Pushing back: embracing mortality

I’m wanting to do art so badly these days that the thought has arisen: “I don’t even care if it will kill me.” That’s not something that has come up, before. It did come up last night, and I neglected to write it down…but I don’t think the sentiment is an unfamiliar one, to many. (At least, to many in the art world.)

Of course, examples of early death from exposure to artists’ materials abound. I am reminded of Jay DeFeo, who died of lung cancer a couple of decades after working on her piece, sometimes called Rose, or Deathrose, for eight years. (This piece had been repeatedly built up and carved down, which would have created particulates. I suspect but do not know that she may have used Titanium White pigment in this; the photos I’ve seen are black-and-white.)

I have had a number of art teachers who have fought cancer. I knew someone who died in their 20’s from breast cancer, potentially from grinding down car parts (and refusing treatment). My nearest artsy contact has a rattling chronic cough (though I think they have been exposed to a lot of things besides art supplies).

I suppose the thing to do is to know what you’re getting into, before you get into it. One of my previous drawing teachers did make sure to emphasize the dangers of blowing pastel dust up into the air and then inhaling it. Of course, people still did it, which then exposed the entire class…except for those who brought dust masks and respirators. (Tip: turn the drawing board vertically and then tap it on a hard surface to clear the paper of dust, without raising excess dust.)

I was one of the people who did (eventually) wear a respirator…and the difference of the smell from within the respirator, versus the smell outside the respirator, was not at all subtle. I wore it because I was getting personally disturbed at sneezing, then blowing my nose and seeing blue stuff come out of my sinuses.

And this was working with the relatively safe stuff — we were only using NuPastels. Though now, anything with loose Titanium White in it is likely to get a Prop 65 Warning in California (that is, a label saying it carries a recognized carcinogen) even though the danger of Titanium White is mechanical, particularly where it comes to free nanoparticles: not a toxic one.

As long-time readers of this blog know, I have been careful to avoid certain pigments because of their toxicity. By that, I particularly mean cadmium-based pigments. I learned of itai-itai disease while in the Art program, which is a disease caused by cadmium pollution in water sources. The incidence of itai-itai in this example was caused by mine drainage into the water supply people drank, cooked with, watered their crops with, fished in, and bathed in.

This lead to cadmium buildup in their bodies. Itai-itai literally translates to, “it hurts, it hurts.” I read this a long time ago, and the page I read it on has since changed, but one of the main symptoms is bone softening and fractures, even just under the body’s own weight. (There’s also some stuff about kidney [“renal”] failure in there, but I don’t claim to understand that…I just barely took Biology classes.)

It’s not that important to me to get brilliant opaque colors out of cadmium-based pigments (which are, generally speaking, water-soluble; meaning they can be absorbed through the skin). It’s one thing to take the risk of working, and die; it’s another to die slowly and painfully for an avoidable reason that you can foresee and take precautions about.

If you know ways to keep yourself safer, it’s likely in your own best interest to do it. Although I do know about taking on passive risk. I do understand that self-destructive quality that Freud referred to as thanatos. But there’s a reason to protect yourself as much as you can: and that is, to extend your life on this planet. If making art brings you joy, I would expect that you would want to spend as much time making art as you can, yes?

So don’t sell yourself (or the world) short.

My particular weakness on this point are cobalt-based pigments (particularly, in watercolors). Cobalt is another toxic heavy metal, like cadmium, but has a different range of symptomatology on exposure. The thing is that I haven’t found anything with the same colors, or the same working properties.

Probably the worst I ever got from this was contact dermatitis (itching) when I was trying to reduce my exposure to cobalt by wearing nitrile gloves, and in the process got Aureolin paint (PY40, Cobalt Yellow) all over the tube — and my hand, because the gloves smeared the paint everywhere, and I didn’t see it. Or feel it. When I finally took the gloves off to actually take the lid off the tube (instead of just stretch the gloves), I got the paint all over my hand — and had nowhere but my pot of rinse water to wash it off.

I think that was a lesson in not being overly careful, if doing so creates risks and problems that don’t otherwise exist.

