beads, the pink is sandwiched between two bright greens…and because of my skin tone (which is closer to pink than to green, thankfully), it begins to get lost. I am wondering what would happen if I either made it broader and/or put it on the upper edge of the choker. I could broaden it by interlacing another one or two rows of lark’s head hitch (the knotting pattern I used), which I’m fairly curious about, now.

I was concerned that the second choker would be too short, as I made the length of the knotted area the same length as the cord on the original version, which can be seen below.

Initial trial choker

However, it’s plenty long enough. I don’t know why, except maybe the drape could be messing with me. I’m strongly considering getting rid of the extension chain I put in the back of the green one for safekeeping, as the chain tends to tangle with the hook-and-eye clasp I’m using. The only reason I’m using that, in turn, is that I can’t find my narrow-gauge silver wires or jump rings (wire rings). I thought I had found some, but no — that was (more) extension chain!

I didn’t want to cut apart a soldered chain just to get a jump ring. (Chains are pretty expensive.)

All of the silver clasps I have that are right now unused (except for the sterling filigree box clasp, which I would prefer not to use, as box clasps aren’t known for being secure), have piercings that are too small for the rings I’d be inserting into them. (The rings are at least 20 gauge, if not thicker.)

I do have sterling wire in some finer gauges, but that’s going kind of expensive for a connector. I’m unsure where all my silvertone brass wire, went. While it is possible that I was wholly using sterling, before, that seems kind of wasteful. And I know I had some “non-tarnish” craft wire that tarnished (surprise), and I must have gotten rid of that. I’d had it since high school, so what do I expect, right? 🙂

But when that stuff goes bad, it’s pretty terrible. I mean, it turns crusty.

If you’re wondering about Lark’s Head Hitch, I’ve got a close-up for you below. It’s not too hard. If you look in basically any beginner book on macrame, it will probably be in there (just not this version).

Close-up of Lark's Head Hitch chain

One thing that I did find out about my working process: I was unsure nearly the whole time I was making this thing, if I’d have enough cord to finish it cleanly. I used a bit more than two arm-spans each, of the green and pink cord. One of the reasons I added the beads is to space out the knots, which then extends the reach of the tying cord.

I really toward the end, wished I had left more cord at the beginning of the necklace, in case I wanted to extend the other side of it. It would have been easy. But I left myself only about 3″ of working space — just enough to insert into the crimp ending and secure it. It would have given me options, if I had more.

As stated before, I’m thinking of where I can take this, next. In addition to a wider band, I’m thinking about fringe. Short fringe, at this point, but enough to give an impression of feathers.

I really don’t know what that will do; and if I’ve learned anything over the past 48 hours, it’s that I won’t know, until I try it.

WIP: Scarab necklace

Apologies for not having any photos, tonight. I have a work-in-progress (WIP) which will very much be worth sharing when it’s done, but unfortunately I threw my back out today, and haven’t gotten to finish the last 2″ of knotting on the WIP.

Luckily, I’m pretty sure the back thing is just a muscle spasm (don’t twist while carrying heavy loads and descending stairs at the same time), but it’s meant I haven’t been able to do much. On top of that, this and taking medication around 1:30 AM this morning (from staying up late knotting and not noticing the time), kind of wrecked my motivation for today.

So the project itself is a knotted micromacrame choker-length necklace with a central crystal drop and seed bead embellishments. After 1 AM, I was reminded of the need for sleep, and my pinkies were about to blister, so I called it a night. (They’re still a tiny bit sore, today.) Given what was on TV, I think I was working at least 3-4 hours — though this was on two projects.

I made a first project that led directly into the second, as it looked more like a prototype than finished work (although it’s wearable) — but I wasn’t about to cut it apart, right after making it. I had used a set of silver-plated crimp endings; crimps don’t come undone. I would have had to just throw them away, and they still look fine. It’s the cord and the lack of embellishment, that I don’t like.

The craft table looks like a disaster area…but maybe it’s supposed to? I really did want to finish that necklace last night, but I’m already viewing it as a prototype for something more. For instance, working off of the cord loops with thread, to attach finer beads: the center drop bead is a Swarovski scarab, and I’m thinking of placing falcon wings on either side with fringe. The major issue is how to secure the thread ends, but if I worked the thread in from the beginning, it would be well-anchored at both ends of the necklace like everything else (and hidden).

