art and nervousness/nerves/nerve

Today (or at this specific moment, yesterday) the trips to the art stores happened, within the span of about an hour.  This was fun, though now the hard work comes:  actually using the supplies.  Which is what everyone wants me to do, and which is likely why I met with no resistance when getting to the places, today:  I actually did use some of my supplies.

Although I had planned to spend around $60-$70, I ended up spending a bit more.  I knew it might come to that.  Although the big-box art supply store had more types of X-Acto blades, they had only two of the three types I wanted.  They also did not have 2″x 2″ linoleum blocks, and their prices on block printing ink were higher than at the smaller art store for identical inks.

I’ve found a hesitance to work on the actual execution of these projects:  they are beautiful in my concept, and having the supplies and the time, I have no excuse not to work.  I think that I have a fear that my execution will not fulfill my concept, however; that I’ll end up ruining a project or messing up.  Though this is kind of ridiculous, as I consistently surprise myself where it comes to ease with my media and the skill I have which is hidden until demonstrated.  It’s also ridiculous when the materials are inexpensive.  Maybe I would have been better off just getting one or two more inks.  Maybe.

On the other hand, the randomness of color printing, when using mixed inks, is an obvious upshot of working with prints.

Then there is the fear that I’ll really really like it.

And end up collecting plates of glass to roll out my inks…

…but why is that scary?  Because then I’ll be doing something fulfilling?

I need to go over my receipts and see what I did get which I didn’t plan on getting.

I should also work on my “crocus” before the urge becomes too stale.  I can already see myself forgetting how to work the image in drawing.  But then there are new elements to this, now:  one of which is that I have new knives and gouges that I should practice with before cutting a final image; the other of which is that I want to experiment with image registration, though multi-color prints may realistically be very advanced from my current position.

What I did do today, as well, though:  I made a toolbox with all of my knives, gouges, blade holders, adhesives, brayers, and black pens (fineliners, brush pens, Sharpies).  Do you think that maybe I should just concentrate on two-tone prints, for now (positive and negative space, as versus color)?  I can see where maybe I should…

And maybe I should put my weird-nib Pitt pens in that kit, too.  I don’t have to be concerned about water resistance, here, as I won’t be painting over them (Pitt black pens have a tendency to leave a grey haze when water is washed over them — a reason they aren’t more central to my work — but they have some special felt nibs that behave in interesting ways.  As I’m just after the design, shapes, and lines…there isn’t any drawback to using them).

But yeah, I pretty much had to pick up the violet ink today because my little flower print does remind me of a crocus.  Maybe what I can do is work suminagashi or wet-into-wet watercolor on the paper first, then make multiple little prints on them with the newer crocus linocut?

Wow, I just realized that if my Boku-Undo inks and Sumifactant are still worth anything, I should be able to make pale pink/blue/violet marbling (the inks are very weak) and then print multiple crocuses on top of that in violet, via block printing.  And I can even add translucency to it, because I got an extender for the ink.  And…I also have a blue and magenta, so I could print multiple colors mixed together on one stamp, instead of a straight violet.  Then I can cut the prints apart and give them to people.  🙂  No kento registration required, though if I really wanted to, I could put in a border…

And yes, I did just think of Artists’ Trading Cards…am I getting a “thing,” now?  Are flowers in water-soluble media now my “thing”?

I should find my palette knife so I can mix the ink…I think it used to be in a pot with the brushes and pens at my old craft area, but that was before we rearranged.  I know where it might be, though:  I can look for it after we’re facing the Sun again.  😉

I forgot to mention that I moved the majority of my “dusty” media (hard pastels, pastel pencils, charcoal, charcoal pencils, White Charcoal, white Rembrandt soft pastel), graphite crayons and pencils, and their accoutrements (erasers, blending stumps, chamois, X-Acto knife [#11 blade] for pencil sharpening), plus some earth-tone watercolor and colored pencils, into an old ArtBin which is stacked under my Printing kit (which is in the toolbox I used for my art supplies when I was taking art classes).