At this point, the only major thing I have about the cobalt colors is that 1) I can absorb them transdermally, and 2) I don’t know how to wash out my brushes while never contacting the paint. Everyone says not to touch the brushes. They don’t give any advice on how to avoid doing so.

Though now that I think of it, that would be a good use of those nitrile gloves — provided, of course, that no water gets into them. Which would negate the reasoning for using them, in the first place.

I’m not sure what’s up with me, tonight. I am feeling better than I was last night, and basically, I’m feeling better than I have for the last week. I think I’ve turned a corner where it comes to my health. It is now, though, almost 1 AM where I’m at! (No wonder I’m having trouble thinking!)

I need to get stuff cleaned up. Particularly: books. And changing these sheets, doing laundry, and getting the dust out of here. I also need to re-read Chapter 2 of my textbook so I know what I’m looking for, when I work on my late assignment. I should be able to complete that, tomorrow, if I’m feeling anything like the way I felt tonight.

Once I get that assignment out of the way, maybe I should realistically look at doing something constructive with my watercolors…I see them every day, and they just get dusty because of my hesitation. (I deal with OCD; they tempt me, but I remember that I need to use caution in handling them…which leads to their not getting used.)

Something like recovering from an illness seems like it will make a person embrace life more strongly. Kind of like contemplating immortality, just to get smacked back into reality by a high fever…

I suppose I have the cold to thank for that…


Recovering from a cold; starving myself of art

Little by little, I’m getting better from whatever this is. I can sit through computer problems in order to write and upload this — barely. And I realize that what I want to be doing now is art. I don’t know why, though I know doing it as a vocation throws me into a group where “success” is not guaranteed and life gets a lot riskier. As someone with a documented disability requiring lifelong care…that’s not great.

I’ve been wondering about what I’m doing with my time while sick (I’ve got a cold or something). “Isn’t this a perfect opportunity to work on something nonlinear?” I ask myself. But then I’m like, no…art is work. That’s why they call it art work.

Apologies if I misspell anything; I’m touch-typing by hand with my eyes closed, mostly. Even though I’ve been getting better where it comes to my sinuses, my eyes still burn. Ordinarily I can tell when I mistype something…I just know that my fingertips didn’t go where they were supposed to. But, just in case.

And yes, I am writing this prior to working on homework for either of my classes. I hate that, but writing helps me keep my head together.

(I’ve since gotten my glasses, and my eyes have stopped burning. Huh.)

I kind of wonder if life would have been simpler, had I never taken a World Religions course. I think it was while I was there that I started to get a loose idea about castes, running parallel to my idea about genders. Try to hear me out; I misunderstand a lot of this stuff, but in a way that brings light to my own situation. Apologies, too, to anyone who has been hurt by this system and is reading this: I’m an outsider here, and so in this case I’m only commenting on what thoughts my World Religions class set off in my own mind. I’m in no way trying to color anyone else’s beliefs. I’m not an expert.

When I was listening to teachings on Hindu beliefs (I was maybe 24 years old?…I don’t have my unofficial transcript here), I was also in a space relative to gender that wasn’t all that easy to inhabit. What I got from that class was the idea that maybe I did have a, “true,” self: beneath all the conditioning that I had been taught about in undergraduate Sociology classes. They taught, basically, that conditioning shapes everything about who we express ourselves to be, and that in effect there is no, “true self,” under that conditioning. The latter view jives with Buddhism (which…I don’t know what I feel about that, now); the idea of having a personal essence or duty derives from Hindu thought (which is older).

My idea was that maybe I did have a, “true,” gender aside from man or woman, and it just wasn’t what most of the world understood or would like; or that maybe I had a, “true,” calling, even though I wasn’t born into a arts/crafts family. We’ve kind of made it an arts/crafts family over the years, but at inception I think it was M who was the artist.

In my case, I thought I was in spirit a person who made things…creativity was my main focus and drive. It was reflexive and needed to be directed outwardly, or it began to transform me personally, and not always in beneficial ways. Often it worked out so that I would be transformed in some way that I understood, but others didn’t.