But yeah…it feels really good to be working on (and with) this stuff, again. There’s something about looking at beads that lets me know that something awesome can be made out of them with the right amount of applied skill and creativity.

Hopefully, I’ll be up to finishing it, tomorrow.

Getting back to beading.

Today was interesting. I’ve begun to get back into (and recover) my beading stock. The major problem — which I have gone a long way toward ameliorating, today, is the fact that at various points in time, I’ve separated out tubes of beads as an attempt to notate color schemes for potential projects.

Because of that, what I have isn’t all in one place.

In particular, my size 11/0 (also alternately notated 11º and pronounced “eleven-ought”) seed beads are so scattered that my main storage areas look somewhat…well, pink and purple. But a lot of materials are still stashed away for one single project. That project includes a lot of greens and bronzes, which balance out the mix. And I haven’t yet decided what to do with what I have separated out.

That, in turn, probably isn’t going to be figured out until I just sit down and play with what I have.

Until I finish that project — or alternately, give up on it and put things back where they’re supposed to be — it’s going to be hard to figure out the sum total of what I’ve actually got. I was, however, able to recover some of the stuff I loaned M, which…is a very good thing.

She went on a discarding spree and threw out a bunch of stuff that she assumed was hers. (A lot of it appeared to be inexpensive stock gotten at flea markets by friends. Having started out with cheap Darice beads, I know not to use these for anything to wear or sell — to practice with, is another thing.) Luckily, my stuff (that she thought was hers [I was trying to be polite and not mention the error]) was nice enough not to be tossed. What I’m talking about are the materials for a certain bracelet project.

(While I’m logging unfinished projects, I should leave a link here to this one…I finally got the appropriate interfacing for embroidering a bezel for the cabochon [the big shiny thing], but the materials were sitting uncovered so long that I may have to wash the beads.)

Anyhow, I also was able to make it out to a beading supply place, today, so I have no lack of 3mm or 4mm fire-polished rounds, anymore. (5mm rounds…are comparatively rare. I’ve found them at one bead store relatively distant from me. 6mms, however, are common.) What’s weird is that I have a collection going back decades, and so they aren’t all the same size, even if I have a bunch which look like they were all supposed to be the same diameter. I also have samples of early versions of the Preciosa Twin bead…which aren’t the same as the current ones (which are closer in shape to SuperDuos).

I’ve realized that beadwork is relatively niche (much moreso than watercolor — it’s also possible that beaders just largely either aren’t on WordPress or don’t talk on WordPress, as they’re too busy beading and designing), and so readers here may not immediately know what I mean by words like, “fire-polished round,” or, “rondelle,” or, “druk,” or, “vitrail,” or, “Twin,” or, “SuperDuo.” While this is easily researched, I’ve found people (including myself) aren’t apt to do extra work in order to understand something — especially if they’re not invested in it, aren’t that interested, or it’s just way too much information that they don’t know at the same time.

Because of that (it’s a communication barrier), I’m thinking of setting up a Page or series of Pages that I can direct people to, as a kind of Glossary. I wouldn’t be surprised if a project like that brings in a lot of traffic, either. Though I’m not really all that social, I do see certain of my posts showing up over and over again in searches. If I wanted to monetize the beading, as well, higher traffic would be OK.

As for other labors of love — I’m told to produce my jewelry as art objects and then if they sell, that’s just a happy consequence. One of the drawbacks of beadwork is that it can get expensive, for a hobby. The reason I started to sell is that I was getting prolific, and had a bunch of backstocked, finished items that I wasn’t wearing. (I was also putting a lot into materials — though ironically, most of the cost of those pieces tended to be metals.) That’s no longer the case — a lot has been either sold, donated, or given away to family and friends.

Oh — but! I did restart macramé practice today. I have a pattern using 6 cords, which I’m thinking of expanding into a wider form. I came across a version of a knotting pattern I can’t altogether remember seeing before; it’s kind of lacy, and I’m hoping I can use it as a diagonal lace. It seems like a possible beginning of a zigzag pattern as well, but I’ve got to play with it more, to confirm.