I should take photos of this.  I can see myself not recalling where I put the stuff…if I maintain visual records, though…at least that will be something I can reference without having to catalog everything…

Okay, self:  tomorrow is a new day.  Do not fear it.

art and nervousness/nerves/nerve

Flowers in the wind

I’ve been noticing a phenomenon recently…this is the fact that, at the very least, I’ve heard about a lot of people dying, this pattern having started about last December.  This includes, of course, my relative, among others.

As I’ve been browsing the Reader tonight, I’ve run across a couple of fairly alarming articles…one about Colony Collapse Disorder, the other about the likelihood of humans driving ourselves to extinction within the century.  (I would not assume these to be essentially separate stories.)  I’d still have to do research on this…and not just in popular articles…to come to an educated opinion, but I’m starting to think that there might be something to this.

So…if you’ve been reading my backposts, you’re probably aware that my relative’s funeral happens not too long from now.  I’m planning on going — I’ve done the requisite hygiene rituals.  My major fear has been that I’m going to be called into a place where I’ll have to get spiritual on people.  What has happened is that my relative died, and then the rest of the family has seemed not to know what to do with this.  On top of that, one of the people who really has no realistic anchor here has been trying to control everything, even to the detriment of the voice of my relative’s son, who knew my relative’s last wishes.

I feel like the funeral should be a celebration of their life.  While I do feel like the situation is sad overall, I also recognize the element of chance.  In my life, that is, when and where there has been spirit intervention, it’s often come through random events (in my mind this may be a reasoning for my own neural systems going on the fritz in the early 2000’s)…so that those random events end up forming a pattern which appears nonrandom.

My relative was severely injured in an accident over 20 years ago which left him quadriplegic — that is, he was largely paralyzed from the neck down (though he did, with practice, regain some functionality in his right arm).  What happened in the accident was a case of randomness plus being in the wrong place at the wrong time with the wrong person.  His life from then on out, though, drastically changed.  And although this was sad, I also know that he made a lot of positive change in those later years.  Maybe he helped someone who needed to be helped at some later time…and it was important enough that what did happen had to happen.

I feel like we’re all part of a larger story.  I don’t know if there are any “bad guys” in it.  (Well, maybe if there was a spirit who gave Einstein the Theory of Relativity…)  I may be affected by a mental condition which has made my life vastly more difficult than it needed to be…but I’ve learned a lot from my disadvantages, and I wouldn’t be who I am today without them.

Anyhow…I seem to be coming to terms with being “psychic”/intuitive.  At first, I feel like my relative was having a hard time adapting to not having a body; then I introduced the question of what he could do now that he could not do before.  The response was, at first, “?”, but I get the feeling that he’s getting the hang of things, now.  In any case, I feel like he’s still with me — and maybe closer to me than he was before.  His physical form is shed, but that doesn’t mean he stopped existing.  The fact that he isn’t directly living in a body in the physical plane right now makes things harder for those left behind — but I don’t get the feeling that he is suffering at this point in time.  The people who are afraid of what has happened to him or will happen to him or will happen to them are the ones who are suffering.

I think I read somewhere that we only understand about 5% of the Universe (scientifically speaking), and for some reason, I find hope in that.  It means that existentialism is just a mode of thinking — not necessarily true.

And…I don’t know if we’re going to go extinct sooner rather than later, but personally…I get the feeling that I need to counteract the destruction.  Unfortunately, I have had visions — or anxieties — of being nuked just because the world doesn’t like us or is afraid of us.  This could be an echo of Hiroshima — most of my clan in Japan was wiped out in that bombing (we were apparently local to the area).  I do not take it lightly that this is how they died.  My largest concern is the effect of radiation on other planes…though now that I mention it, I’m getting a soft, “you don’t have to worry about that.”

I also realize that the levels of pollution in our environment are ever-increasing…

…but all I can do is live my best life.  As transitory as it may be.

Flowers in the wind

This speaks more of illness than of faith.

There are a few things that have happened since last post.  One of them is my wondering whether slipping into a more “masculine space” is just me being a bit manic.  It would explain the increased energy and the somewhat “high” feeling I got when doing that most recent Creative Writing piece…which I was uncertain how to tag, at the time.  It is basically fiction, but it’s fiction with years of gleaned experience behind it (though I would not go so far as to say, “years of research”…looking things up on the web [and, yes, once in a library reference section, but that was one time, out of years] isn’t exactly research).