That creative spark and drive is what I had then that was special to me. That’s why I’ve hung with this (the art, the writing, etc.) for so long. I’ve needed it as an outlet for my energy. It’s also a reason I now work in a Library: my interests change so often that it’s hard to stick with one thing. So I’ll stick with all things. 😉

While things on medication are more logical, they’re also a bit duller. On the bright side, it’s easier to catch when my mind is not working well. The thing about beliefs is that people generally don’t look at their own beliefs, and call them false. There’s something about the brain that makes it think that what it believes is true, the majority of the time, whether any of its thought is true or applicable or not. While that makes it easy to make positive belief statements…it in no way ensures that those beliefs line up with any form of reality outside of one’s own mind.

The “professional” identity I find myself being pushed into now is an economic move so that I don’t go without treatment (for the same issue that caused me to be creative all the time) for so long that I relapse and get out of control again. I do have serious issues with trauma from having been sexually objectified all my life (which is a reason…but not necessarily a causal one…why I don’t identify as a woman. That is, being not-woman likely led to the objectification, which led to the rage). The rage issues are what I’m majorly guarding against, because…hey. I have a germ phobia. I don’t need to be fighting. It’s gross. 🙂 Also, I’d go to adult jail, now.

Besides, I consider rage a form of pain.

It is…indeed possible for me to drastically reduce one of my medications after graduation. It should help with the side effects (largely, muscle spasms), and if I’m right, it should give me back more of my creative ability than it’s giving back, now.

Right now I can feel it still simmering under the surface, bumping up under some of the floorboards in the back of my mind…as I try and focus on getting my degree so that I can be a, “Librarian,” so that I can get health benefits. (Which, in itself…is beyond idiotic. WHAT DO YOU MEAN YOU HAVE AN ULTERIOR MOTIVE for being a Librarian???)


It’s not an easy feeling. Really, not. I mean, just having to push that to the side so that I can deal with finishing grad school so that I’ll have class mobility, and be able to meet my basic needs. Even if I’ve realized that maybe I like working with things more than working with data. But craftspeople and artists don’t make an easy living in this society. And if you asked me now, yeah, that’s a reason why I’m thinking about not staying here for the rest of my life.

But I only have two more months of this, to deal with; unless, I don’t work.

I think I’ll be OK.

Potential tech stumbles. Surprisingly far into Web Design, but still a beginner.

EDIT: I’ve just removed all the angle brackets and hypertext transfer protocol encoding from this post in order to de-confuse WordPress; apologies for any confusion.

I’ve just learned about a security gap which I was heretofore unaware of. It has to do with the rel=”noopener” tag which I’ve seen be inserted into links when I view the raw HTML of entries (both here and elsewhere) in which I’ve entered a target=”_blank” specification.

target=”_blank”, when placed within an “a” (link) tag, causes the specified link to open in a new tab. What I didn’t know before tonight is that…from what I can see, it appears that if target=”_blank” is placed within the “a” tag, so as to open the target link within a new tab…if not paired with a rel=”noopener” tag, this creates a security vulnerability where the opening tab can take over the original tab.

Thus, the marginally safer way to insert a link which opens in a new tab is to add rel=”noopener” within the “a” statement.

At least that’s what it sounds like, given what is said on GitHub. I’m going to not link to the page I want to link to, because I don’t know if it’s safe (I haven’t checked out all the source code, nor clicked on the test links); and if I recall correctly, WordPress has a bit of their User Agreement that prohibits WordPress blogs from linking to sites which might have malicious code.

Searching rel=noopener will likely bring it up…unless Google just knows that I’ve searched for tech stuff before and is directing me to more advanced sources.

Since I’ve been considering going into Web Design after this…it was just a surprise to find this security vulnerability which has been right in front of me this whole time (that no one told me about, pretty much ever). I should check my links elsewhere to make sure they’re okay, though I can’t remember having hard-coded anything (that I deleted information from) in recent memory.

I also started looking at Wacom drawing tablets, again. If I’m going into Web Design, it would help, whether I’m working with Photoshop and Illustrator (I would likely need to subscribe to Creative Cloud, which brings its own problems), or GNU Image Manipulation Program.

It looks like if I got a Wacom Intuos Pro (eventually), it would be a good balance between functionality and price. I initially started searching for the Cintiqs to see if the prices had come down.