Sorry no new pictures, today; though I do have to start cataloging these things…

Things that aren’t equivalent

I started to write this last night, but adjourned to my bed and my blog notebook. It’s probably a good thing, because I was really tired. (It’s not good to be that tired and exposed to the blue light of a computer screen; it can make me stay up longer than I should.)

The notes I took are all about things that I at once thought were related, but which turned out to be more dissimilar than expected. I also started drawing on the side of my notes…which was surprisingly satisfying. Yes, even though it was on lined paper.

I was using a Yasutomo Liquid Stylist pen, which is a fiber-tipped pen with a nice juicy flow. The drawing just came out of wondering what would happen if I made shapes in some way other than letters…

…I’ve also started drawing images of my houseplants, because they’re kind of the reverse of the memento mori that happens with cut flowers. In this case, because they’re still growing, they’ll never be this tiny again!

For a while now, I’ve been discouraged from drawing because of the fact that nearly everything I see has a human touch to it. Botanical gardens aren’t even immune, because they’re planted and maintained by people. Outdoor areas are often landscaped and built upon. Someone designed those buildings. Someone designed everything within those buildings.

An extreme example would be driving out to the middle of nowhere in Las Vegas and copying down a display of some statue surrounded by plants which don’t naturally grow there (like much, does). It’s obvious on that point that the display was made to be seen and to have the impact it has. It’s worse when the plants are poorly taken-care of and obviously being used.

It’s why I didn’t take too many photos of Las Vegas.

While there are some relatively wild areas nearby, they also seem somewhat forbidding. Like I can go into the Sierra, and it’s beautiful; at the same time I know I can easily die there, just from making one mistake. So it’s gorgeous and at the same time…I don’t know if, “sobering,” is the right word, but there is an element of heightened awareness and caution, there.

I haven’t yet been able to reconcile recording human-built and -designed landscapes within urban and suburban areas, and the feeling of being out-of-place in relatively untouched areas.

Anyhow, to get back to my list. (I’ve expanded upon it, below.) These are things I have drawn parallels between in the past, though now…I recognize their differences. In the below, I’ll be using the “!=” shorthand to mean, “not (exactly) equal to.” It would get unnecessarily wordy, otherwise.

  • drawing != painting
    • even though both result in the creation of images
    • Drawing uses lines; painting has an absence of line.
    • Drawing may make much less use of color than painting.
  • beading != painting
    • even though both can be dependent upon color use and combinations
    • Painting requires some thought as to subject matter, which is not necessarily the case with beading.
  • beading != “Jeweling” (Silversmithing) even though both can result in the production of jewelry
    • Beading requires weaving (in its simplest form, stringing) and design, incorporating skilled usage of pre-made components.
    • Jeweling requires metalwork (and in advanced forms, skilled use of fire) to assemble metal (usually sheet, wire, and [if casting,] grain) into a new, coherent form.
    • Jeweling may make much less use of color than beading.
  • sewing != beading
    • even though both use fine needles
    • Sewing requires the use of fabrics (or two-dimensional soft surfaces), which feel entirely different than assembling pierced glass, stone, metal, etc., components through the usage of fiber.
  • “making things” != programming
    • even though both “create”
    • “Programming” is listing instructions to a computer which have to be 100% correct (or near), and logically consistent, or they won’t work at all.
    • Logic and semantic precision don’t factor into, “making things,” nearly as much (as I’ve experienced them); there is room for imperfection in, “making things.”
  • literature writing != comics
    • even though both tell stories
    • Comics have a strong graphic component requiring a different skill set than writing.
    • Comics may utilize a different form of communication than writing.
  • “Communications” class != social skills class
    • I took a class in “Communications” hoping it would make me a better communicator. Lo and behold, they meant, “public speaking,” not “interpersonal skills.”
  • Sociology != “the study of people”
    • Sociology is the study of people through the lens of how power dynamics constrain people, not the study of people and societies in general.

I’m not sure if this is some sort of cognitive or experiential deficit with me which has caused me to think that the things I’ve listed above have been related because they had a common factor (such as beadwork and painting having a common thread of color dynamics; thus I thought I’d enjoy painting [more than I have] because I’m enthused about color, and had enjoyed beadwork).