It’s just that the older I get, the more knowledgeable and experienced I become with regard to my mind, and the more thoroughly I can see my illness’s impact — from a young age.  Things which were with me from the age of 12 are still here, but amplified to the effect of becoming a problem.  (and this is on medication.)

I was planning to stay home from one of my groups in order to attend a webinar, but at this point (after looking over the “mental health” tag on WordPress and seeing the prevalence of “demon” posts), I’m thinking that maybe I should actually prioritize my mental health over career development.  My psychological development doesn’t follow that of a Satanist so much as it follows that of someone dealing with mental illness.

The fields overlap, but I don’t fit in with Satanists, overall.  I checked the Reader tags relating to this, and found exactly the same thing I had left behind and recalled exactly why I had left.  It’s a realization that I came to several times before abandoning hope that I and this enclave would be a clean fit.  Much like Sociology — introduced to me as “the study of groups of people” — the cultural body of Satanism is not accurately referenced by the official definition (or by anti-Satanist propagandists).

(Sociology is, rather, the study of power dynamics within groups of people, and how power constrains and shapes society, and how those living under power find ways — called agency — to negotiate being, granted these systems of power which they cannot directly confront, which grant them some fulfillment [if not, entirely, the freedom they desire].)

Chances are that in the future, Satanism will look appealing to me again; and then, if nothing has changed, I’ll — again — remember why I left.  If, that is, I look back at the community for reference.  If I don’t, I would be in the majority of Theists, as solitary, and also pretty much in the vein of, as I’ve heard, “do anything you want and call it Satanism.”  (One of the reasons I don’t fit in as a Satanist is that I’ve never been Christian.  Because of this, I have no base to start from, other than being negatively blasted by scattershot propaganda in a religious context.)

In fact, if I hadn’t been able to do anything I wanted and still feel included as a fringe Satanist, I probably would have decisively left a long time ago.  Instead, I had a prolonged period of time in which I was able to develop an attachment to some Deity (not Satan as defined by any Abrahamic religion) whose name and larger context I didn’t know, but whom I felt comforted by and grew fond of.  They say that God comes to you in ways that you can accept and deal with, and I think this was an instance of that.  The more I think of it, the more it seems like a polar reversal, with the “bad guy” comforting me, and the “good guys” encouraging hate towards me…for nothing I had done wrong, except exist.

But in reality, I seriously do not blend in among Satanists.  I am actually closer to Neopagan, at least demographically — but I’ve tended to have an “edge” that some do not; and my lack of fear of the “dark” has…not elicited the most helpful responses.  Moreso when I was younger, though the Pagan Reconstructionists were fine with it.  It’s more the New Age types who have tended to focus on, “love and light,” seemingly exclusively…which I find to be dangerous.

When one’s unwanted aspects are ignored, denied, and pushed down, it tends to cause a potential lack of control which isn’t as severe when one is aware of them and knows them, how they work, and one’s own capacity to harm others.  (A while ago, dealing with this — “Shadow work” was the term used — became popular, but I was already deep into my “Shadow” and needed a light that wouldn’t shun me.)

My desire to learn more about creativity and about Deities of creativity…that stems from wanting no longer to be ignorant about things when I reference myself against established religions.  (The only thing that can end ignorance, in this case, is research.)  It also comes from wanting to find who my Deity [or otherwise, the spirit and/or set of spirits I’ve become attached to] is [or are], if they’ve ever been referred to before.

The closest framework I have is the Dukante hierarchy, but…let’s say that I kind of don’t want to deeply enmesh myself in “dark” work (by this I mean Daemonolatry).  Though from what I understand, some African Diasporic religions also tend “dark” in the sense of concentrating on emotions that are hard to tolerate/painful.  Understandable, in context…but my life, most thankfully, isn’t in that context right now.

And…I forgot what the other relevant things I could mention, are.  (I forgot to note them down before I started writing.)

I’ve decided to let the homework for tonight, slide.  And I’m not going to call it in.  It is 1.5 points, but…the grad program is intense, and sometimes it is just better to say “no,” as in, “no, I can’t do this right now.”  And, “no, I don’t want to make it up, later.”  Just to save what there is of my sanity.  I did do 20 pages of reading, in a very difficult text, earlier.  It wouldn’t be an issue if the text weren’t so hard to get through…but there is constant reference in trying to remember what all the acronyms mean, the text is generalized to the point where I actually have to think about what is meant, etc.

