Cultural location and creative context: Part 1

If circumstances were different, I might be using this time to read. However, I was so out of it this morning that I forgot to bring or wear my glasses, so reading (especially tiny blurry text) isn’t a feasible option. So…we have a half an hour here which I can dedicate to writing.

Although, I do suppose that I could also be downloading and printing some additional readings. I try not to access my library login from too many separate spaces, though (I’m on lunch right now).

Apologies for the massive change from art-related postings to Library-School-related postings. This is an effect of what I’ve been going through on a larger scale: I want to have the time to dedicate to art, but what I’m doing now in the Master’s program is so that I will have more time to dedicate to art…just requiring that I shift my focus away from art, in the present.

So, when I was talking about the Japanese markets…I had been in Southern California for a bit, for a memorial. Before then, my sibling had been visiting from out-of-state. This is what I was referencing in my last post. It was especially very important to see my sibling. The major problem is that now, between myself and my parents, I’m the person who has time commitments and has to set limits.

One thing that I did do for myself when I was in SoCal was not go to Easter service. When I talk about, “doing stuff for myself,” I mean that the majority of our time in SoCal was sucked up by other people determining what we would do while we were there. So it wasn’t really a vacation, more than a educational field trip interspersed with shopping.

I really wasn’t in the mood to go to Church on Easter, though — I am basically never in the mood to go to Church — and I’m not Christian (and don’t want to become Christian), so the only reason to attend was to…well, make the minister (my uncle) happy. The amount of discomfort I would have been in kind of overruled that, though.

I’m not sure my uncle quite “gets” why I don’t attend. When he asked me about it, I didn’t broach the fact that I’m closest to being Buddhist, but I don’t even take Buddhism as truth or as something to be believed, at this point, more than as an intellectual tool.

That statement gives me a jumping-off point for something else I had wanted to talk about but just didn’t: which is, lacking a set cultural context for imaginative journeys (or whatever you would call them). Particularly, dealing with Buddhism requires (or encourages, at least) the clearing of, “illusions.”

I’m not certain I have enough time or resources here to back me up on this (I have a personal library section on Buddhism at home, and the ones here I’ve mostly not read yet: too many repetitions of the Buddha’s biography and hardly anything giving cultural context behind why that version of things is so often repeated [which some of the books I have, mention]), but…the act of “fabricating” (which I take as a word implying the weaving together of disparate threads) stories is something that I’ve become aware of within the time between my graduation with the Creative Writing degree, and now.

Maybe I should talk about writing as, “weaving,” or something, to keep this in mind. I mean, it is nice to have fabric! (Right?) It’s just not nice to have weirdly woven wonky fabric that disturbs you when you look at it or wear it and you wonder why anyone wove it in the first place…

Okay, well…

Anyway, 😉 I find a lot of inspiration from the Japanese side of my ethnic heritage. But I’m not Japanese-from-Japan, I’m Japanese-American, and apparently there is a large cultural difference, there. Although I’m finding that I do have a cultural location which is more Japanese-American than not (it surprises me, too)…I have not been able to feel wholly included because of the fact that I’m multiracial.

I’ve got to end this now and get back to work. Maybe I can continue it later.

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