I’m hoping to get back to beadwork, very soon. I would have done it earlier today, but it’s been nice just to not have to do anything, for the first time in weeks. It felt like as much as I could do, to write this entry!

But I do have some pearls I want to do something with, and at least one project in stasis; I can start there.

And life resumes.

Tonight I turned in the last of my assignments for Summer. I don’t think they were perfect, but they’re off my plate, now.

The good thing is that I got full marks on the first two assignments, so I had 55% going into the last two weeks. This class is also only 1 credit, so a low grade isn’t going to ruin my GPA. (I am already in an Honors society, too, and can’t have that revoked…)

What can I say, but, IT’S OVER!

That class was so frustrating. At least if we had used a real programming language, I could have looked for help from someplace other than my Professor.

I also realized that my love of making things doesn’t necessarily extend to Programming, which is more like, “delivering instructions to a computer.” Not design or writing or crafting; because I’m not doing the work myself, the computer is doing the work.

Now I can return my attention back to work and my e-Portfolio, though to be honest, I’m thinking about doing some jewelry work (likely incorporating leather: I got the idea to make button loops with this so that the buttons wouldn’t be abraded by glass beads. There is also the option of knotting button loops (when using upholstery thread), though I’ve found that braiding them makes a more secure connection).

If I take out my 14g jewelry in the morning and put in light earrings; at the end of the day, I can still put the 14g jewelry back in. I am planning on exploiting this. 🙂 I also have a lot of earwires, so I can toy with designs all I want.

I am not sure yet what heavy earrings will do to my piercings (I’m thinking of a set of sunstone earrings in particular — my first attempt at chain tassels), but I would probably be in danger of losing them, from having the piercing stretched out. Luckily, I have a lot of earring stoppers (plastic stoppers to secure the backs of standard earring posts or earwires).

I am also not sure as to whether my piercings will in fact close up to a more normal size if I take the 14g earrings out, entirely. The problem with doing that, is that then I tend to miss them, and have to go through another cycle of wearing 18-16-14g, which takes at least 12 weeks to get back to the point at which the 14g earrings will again fit and not damage my lobes. It takes longer than that to get them to be able to move freely again.

No, I do think I’ll stay at 14g — but this is as thick as I’m going.

As long as we’re on the subject of appearances, I ended up trimming my hair instead of cutting it short; but I don’t know how long I’ll keep it like this. I mean, I actually look fairly pretty to myself, right now. I don’t know what changed except for beginning to use a different skin treatment. It also looks like my weight shifted. I don’t know what causes that.

At this point, the major issues I have with my hair are ongoing scalp health, and damage from heat styling. The heat styling is to prevent damage from snarling (which happens often enough with my hair wavy).

The only reason I know the heat has damaged it is that when combing it out in the shower with some kind of lubricant (it’s often difficult to comb, dry), I can feel it stretch when I hit a snarl. It’s not supposed to stretch. However, if I straighten it, I can keep it rolled up in a bun when I need to, out of the way and relatively clean. It’s also long enough to put the bun on the crown of my head, which minimizes pulling and discomfort (I often get a sore scalp if I even wear a tightly bound ponytail).

What’s good about this as well is that if I twist my hair down, I can wrap my hair in a scarf, and not worry about getting dust into it from my work.

On the employment front, I have a short amount of time to apply for a higher position, which I’m thinking is now appropriate (I’ve been getting a little antsy at work from not using my skills to their fullest potential). I still can’t drive on my own, though, and I need to get on that and get my license. If I had a license, I could be a substitute and not have to worry about balancing part-time work and full-time school along with having to arrange for transportation. But I am going into my last semester, so if I get hired next year, that will be cake.

I’m thinking that power issues may be tripping out some people I work with. It is probably past time to move up a rank.

I also spoke with someone today about support around getting back into creative writing. The meeting went really well.

The big thing for me about writing (particularly, fiction) is that it brings up a lot of issues that I still need to process, and it tends to bring them up all at once. So having someone to talk to about them, is really good. From what I heard, working through past issues with the writing is likely better than avoiding them by not writing.

It’s also something to take into account that the problems which bothered me before when I was writing, may not necessarily bother me now.  I mean, my last major extended experience in writing fiction was in undergraduate work. I was a lot less stable then than I am now, and beginning to write again now, doesn’t mean I’ll be going back to being like I was, before.