I did remember that I had found the fabric dyeing tag on WordPress…I have been looking at printing recently, particularly linoleum and woodblock printing, though.  I’ve also been thinking about what I would do if my creative work was not something I would hope for monetary return on.  In that case, sewing and fabric arts (hand stitching and embroidery, most apparently) come to the fore.  It could also be really interesting, though, to get back into linocuts (linoleum block printing).  I also know how to do stencils, which is a related focus…and then if my attention is still held, I might go on further, to woodblock printing.  There is just a lot of working process that I’m not familiar with and never had to do with painting and drawing, though.  For example, sizing the paper so that the colors do not bleed.

And I have realized that the art is something to keep me alive…not, so much, something to sell.  This is on a much more basic level than that.

With that in mind…I did find a nice image which I may make into an acrylic painting…another ice-plant floral.

And, right:  I mentioned the desire to find Deities of creativity, which got the same parent as before, worked up.  Apparently I’m trying to find too many answers and need to let things just be.  Like it doesn’t matter if I know what gravity is, so long as I know that things fall when they’re dropped.

I can’t say I agree with that (I’m naturally inquisitive), but I suspect the viewpoint comes with age.  That, and I think — to them — it may up the ante too much to get a Deity overtly involved in my life (at this point, I can always tell my mental banter to shut up; I am not on that kind of a relatively fearless playing field with a Deity).

But I’ll get some rest…I can feel myself slowing down, about now…

This speaks more of illness than of faith.

Deities of Creativity?

It’s been interesting.  I realized the other day that I might need to take a look at books on creativity, because I was taking a fairly negative angle towards my own.  Then I realized that I have easy access to these resources — much easier than most.  Turns out that all I have to do if I want resources on “creativity” is to look!

On the way home I realized also that if I’m going to spiritualize my creativity, maybe I might want to look up (pre-existing) Deities of creativity…which could go into Neopaganism…or into a syncretic religion.  It’s been a while since I’ve been involved with anything Pagan — I used to hang out with a bunch of Pagan Reconstructionists online, so I know a bit about the cultural aspects of it; participating without violating, etc.  And actually, that does cross over with what I was talking about before, only the view taken would be from within the home religion as versus external to it — and most people don’t classify themselves the way others might.

(If you know what I’m talking about…you are very educated!)  😀

The major drawback here is, well, social dynamics.  It can be hard to be a creative person among people who like clear divisions between categories…not all people are like this, but I have a bit more “flow” than I’ve found some others can tolerate.

I’m actually thinking that an African-diasporic religion might be…worth checking out, though the only people I know who are into that, aren’t the greatest representatives.  I’d have to do my research and see which systems, if any, are somewhat like my worldview (though given that my worldview is sourced from one of my parents’…the likelihood of hitting on something is high).  I’ve even had issues in the past with mixing up Orisha and Lwa, so…right.  And though one side of my family does hail from Louisiana, that doesn’t quite make things easier:  I know next to nothing about the place, except that Louisiana, and in particular New Orleans, is different than much of the American South — because of French influence.

I’ve actually been feeling better today.  I’ve been on an upswing since I started engaging my more masculine energy, last week, even though that was accompanied by some communication flubs.  (There is some passion there, and some aggression…which makes the concept of engaging with life easier.  I don’t know exactly why.)  For some reason, I feel more alive and attendant (by this I mean, “present”) when I’m able to express this.

And I suppose it does say something about my intuition that I would pursue being creative as a life purpose even if the Deity of Creativity was maligned…I did realize that I probably put some people in a tough position, though; where they might want to encourage me in my creativity (healing!)  but not in my conception of my creativity (prohibiting!).

It may well be, though, that I’m using an archaic concept of creativity in which it is feared because it brings change — and some people at one time, didn’t like change.  At least, writing what I did, did clarify why I had a sense of conflict over being creative.  Maybe it didn’t need to be made public (I can see where massive confusion may have come from trying to communicate it to people outside my mind), but at least I made the connection.

