Well, I tried to take photos of what I was doing, tonight; unfortunately, only a few of my shots came out as even passable, because I was too close for the camera to focus. I can try again, another day.
I was, however, able to improve my skill with fly stitch, a lot. The image to the left is the culmination of that, for tonight. Essentially, fly stitch is a straight stitch tacked down somewhere in the middle so that it forms an angle.
I had been intending to try and make an image of a fern (thus the color of this perle cotton thread), or of a pepper tree. As I was working this, though, I found that the legs of the stitch looked…like pine needles!
I also learned that not everything has to be symmetrical, though I had been aiming for that, just to gain a decent sense of control. What I ended up having to do was account for the amount and direction of pull the thread (in this case, size 80 H.H. Lizbeth crochet thread) would exert on the underlying fabric.
It’s kind of like archery, that way: in archery, one has to account for the peculiarities of one’s bow and adjust one’s aim away from the target, in order to get the arrow to go where one wants it to go.
In this case, I couldn’t line up the second needle piercing of the fabric with the first one and put the third hole directly centered between the two…because that consistently gets me skewed V’s. I have to aim up and above the first stitch, and make the V wider than I think I need to. If it’s too wide, adjusting tension can help fix that (though I don’t know if that will have lasting effects later on down the line).
Anyhow…it would make more sense if I posted a video, but I’m very new to working with video! The point is, I have to compensate for the give of the fabric and the tautness of the stitch, to make things do what I want them to do.
I was very happy when I made the above little sprig. Before I lay down the stitches, I did a running stitch where I wanted to lay down the twigs, then made a small stitch at the tip of the frond, then did fly stitch until the pine needles would bump each other, and moved on to the next bit. It looks really bad if I put all the needles in, before planning where the branches will be…
…and it does remind me of painting, a bit. Experience in drawing did help me here, too.
The above is an edging sample I was toying with, last night: it’s something I would use to try and reinforce an edge (though I’m not sure it would work!). I’ve started on a different version with light blue crochet thread, but all the photos of it came out wonky. With this one, even, you can’t even really tell that I was making half-hitches with the thread over the edge of the hem, because the white is so washed out, but that’s where the pattern began.
Right now I’m thinking of trying a different camera next time; this was shot with a simple point-and-shoot, when I think a macro lens is called for.
But anyway, those violet things are little upside-down tulip stitches (basically a combination of a petal stitch [see below] and fly stitch). It helps that each one takes up about two repeats of the half-hitch pattern. The white cotton is DMC perle cotton crochet thread (Size No. 20), while the pink and purple are DMC embroidery floss (I mentioned last entry that they behave very differently when stitching over an edge — due to the fact that the perle cotton is round in cross-section, and the embroidery floss, is not).
By the way: I did absolutely make it out to the lace store, today. I have three little spools of perle cotton thread which are somewhere between being like a sewing thread in diameter and the DMC No. 20; and one spool of light blue DMC No. 20, as I’ve found pure white to be harsh. I’m hoping to put a herringbone pattern (and possibly edging) on one (or more) of my collars!
I’ve also found that I have consistent “likes,” where it comes to color and color combinations. I can stick with this for now and then branch out, but I find I’m drawn to green, rose/pink/violet, and blue. (I got some Fat Quarters at a different store [little bits of cotton fabric] and was surprised that I had, indeed, picked coordinating colors!)
And…yes…there are a couple of things about that experience that strike me. One is that it expands my options exponentially when I think about doing things for myself, just because I like to, instead of planning to try and monetize them.
Also, this may fill the hole that was left when my local bead stores went out of business (I picked up a rotary cutter and some templates, which…enable me to work on quilting!). The fine handwork portion is there, and the color play portion is there. And if I get good enough, I can even try to enter the State Fair competitions…
Yeah…maybe I shouldn’t think about that too much right now, and get back to what I’m working on…
To the right, is the third photo which came out clear enough (and interesting enough) to post, tonight.
These are those maple leaves I was talking about before, which grew out of an attempt to make a six-petaled flower, until I made two petals different sizes and just decided to go with it. So the points are individual petal stitches, arranged in a circular fashion around a central point.
I’m pretty sure that these leaves were made using all six strands of the DMC embroidery floss, meaning I had to use a large needle, which made a large hole in the muslin. I’m pretty sure that there is a large danger of ripping through the fabric at the center, there.
I can see that the botanical theme I’ve been drawn to in Art, is also working itself out, here…I’m kind of wondering if it would be worth it to research floral patterns and nonfigurative art, in light of that.
Anyhow, tonight was…just really kind of awesome, especially when I figured out how to fix the problems with the fly stitch I was working!
I also did some work on re-teaching myself slipstitch, from my hand-sewing class, a long time ago. Right now I am not sure if I want to do quilts or embroidery or garments, more (or all three, meaning I’d have to shift energy and resources): there is a couture sewing book I have right now which is awesome for learning to construct garments by hand (no machine stitching). I’m not sure if I should try and find a copy to put in my permanent collection, or not, or just read it and Xerox what I need to remember.
Of course, a lot of that hinges on whether it’s even available…