And, yeah…the person I was talking with did bring up the, “method acting,” tangent that I had also wondered about, but never looked up… In specific, the fear was that I’d get into character and then forget who I was. But I think for me, it times out after 3-4 days, even if I do lose my grip on myself.

Also, that mediumship thing about ending a session, I’m told, sounds applicable.

Alright, I should get some rest — I just realized that it’s now after midnight, and I’ve got stuff to do, tomorrow.

(and it’s not going to be graded.)

Trying to figure out what to do with free time.

While I wish I had something in-depth and philosophical to share tonight, I think I’ve done enough talking about that, for now. (I actually talked with people about things that matter, today. A lot of it bridged off of that last Creative Writing piece…which is helping me process a lot…at the same time. I understand now why this stuff used to make me break down, before.

Tomorrow…I believe I can choose what I want to do. A short time ago, I did go out and buy some leather to tool. It’s been a very long time since I worked with leather, but right now we have some stamps (including an alphabet) which could be cute. So far as I know, the leather just has to be dampened before I press into it. It will be something to experiment with.

I want to combine it with some micromacramé and seed beads, using an awl and cork board to pierce holes for twine. I also just now realized that I could put a button clasp on the leather portion, instead of making two separate straps for the bracelet. (I could also thread the macramé portion behind the leather…if for some reason I can’t punch the holes.)

I have two little bee buttons in pewter, one of which should work — if I can clear the shank. I also have a number of shell buttons, and those might also work, if I use a small one. (A large one will require extra length for the button to clear the buttonhole.)

I already have a thread burner to cauterize the ends of C-Lon or S-Lon cord. As for whether the thread burner still works, that’s a different question — especially as I don’t remember how to change the battery (or if the battery is even still in there). I had been wanting to use light hemp twine, though.

The big issue is thinking about the leather portion creatively, and about how to unify the design. I had been thinking of using just a strip of leather with a word (the word would guide the design), but I had to buy a small sheet of leather to get the type I wanted. That means that I don’t have to use a strip (though I’m uncertain if I need a special swivel knife to cut it — I already have a good number of X-Acto blades, which I can try first).

I still need to design what I want to tool into it, as well; and I had been thinking about using leather paints. Those are two different design elements.

Not to mention that the color of the macramé and the color of the beads need to coordinate or work into this, somehow: it would make the most sense to tailor the paint colors to the beads and twine. I can blend the colors of the paints; beads are something different!

All of that together would work around the word or design tooled into the leather. (I’m thinking about botanical themes, though I’m putting that brainstorm in a separate file.)

As well, I still have the toile (practice version) of the monpe (field pants) that I can work on, tomorrow…which might turn out to be one of the types of pants that would actually fit me (the waist, ties). Right now, I’m at the point of sewing the inside of the second leg together.

Maybe I’m not as into that as I thought? Or the gratification is too delayed. Or I haven’t looked at that beautiful ikat in too long.

I’ve realized I can cause myself serious pain, with needles (in particular, I have displayed the tendency to gradually destroy my left thumbnail by using it to stop the needle…which lets me know just how soft nails are, next to steel). I do now have a soft thimble which works well, but I may just be a little shy of even trying.

There are other things I could also do, like work on my portfolio. Up until now, I’ve just been setting up the technical foundation for this. I can work on the intellectual portion a bit, tomorrow.

Or I could draw and paint the succulents. (I also want to try and photograph that little baby succulent in the crack in the front yard…)

I’ve made the temporary decision to try putting in my values with black ink and then come back in with multiple washes. This is as versus putting in very dark values with paint alone, which I am thinking is a very different technique. One of my old classmates used to put in deep values with sumi ink, though, and then put transparent color over that (kind of like what I at least think happens when one gets a tattoo).

It’s a more mature version of playing around with black fineliners and then painting over the lines, which is what I’m considering. I also have dip pens which I do want to try out with at least the Dr. Ph. Martin’s Bombay Black Ink…

That could be interesting, if I tried to make something stylized in black ink that was an interpretation of what I saw, then I went over it in watercolor!

Fresh ideas, eh.