Earlier today, we went out for dim sum, then I came back and went outside for a while…and just got out the shower (which I’ve needed for way too long).  Granted that I have a Discussion Post due before midnight tonight, but there is no way that I’m going to be able to complete all my readings and lectures before tackling it.  And everyone in the class will be able to see that post.  I think it will be obvious that I haven’t done the reading, but the upshot is that I’ve been taking care of myself.  It was just a very nice day, and I haven’t been out in extended periods of sunlight since we got back from Hawaii.

I did take pictures, too!  But right now they’re still my babies.  I have a hard time letting people see through my eyes while having been subject to verbal attacks from people, in the past…

But yeah…flowers.  ❤  🙂  It’s very colorful outside, this time of year!  (Well, here, at least!)

I’ll try and get on my homework, now…

Deities of Creativity?

Clarity

I did tell someone about what I had posted the other night; to which I found a response about “words have power” and that once I mention the term “Satan,” it brings to mind “Evil” and etc., and whenever a reader sees the term “Satan,” it drowns out everything else in the passage.  (Granted that this person likely didn’t know that I wasn’t aiming that last post towards the lowest common denominator; in general, I don’t write for a general audience.  I am, however, learning to flesh out my writings so that those without the required background knowledge [but with the capacity to understand] will understand.)

Let me be clear that when I mention the concept of “Satan” I am not referring to what anyone outside of myself would think I would be referring to.  This is why I use the term in quotes, and it is why I made efforts to define what I meant.  In particular, I am not depending on popular conceptions of Satan as a hateful and evil tormentor (my concept of “Hell” is what people [regardless of their religion] can be driven to create, and to do).  “Evil” does not come to mind as even associated with my Deity, except as an aspect which beings who have the capacity for, “Evil,” might choose to bring into the world.

But other beings, given the power to create — or even the same beings under different circumstances — might choose differently; to create, for instance, things that would benefit others or bring light into the world.

(I am deliberately avoiding the question of “darkness”, as I’ve learned over the years what darkness is, why I don’t aspire to it, and why it does not apply, currently…but that discussion is long and involved, with too many qualifiers to introduce, here.  As well, “light” could stand to be defined here, but I have not yet formulated a watertight and clear definition of the term which can avoid being twisted into an unintended meaning.  So I’m going to have to rely on yours, for now, granted that I realize that yours may be a bit inaccurate, too.  Depend on the feeling of Light, not on the words or codes you associate with it.  We’re not going to get out of this morass any other way.)

I am strongly considering — or somewhat committed to, alternately — identifying my Deity as a Deity of Creation, in the transitive (not static) sense:  that is, a deity of Creating.  In this sense, liberation, nurturing, sensitivity, joy, production, all come into play, along with noticing and synthesizing.  Last night I realized that what I was looking at was a psychological holder for limitless potential, but potential unrealized.

My job as a Creative…human (if there is one thing humans are, it’s creative!), is to sense and develop unrealized and worthy potential, and using my own discretion, to give it form.  If finite reality is the other side of the infinite and unrealized…there is so much which has been made before us.  And we see how it can become beautiful.  Being a conduit between those realms — as a life mission — seems a worthy enough goal.  We can make this world a Hell or we can make it a Paradise.  But right now we are not aligned, and the leaders of our world (the ones we hear about most often, at the least) appear unconscious at the wheel.

One of the issues I’ve been introduced to is the question of what I want to bring into the world.  As a Creator, I have the power to direct the flow of my Creation (to an extent), even though there is always the risk of misinterpretation or deliberate marring.  Every work of art, though; every piece of writing; has different meanings depending on who reads it or sees it or touches it.  Meaning is not a one-way street; it is created through the interaction of one thing with another.  In this way, expressions can be and often are our catalysts.

The major issue that I have found is…how to create things that are “good” — that is, that contribute to the uplifting of humanity and the world — which at the same time do not delimit what it is that I give myself permission to think about, or write.  If there is anything believably off-limits…that constitutes a block, and at that point I find it hard to do anything but break the taboo or stay silent.  I can’t be a free conduit of information if I’m dealing with “things I can’t say,” or “shapes I can’t draw.”  To be realistic, I’m not all that great at joining in a room’s agreed-upon ignoring of purple elephants.  I don’t ignore details all that well.  I don’t keep silent all that well, either — not anymore.  Not if you consider text as a form of speech.