No. No, they have not.

I still have an Intuos (the plastic on which is degrading), but I don’t think it’s been installed on any computer I regularly use, due to age: and my suspicion that its driver could be incompatible with the current version of Windows.

The deal with Cintiqs is that they’re essentially drawing tablets that display what you’re drawing on the screen, as you draw it. By that I mean you’re physically drawing on the screen. They start at around $1000, from what I recall, which is the price of a good computer. Intuos and Bamboo tablets, however — you’re essentially drawing blind. The image shows up on your monitor…but there is no display on the tablet. Of course, that makes them a whole lot cheaper. About 1/3 as much.

The good thing about the Intuos is that it’s reliable — I used mine in the Multimedia Arts program which I had been thinking about going back to (in the Web Design and Production certification), but there are two caveats. One is that the Web Design specialization isn’t really a specialization there, anymore. I just checked out the Graphic Arts program at a different place, and what I could learn there, too, that I don’t know — is minimal.

I need a class in typography (or despite it all, just to learn typography), and to work on my own sense of composition, plus working at digital photography, if I want to do Web Design (and not use stock photos). The latter may require me to get a Digital SLR camera. Which I am not particularly…hot on, but digital photography might be a bit easier for me, once I can do it, than trying to compose images totally from imagination.

I’m really surprised that there isn’t much to draw me to those Community Colleges, anymore. But I did surpass the upper limit of what I could take and still have priority registration…


Too much time in school. I need to be using and honing these skills.

And I’ve found that when the verbal part of my brain stops working, the visual part is often unaffected. I should make note of this…

Photos. I finally took photos.

I’m posting this here instead of on Hidden Jewels (for now), mainly because it’s a continuation from the past two weeks. I couldn’t concentrate on reading today, so I went back to the photos I’d taken earlier when the sun was at full blast, and did a tiny bit of photo editing.


To the left, is a close-up of one of the quilting cottons I picked up yesterday at a local quilting shop. It’s a batik, much nicer in quality than the ones I’ve gotten at the chain fabric and craft stores. I can guess at how it was made…and I wouldn’t be surprised if this was from one of the handmade bolts.

I’m just wondering, at this point…if I wanted to go into crafting as a vocation, basically in my case, apparel design or jewelry design (though I’m more interested in apparel design, at the moment)…how I would do that.

M had been talking about my being able to go back to my art after graduation. The one place I researched which I know has a fashion design program, is FIDM, and their biggest selling point is making friends and networking, which isn’t really my strong suit.

There are a number of steps which come before being able to design apparel, however. I’m thinking that it starts with making clothes (or jewelry) from patterns, then graduates into mixing and matching elements from different patterns, then goes into draping and designing one’s own patterns.

My biggest hurdle with this is the fact that my own sense of style isn’t traditional. I can be interested by traditional work, but the lack of readily available patterns for menswear, for example, is one of those things that I notice and don’t really “get.” As a female person who sometimes wears clothing made for men (and who would wear more of it if it were cut for my body), I know that not everyone who is female wants to wear traditionally feminine clothing. I also know that clothing styled for men doesn’t have to look horrible on a female body, but the apparel industry isn’t really geared toward gender-variant expression at the moment.

Anyhow, going off of my last post, I did get up enough nerve to take some more photos. Not a lot of them, mind; I could have gone at it and photographed all of my Fat Quarters, too, but decided to try not to go overboard. 🙂

The alternative to the carpet background is to lay down some muslin or something.

So…the above image is of the four bits of fabric I got yesterday, about 3 yards in total (each piece is .75 yards), which cost about $38, including tax. For fabric, that’s pretty good. At least it is where I live, where the cost of living is apparently pretty stupid high.

So…the two on the left are batiks; as I said, possibly hand-painted. The second from the right is faux shibori, I believe (shibori is a method of tie-dyeing which can get really intricate, though I think this one is just a pattern). On the far right, I believe that’s an indigo ikat pattern (ikat is a method of dyeing threads in a particular pattern before they’re woven, and then weaving them together so that a design shows up in the finished fabric).

