Instead of roaming over backposts to see various snapshots of myself in time, maybe what I need to do is write. Most of my free time today has been taken up with homework, eating, or sleeping. I’m not sure if that’s normal.
I have 22 pages to go before I’ll have finished my major reading assignment for Political Advocacy, which I should complete tomorrow — and work on the Discussion Topics, as well. I can already start writing on the earlier chapters…I just didn’t. It’s easier for me to intake information than to make something new with it.
Early this morning, I also had to get up for a class meeting, before heading out for a family brunch. After that, I came home and basically fell asleep, and stayed asleep for three hours. (I was surprised, too.)
Oh, wait. I’m missing the part where we went to the art-supply store. I had planned to get some 1/4″ masking tape (to mark off quilting seam allowances) and a bottle of that scarlet ink I mentioned, before. What I ended up doing was spending some gift money on a couple of small sketchbooks and pen cleaning solutions, in addition.
They also have these silicone things called Colour Shapers, which I know I can use to apply masking fluid for watercolors (latex won’t ruin these like it ruins regular brushes)…but I’m intimidated by latex masking fluids just from jump (they all carry Caution Labels; breathing the fumes or touching the fluid can trigger sensitization and allergic reactions). Because the Colour Shapers are expensive, and I haven’t even been using watercolors recently, I let it go this time.
For my own reference, I also do have permanent masking fluid made with liquid wax, which is much safer and is likely what I would try on a first serious test of dealing with this stuff routinely. I had to use latex liquid frisket in Watercolor class, but still…it’s scary to me. Not to mention that it tore up my painting when I tried to get it off.
Also, I’m not sure that liquid wax will ruin brushes at all, the way latex will.
Anyhow. I’ve decided that I’m going to try working in graphite and colored pencil, again, in the sketchbooks I’ve got. I’m not entirely certain how I’m going to carry it (though I do have a satchel bought just for this purpose), but I feel the need to get back to my roots. That means “comic” work — though it usually isn’t funny. 😉
I had mentioned a very long time ago on this blog, the possibility of doing watercolor underpaintings, and then working on top of that with colored pencil. I’m not sure if that would be sacrilege if the paints I’m using are in fact better quality than what I put on top… 😛 …I think I’ll need to avoid the more toxic paints, at least.
Maybe this would actually be a good role for less expensive formulations, though, like the Reeves watercolors which are basically just lying around here unused (they’re M’s, and also really old). There are also my Pitt brush markers, which are fantastic for sketchbooks. And I have the Copics (greyscale) and Tombow markers, as well.
As for colored pencils…my collection begins before the year 2000 and includes Prismacolors (the oldest of which, I might want to replace if I get back into this: the newer ones seem to have much better covering power), Faber-Castell Polychromos, and Blick brand standard colored pencils.
I have one LYRA Color-Giant, which lets me know that the LYRA brand pencils are vulnerable to what looks like wax bloom (though I think they’re supposed to be oil-based, not wax-based?). I have also heard that Prismacolors are vulnerable to this, though I haven’t seen any noticeable bloom on any of my older work.
I’m leaving out the water-soluble pencils, but they would be useful on heavier paper.
So I guess there’s a basic decision there to go back to using dry media for practice and visualization purposes. Although charcoal would be useful, I don’t want to be sealing my sketchbooks, so I’m (reluctantly) going to avoid studies in charcoal within them. (I might still be able to use carbon black, though [maybe], and I’ll definitely be able to use black ink.)
The issue is that charcoal never really adheres well to the page unless a fixative is sprayed (or painted, in the case of underdrawings on intended acrylic paintings) over it. That means that the drawing degrades whenever the book is handled. Though charcoal has been wonderful for layout for me in the past, I hate dealing with spray fixative because of the odor, and I really don’t want to be breathing this stuff.
I can wear a respirator, but I’m uncertain I have the correct (organics?) cartridges to filter out what needs to be removed. (“Organics” probably corresponds to a certain 3M cartridge code, and I don’t know what that is, yet.)
I mean, even hairspray (Aqua Net) in lieu of a quality fixative, smells horrible in the quantities needed to seal a drawing.
My biggest deal right now is whether to go ahead and use my wood-cased soft graphite pencils (multiple brands, but mostly Faber-Castell), whether I want to use woodless graphite sticks in addition (Cretacolor Monolith), and whether I want to use graphite crayons (LYRA) on top of that.
The issue with the Monolith sticks is that they often have random hard bits embedded which scratch the paper. Not an issue when dealing with wet media, but certainly an issue if further work is to be done with colored pencil (the indentation will cause the pigment to skip over the scratch, leaving a light mark).
I haven’t yet found the same problem with the LYRA graphite crayons, but I’ve also not used the LYRAs very much. I do know that Faber-Castell makes wonderful soft graphite pencils, but they lack the impact and expression of either the Monoliths or the LYRAs, because their leads are so thin.
I guess it’s not a bad thing that I’m actually using up my pencils…
By the way, the image in the post linked here was made entirely with the Monolith woodless graphite sticks.
And I suppose it is a good thing that I have too many colored pencils, rather than not enough. But I really need to sort through them again. They’re still in order from my last major work with them, and that’s not great…
Also: Koh-I-Noor makes a set of Progresso woodless colored pencils very similar to Cretacolor’s Monolith woodless graphite pencils, which I would recommend if only for the fact that they lend much more expressive marks, in addition to the ability to “wash” an area with the flat of the side of the tip (if that makes sense).
No, they aren’t paying me. 🙂 And no, you don’t need to buy them. 🙂 But I might start carrying mine, with me. The issue is how to carry as little as possible, and still enough.
I think I feel better, now, after having written that and gone through my backposts. It’s good to have a sense of continuity. That is what I set this blog up for, in the first place…