The solution seems to lie in giving myself the freedom to write what I need to, and trust that it will truly help someone — that it will serve someone in need, in its capacity.  Having dealt with bibliomancy myself (opening a book that catches my eye to a random page and reading what is there, then seeing if it applies to anything timely or anything within me), I know that this cannot be predicted — by anyone.  However, to the best of my experience, the spirits move in ways which privilege chance.

I know that I myself have run across passages online which had two to three (or more) different meanings, on different levels, seeming to hint at something…some hidden knowledge(s) that I had not yet developed.  I am certain that this has to do with the spirits guiding things.  But in order for this to happen…at some point I’ve got to let go of control, and just let come out what needs to come out.  This is the reason I’m alive.  This is the reason I’m sick if I don’t create.

My life.  Sometimes, raw.  But everyone has a life, and we all have our sensitive spots.  To pretend we don’t is to deny our humanity and to deny what we have learned on this Earth.

In short…although I can still see ways in which things may be twisted to cause me to look bad…and lenses which may twist my own view of myself so that I am afraid to express anything, lest it contribute to the continued inane, meaningless and needless troubles of the world…at this point, I can’t stay silent.  There are youth that need to know that they’re not alone.  There are people that need to know that I hear them.

And in my position…maybe I can help create a better world.

Clarity

This is tiring.

I think I have somehow surpassed the correct time to write about this, but I’ll give it a shot, anyway.  Leftovers are better than nothing.

I had intended to write this in hard copy offline and then see what I could make of the most salient parts for an online post…but I think I’ve gotten used to immediate feedback as motivation, and so it didn’t get done at all.

One diversion first:  what has been going well, is schoolwork.  I’ve found that it works very well for me to mark the places where I start and stop reading, along with a time marker and the date (meaning having my phone near me to mark the time, helps).  I’ve also had a beneficial time with trying to stick to my assignment for at least 30 minutes, before taking a break.  It parallels my exercise work, where I will try and keep pushing for incrementally more difficult goals.

It also has helped for me not to beat myself up for only having gotten a little bit done, when I’ve only been awake for 2-3 hours.  It may be 4 PM and “all this” is undone, but seriously…when you got up at 2 PM, it’s unreasonable and universally disappointing to expect things to be done like you got up at 7 AM.  In one scenario, you had nine hours to get things done; in the other, you had two.  Seriously.

I also need to sleep with the blinds open, or else it’s very easy to sleep into the afternoon because my room is so dark.

And, back to the writing thing…which I kind of don’t want to talk about, but…again.  Leftovers.  I kind of don’t like to show the world the depths of …THIS, but it is authentically part of who I am.  It also shows up whenever I write for a length of time in the first-person, and I’m not writing as myself.

And then there’s the fact that when I let one portion of my mind act through my body alone, I might as well be a different person with the same mainframe, or a disembodied soul (“potential” of the Infinite) exercising power over a living host.  Which happens to be the paradigm under which my writing makes the most sense, which is probably why I have such a tendency to trip out when I’m writing.

https://encodey.wordpress.com/2017/04/21/wasting-time/

I clipped this paragraph out of my last post because I found it to be particularly salient and ripe for further expression.  I believe that if I were in a Writing group, others would grab on to this passage; if I were in therapy, I would hear, “say more about that” (or not, if they didn’t want to get into the crazy; depends on the therapist).

After I wrote this, I began thinking about it…it’s basically granted in my mind that we don’t really understand all that much about the phenomena of consciousness or of creativity.  These are, however, two of the main problems I start puzzling over when I start thinking about the nature of (my) life…when I don’t start tripping out over physically existing.

Because of the places where I’ve learned the framework under which I might express the thoughts I have, in addition; there is something of a block here where it comes to fully elucidating my meaning.  (Although I have realized after a number of years that there is no conflict between my inner experience and the group within which I partially discovered myself…quite frankly, I don’t know if they want to be found.)

What I can do is try and explain my meaning as best I can without revealing the keywords which relate to them.  Those who have the experience to know what I’m talking about, will know; those who do not, will likely be able to grasp what I’m saying with more clarity than they would if I related the associated context.

