Thinking ahead: webcomics?

Taking a brief hiatus from my color work to think on something that caught my imagination last night.  This is the concept of publishing:  specifically, a webcomic.  I had (and have) been thinking on traditional printing, but if I wanted to work in full color, the economic barriers are much lower online; and my potential audience, much higher.

Of course, though, I’m planning on becoming an Information specialist, so I don’t…think? I would have to worry much about being paid.  If I learn web coding, I can also publish this in the manner I choose.  If I printed this stuff, though, it would be a financial loss not to charge for it.  Economically speaking, it’s still a loss if I spend time on it instead of doing other things, but if it makes me happy, that’s something else.

Part of what spurred this off was having run across an old posting of my own, which reminded me of a resource I’d forgotten (now found).  It is only a few pages of notes and a false start for something that looked more like creative nonfiction than a script:  but these are enough to spark off that which I did have in mind, back then.  As a note for the future:  I really should have recorded that dream I referenced, close to the time I had it.  Making it public is better than losing it entirely.

From what I can recall, it tied in my old/first fictive story (dealing with kind “demons”) with the latter/newer one (dealing with mental illness), and a few things wandering around my head which have to do with varying notions of immortality, the paranormal, ghosts, and aliens…it’s not what it looks like, let me assure you.  (This is not the one about the ex-Buddhist warlock [that one could be really fun to write, actually], or the one focused on jewelry and environmental exploitation.)

And now, right, I’m thinking that comics publishers must need librarians, too.  The major issue is that I am now on a data organization and retrieval path, not a Special Libraries one.  But we will see what the future holds.

Ah, wait:  nah.  My current path looks hella more adapted to me specifically.  😉  I’ve actually gotten a bit distracted by this at the moment, though.  It would seem “fun” to work as a librarian for a publishing house, especially where it comes to comics, but I am guessing that those jobs are few and far between.  I’ve also read that traditional publishing is shrinking due to Web influence (not to mention self-publishing), but I can’t recall where or when I read that.

Especially because I’m more of an indy type (when it comes to my own interests)…I think…than a DC or Marvel type…and as the print commercial comics world would seem to be dominated by males (even, it seems, when the target market is female — which doesn’t…really make sense), I could foresee some challenges (not least, being called to represent “women” when I don’t consider myself a woman).  But I’ve been the first female to do a lot of things, which is probably why I needed the shelter of Library & Information Science in the first place.

I have a couple of pages of little scribbled notes here from about 2 AM last night; I’ll see what I can make out.  The first portion of it is a thumbnail for a drawing/painting which I didn’t get to work on, today (I didn’t really wake up until 2 PM, which left me with three hours of daylight).  I had been thinking of working that painting on a small tile and seeing what became of it, but I think it is better to work with the precision of watercolor, as versus acrylics, right now.  Acrylics don’t require masking, but detail can be difficult to obtain on a small scale with heavy-body paints.

Anyhow (this does relate to my notes), through the rest of this week, Blick appears to be having in-store holiday clearance sales.  I’m pretty much too sick to risk going (I’m hoping to be healed up enough not to be immediately infected by something else, by the weekend), but it did get me thinking on what I might try out if I could.

At the beginning of last night’s “trying to go to sleep” stint, I was trying to figure out how to do layout without resorting to my Wacom.  There’s nothing wrong with it; it’s just old and kind of awkward to use (where do I put this when I’m not using it?), and without Adobe Illustrator or another vector-drawing program (or maybe the Pen tool in Photoshop CC, which isn’t available in Elements), its uses are limited where it comes to comic production (scribbling in color fills on Photoshop is less than ideal, though I wouldn’t know about this unless I had been exposed to Layer Masking some years ago).

At some point I did realize that I could outline a selection, then use Paste Into Selection in order to insert a scanned drawing into a page that I could later publish, maybe as a .PDF.  Thus, there is no need for me to make a completed page, then scan it in and only do cleanup on it.  So long as I have a template or rough draft of what I want, and keep the images I’m inserting to the right ratio, I should be able to scale and insert the image, and assemble the page using software.  This basically negates the need for a translucent painting foundation like Yupo (of which I had been thinking about getting a tiny pad [should it exist] to try out).

Basically, last night I was trying to figure out how to transfer knowledge of a finished layout from my layout paper over to Bristol board or hot-press watercolor paper for coloring, in some way so that I wouldn’t be drawing the same thing three times:  one rough, one on Layout paper for inking, one which would allow water-based coloring media (though the same is possible by scanning the lineart and then adding color at 100% transparency on the computer).  Yupo would solve this problem by being the paper used both for inking and for coloring (there is a translucent variety), but it’s pretty expensive.  I also don’t know if the inks will stay put on it.

LOW-TECH, BABY.  😉  Well, kind of…?  Not really.  Yupo is polypropylene.

I probably should have marked the time that I realized that I didn’t have to pre-assemble the images, but I didn’t.  😉  In any case, I can create the images separately, even if on Yupo (allowing for disastrous failure) and then assemble them on the computer.  This method also allows for higher-resolution scans, though I’ve experienced my last instance of Photoshop (not the current one…yet) to be a bit irregular where it comes to what resolution anything is kept when imported into a new file.

I should also consider utilizing my Wacom with Creative Cloud services…(or saving money for a newer Wacom, with Creative Cloud services.  The biggest issue for me is whether they will stop billing me when I tell them to stop billing me, and what I can do if they don’t.)

I am also in the process of realizing that there are a number of possible visual formats one could utilize to publish a webcomic, and at the moment, I’m not sure which is best — or which will utilize the least amount of programming knowledge!  Today I started looking through the Reader here for examples, and found a really nice webcomic, Brainchild by Suzanne Geary.  It seems to fall in line with something I would like, at least aesthetically (I haven’t gotten the chance to read much of it, yet, so the story is a bit beyond me at the moment).

The largest issue I can see with web publishing is the scale factor:  how to make sure that the text in my images is actually of a size that is readable, and that the images are actually large enough to appreciate, even on a tablet.  It isn’t so much of an issue when part of an image is given and then the reader scrolls down to get the rest of the panels, but putting a complete page onto a computer screen…may be different.  It would also be different if I designed the pages to be able to be printed and bound, as versus simply read online…which, I’ve gotta say, at this point I’m leaning against, if only because it will make it more difficult to rip off.  😉

Well, yes and no.  🙂  Not only will it make it more difficult to print, it will be vastly easier for me to produce.  ^_^;;  (Yes, I have indeed tried to use bleeds and gutters…the post-print binding and trimming of which, is probably the biggest pain about any of this.)

Gah.  I’ve got to find some way to learn to code…

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paintedstone

Haru ("Codey") is a second-year Master's student in Library and Information Science, hoping to find a way to fuse their desire to make the world a better place and to finance their art.

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