I’m really interested in fabrics right now, and I’m pretty sure it’s because of the color issue plus the texture issue. I just get stimulated by color (I still don’t know how or why), and I get stimulated tactilely by working with fabric…which is also a mystery. It’s just nice to feel things that feel nice. Which is weird because I don’t consider myself a highly physical person…cloth is something else, though.


Above are the Kona Cotton Fat Quarters I got a while ago, on which to practice embroidery. Only the pink has been embroidered at this point, though (I used an orange Olympus-brand sashiko thread which doesn’t appear to be that high in quality). That, in turn, was only a trial where I was pushing myself to do anything except be on the computer. It worked…even though I did the embroidery non-traditionally, because I didn’t know what I was doing and didn’t study the optimal thread path before starting.

Well. (It would matter if the stitching was weight-bearing; one of the original uses of sashiko is to reinforce fabric.)

I guess when you just want to get started as fast as possible, to kick yourself out of doing nothing into doing something, it helps.

And I guess we’re pretty deep into the night, now. Here, I mean. I’ll see how I feel, tomorrow. I might want to work; I might not want to. I might be able to work, or not.

Oh, wait: I go to my job, tomorrow.

Coming up, I’ll just start reviewing my old work for the ePortfolio, without committing to writing anything. Working from Competency to Competency, I should have an okay time getting an idea of what to write…my Prof still hasn’t returned my first essay, yet, so I don’t even know if I’m doing the correct work.

I also need to summarize Chapter 1 of the reading for Collection Development, and read over other people’s responses…

I can take my textbook with me tomorrow and try and work through Chapter 2 and review Chapter 1 on my lunch.

I can also take one or more quilting books with me, in case I can’t concentrate… 😉

Quilting??! (“Why would one need release,” you say?)

I’m experiencing a lot of levels of frustration with my work environment, right now, and the dysfunction is sapping my determination at studying.

On the bright side, I went to the quilt shop, today. I also have a bunch of quilting books to read, if I can pull myself away from what I have to do long enough to devote myself to something that doesn’t have to be done, right now.

Of course, this writing doesn’t have to be done, either: but I have just been so frustrated that I’m like, “screw all of this.” I need to remember, though, that all workplaces are going to be somewhat dysfunctional. My own workplace is likely particularly so at this point, however.

So…I was just reminded to take my medication. 🙂 I also think it’s best that I put the study away for today, even though I have a lot of review ahead of me. This is due to not having stashed my assignments into ePortfolio pools at the time of their creation.

What I need to remember is that if I don’t commit myself to anything but my work, school, and upkeep, I have a good amount of time that I can devote to studying, on a daily basis. I don’t have children or a full-time job, and I live with family. I do have a disability to contend with, but that’s more of a mental struggle, than anything.

Probably the biggest thing I need to deal with is making sure I don’t go off on anyone from built-up stress, meaning that I’ll need to watch my anger level and give myself breaks when I need them.

Right now I’m being distracted by a show on orchids…it’s easy to get lost in stuff like this and lose track of time. Is that a good thing?

Anyhow…recently, I’ve purchased about…3 yards of fabric, and a large ruler to use in rotary cutting. I’ve just been hesitant to start into cutting and sewing. I have to give myself permission to do that, first. It also requires design, which I can shortcut into by reading and following some of the quilting books I have at the moment.

Right now, I’m considering doing a small model of what I would make, using the cheap fabrics from the big-box fabric store; and use the nice fabric for the final version. Or part of it, anyway.

I do have a bunch of fabric. Maybe tomorrow, I can photograph and upload some images. It will give me something to look forward to.

I’ve also decided that I’ll use the sewing machine, which should make things vastly simpler. There’s no real reason to stitch by hand, except personal preference; and I could make something much faster (and much larger and more complicated) by using a machine.

Stress and triggers. Recurrence of a familiar stance…

A few things have happened, recently. One: I’ve realized that I don’t really want to be female, though that doesn’t mean I want to transition to male. Not everyone around me seems to remember that “female,” does not always equate to, “woman.”

Another: Because of the stress of this final semester…I’m questioning whether I’m dealing with a bit of psychic fragmentation. I don’t think I would call it Dissociative Identity Disorder (DID), but then I don’t really know what the medical opinion on this, is. I’ve just slipped back into a state that I recognize, which I haven’t dealt with for months (if not years).