My immediate thought, when I wrote the above quote, was “possession,” but I am not sure that actually cuts it.  For one thing, with rare exceptions, I tend to retain self-control.  The “exceptions” had to do with strong external input which pushed me into an, “uncivil,” state of mind.  All had to do with one particular “spirit,” and in all cases there was either a decision made to act out of order (I normally have ground rules against this), I could feel the rage rising up in me prior to anything actually happening, or…I was operating on a base others did not expect.  (I, perhaps for a reason, actually just forgot the third incident I was meaning to reference, there.)

“Operating on a different base,” is probably self-protective (say, operating as an apparently 27-year old adult male [in terms of maturity level — though I/we were probably closer to 23 at the time], while being seen and expected to behave as a helpless young “girl” — although being [constantly] mistaken for the latter will bring up its own rage).  But it also brings up the idea of “triggers” and the way in which external stimuli can push one into a mental space where one would do something one normally would not.  These triggers allow certain states to rise to the fore more easily; so that out of all possibilities for whom one can be at any given time, one defaults to a smaller set of personae.

This also, though, means that one has the option — or the possibility, at least — of being something superior to that.

I had thought that this part of me was in my past, but now that I’m writing about him, I can still sense him.  He was a, “villain,” in one of the stories I wrote as a youth…and later came to be a more developed persona which I would take on (rather like a bit of clothing) when feeling threatened (I’ve also had dreams as him, and with him in them).  This is the persona which most strongly wanted this body to be physically male, but he’s not what I would consider “permanent” (if any state could actually be permanent).  The conflict I had for years over whether to transition or not was embodied in the conflict between this persona and another, more femininely-oriented, one (which even now sounds distasteful to me; could I be in his mindspace, now?).

Yeah, one of my problems is that one of my selves is a jerk…to the point that I’ve heard that it’s OK if I transition to male, so long as I’m not a jerk.  Um, okay.  Though the only reason he likely is as much of a jerk as he is, is that only by being an *** was he able to be recognized as, “not a ‘girl’/woman.”

My point of view is that there is a range of possibilities out there as to who a person can be:  the acquisition of memories and identity in life normally whittles this “infinite” (not really infinite:  human physiology limits this) set of possibilities down to a much more narrow expression of the Infinite.  Focusing on a few sets of memories can then give rise to specific identities, not all of which have to be cohesive with each other.  The discovery of this — the ability to contain selves which are not cohesive with each other (or, at least, not well-adapted to one’s form and assumed station in life) — in turn, has turned me back to the nature of the Infinite…though it’s difficult to say anything about the Infinite!  Except that anything that is defined is necessarily lesser.

In essence, I kind of feel like I have a bit of insight into why people are the way they are — or, at least, why I am the way I am.

AND WHICH “I” AM I TALKING FROM, NOW?

Jh.

Okay, this is starting to get a bit creepy for me, so I’m going to sign off, now.  I should have known that I start talking about this stuff and thinking about the context, and it pulls up that guy…whom, shall I say, my parents don’t particularly like, but — it’s the way he is, right now.

Before I go, though:  there is the unanswered question as to whether the “soul” I feel over me is one soul with all faces, or whether they are multiple souls…in which case, the nearest framework I can find…is a very misunderstood one.  Also, there is a question as to whether my identity is Earthly/bodily, or with the souls I feel; whether the nature of consciousness is spirit paired with life, or just spirit.

This is tiring.

Wasting time…

…but mindfully wasting time…


Today I reacquainted myself with what has to be done over the weekend and into the future, for my classes.  I’ve decided to focus on Metadata and my Research class, as those are the two classes which actually have a graded project to turn in, before Monday.

Last night I realized something, as I recognized that I had wasted a good amount of the day in stasis.  I didn’t want to work on schoolwork, but I didn’t want to do anything else, either, or to go to bed; as best I can recall, I was bouncing between pages online, somewhat halfway-there, and trying to figure out if I had anything to write about.  I was aware that I had classwork to do, but I couldn’t bring myself to click on the link which would display my courses and the exact amount of work I would be expected to complete by Monday.