I do know, however, that I definitely have used dissociation as a coping mechanism, in the past. Although it would be interesting if my way of being gender nonbinary was actually that I was plural (that I, “really,” had multiple identities, or deep facets that somehow include the same sets of identity and personality all the time)…I haven’t heard anything to that effect, and at this point it sounds too dramatic to be true.

On the other hand, I definitely have different subroutines in my mind, and I’ve read that being entirely, “integrated,” into one person, is an illusion, in all people.

It’s just…it’s weird that this mental constellation would come up again. Right now I’m dealing with a stronger-than-normal sense of being not-woman, along with what I can only call a darker viewpoint. I’ve also dealt more strongly with ideas about, “demons,” and the darker side of the paranormal, in this state — along with feelings of persecution when the darkness gets to the surface and others recognize it and try to condition me against it.

To be clear: when I’m like this, I’m not about being, “right.” I end up dealing with feelings of amorality, in favor of pragmatism and emotional validation, though I won’t generally open up about what I’m feeling. I know what is said to be the, “right thing to do,” or say, but…sometimes it’s hard to do it and keep what I’m actually feeling, hidden.

Though I won’t get into what it was that happened last night (I got triggered, particularly around issues of reproduction and, “motherhood,” which for me are obviously linked to ideas about gender and sexuality — which are obviously…slow torture for me), the pattern and the feelings are familiar. As is the social dynamic.

If it’s anything like it has been in the past…it may wear off by next Tuesday or Wednesday, at the latest. If it doesn’t shift, it would be weird. But…when this does happen, it leaves me without a non-occlusive vocabulary with which to communicate my state. That is, I do have a vocabulary with which I’ve explained this to myself: but others don’t understand it. To them, it suggests ideas that I was (thankfully) never exposed to, but which cause them to feel moral revulsion towards me.

I can see why this has come up, though, if I need to function and I am somehow not up to the task: I can switch into a mode which allows me to get things done by, “letting someone else deal with it;” that is, changing into a different person who can cope. And yeah, that does sound like DID, but DID is a serious condition, and I don’t feel that ill.

Of course, those around me may beg to differ…

Sometimes art is just a time sink.

I think I’ve decided to spend more time engaged with schoolwork, offline craft work, and offline writing — after having gone to a social meeting recently and viewing the cess pool that exists in certain tags on the Reader (making me question why I feel the urge to post here at all). Of course, this is also bridging off of my attention being more divided due to my final project, and restarting my craft blog.

Today, nothing much happened because I was actually tired…but I’ve been tired in the daytime for the past week or so. It’s very likely due to taking medication too late — which I did not, tonight.

Yes, it can be kind of intimidating to do anything real…but the alternative gets me more and more focused on this site and the pursuit of art for its own sake — even if it’s something I don’t want to do. Not to mention, taking up time which would be more wisely spent elsewhere.

Right now I’m thinking that if I do anything creative…I’ll try and channel it into my beadwork, and jewelry design. That includes drawing, and can include painting with gouache and watercolor, by the way (not to mention experimenting with beads and finding tutorials). It’s just a focus.

Not to mention that in trying not to make “tight” drawings or paintings, I’ve ended up not doing many at all. Right now I’m wondering if the push toward “looseness” is just to discourage budding artists from being sharp and exact…thus making crisp images (which some other people can’t do, or don’t want to do).

Right now I think the push towards “looseness” is a fad…because it was obviously not always popular. On the other hand, I’ve been working a good deal with flow in my designs, which I probably wouldn’t have been able to do, if I hadn’t been taught to work loosely.

I have about two weeks until classes restart, and some work to do tomorrow. I did go back to one of my social media sites and…it’s incredibly annoying. Just the fact that it’s not really working that well, and there are the continual policy updates. Someone had messaged me to hook up…via an email not registered with that site. And I can’t find how to add that email. Not that person’s fault, though.

Anyhow. I will go and brush my teeth, put my clothes away, and get to bed; and hope that I can get back to sleep after having slept, this afternoon.

Sounds good.