What I did do yesterday:  I did get my books organized; I did exercise; and from my realization, I allowed myself 30 minutes of time to play around with my sketching materials.  Of course, that overflowed into another 30 minutes of looking over past work, before bed.  The point I reached, though, was one of realization that I would not be any worse off by permitting myself a short and protracted time to do what I actually wanted to do, given that I then did what I should be doing for another protracted time — than I would be in wasting time online.

So I do have some drawings, now, though it’s mostly working out variants of a small…apparently simple?…design.  I say “apparently,” because there are elements in it which join up which I did not notice, at first, making the end design look like a modified Celtic knot (but with different areas emphasized and implied than the former).  In addition, when I tried deconstructing it, I got confused.  I’m still confused, quite frankly (I only spent an hour yesterday thinking about it), but if I play around with the idea more (on paper), I can probably figure out what I’m actually doing and how the design is actually working.

To get into the backstory behind my symbol obsessions — and why this symbol, in particular — would probably make me feel a bit vulnerable, although one of my past Art teachers did tell me I was in perfectly safe territory.  Right now I can say that I’m in the middle of playing with spirals, and fitting spirals into shapes other than circles (though the whole “quilling” metaphor…).

I’ve been into spirals for a while…it probably has to do with integrative work, like one thing building on a preexisting foundation, and the spiral widening as each new piece is added…like shells (which I didn’t associate with the “spiral” thing, until just now).  I’m trying to recall what state I was in when I started re-taking Art classes.  I’m not sure what level of integration I was working with.

Ah — I mentioned that word.

Yeah, I am probably not going to get into that, now.  Though there is a book that I’ve just started reading which has mentioned the possibility that creativity is a byproduct of the communication of the right and left hemispheres of the brain…and I know that portions of my mind are incredibly not integrated.  Granted, that is, that I’ve read that individual ego identity as one cohesive whole is an illusion (in all people), anyway.

And then there’s the fact that when I let one portion of my mind act through my body alone, I might as well be a different person with the same mainframe, or a disembodied soul (“potential” of the Infinite) exercising power over a living host.  Which happens to be the paradigm under which my writing makes the most sense, which is probably why I have such a tendency to trip out when I’m writing.

…hmm.

(Channeling and mediumship are things I’ve been interested in, in the past — back when I thought this was “real” and scary because of it [or maybe I should put it, “more spiritual than psychological”].  My experience feels real [even delusions, notably, seem real to the people who have them], but the ways in which it might be explained are not necessarily true.  My experience, because of its existence, does not make the paradigms which validate it more true:  it just means someone at some time, acknowledged that facet of human existence and incorporated it into the stories they told themselves and others, about the world.)

Maybe that’s what I was getting at.  Maybe I was just trying to express all of myself (“all of the Infinite”?) in my younger years, and I couldn’t do that anywhere I knew of, except within the Writing program.  (Of course, though, then I got out and wondered if I should have been an Art major, instead…or, later, a Japanese Language & Literature major…which would seem to both be selves with other desires.  Which were, obviously enough, blocked away from resources when they should not have been.)

Granted I’m talking about this now, but know that this is in fact not a clinical definition of schizophrenia.  Trust me:  I know.  I have had this conversation before.  With actual Psychiatry professionals.

I still haven’t found a way to overtly manage satisfying all parts of my brain, in a balanced manner; and, hey, maybe that’s the overarching theme of this blog?  Being both creative and rational in a society that over-values ration…(*laughs*)…

Okay, no, we don’t over-value rationality.  We overvalue mechanical thought, and lack of thought, where it makes the people easier to herd.  If we valued the trio of logic, rationality, and critical thought, politics would look a lot different; though perhaps that missing key is critical thought.

Though I would say that creativity is likely valued below rationality.  It’s certainly paid less.

In any case…I seem to have spiraled my way back to this point…and it’s fairly late, here.  I should be getting some rest…

And I should remember that I only have a little over three weeks to finish everything for school.  In less than a month, that is, I’ll be free…until Summer Session starts up.  )X

Before I go:  I tried the above method, along with timing my naps, to get up and back to homework, today.  It doesn’t work unless I have something I actually want to get up for.  The lure of doing homework doesn’t cut it…

Wasting time…